creativity

A Year of Yes: Be a Young Person’s Carl Sagan

This week I was watching an episode of Cosmos, and Neil deGrasse Tyson told the story of how Carl Sagan invited him to Ithaca when Tyson was just 17 years old and growing up in the Bronx. Sagan encouraged him to pursue his passion in science. It was a pivotal moment in Tyson’s life, a moment he’s never forgotten.

That’s the power of mentorship, of caring about the future and the success of young people. Carl Sagan had plenty of other ways to spend his time. He chose to make time to help young people, to support their dreams and aspirations, to share his love for science.

Whatever your talents, I hope you’ll find a way to use them to help our youngest generations. They need us, and we need them.

creativity

A Year of Yes: Mark A. Smith’s story of surviving and thriving

Mark A. Smith posted this story on LinkedIn this week. It was so powerful for me that I have to share it with all of you. My favorite of his learnings detailed here: “No one learns in the middle of a crisis. Survive. Breathe. Reflect.” If this doesn’t personify the power of yes, then I don’t know what does. Thank you, Mark, for you bravery and tenacity. I’m so glad you’re still with us.

“23 years ago today my parents and doctor walked into my ICU room, held my hands, and told me I had only a few months to live. I had a rare disease called Wegener’s Granulomatosis and had 18 tumors throughout my lungs, kidneys, and airway.

16 years of chemotherapy, 200,000+ pills, 34 surgeries, and a million prayers later and I’m still around to annoy everyone on LinkedIn. Here is some of what I’ve learned — I’ll hope you find some value:

– We have the capacity to find joy in all things. A negative attitude is worse than a tumor. The best of life can come from the worst of life.

– Everyone has a difficult trial. Everyone. Be compassionate.

– When your looks get taken away, you better have a solid character or you’re screwed. – Priorities are revealed when abilities are stripped. Put them in order before life forces it upon you.

– No one learns in the middle of a crisis. Survive. Breathe. Reflect.

– Life is too short to take offense. Assume the best and move on. One day our children will struggle. We must endure our own trials so that, when needed, we can look in their eyes with perfect credibility and say, “I’ve been through the same struggle. I know your pain. You can do this.”

Happy New Year, my friends. Thank you for all you add to my life.”

See Mark’s post here.

creativity

A Year of Yes: Science and art – two worlds not so far apart

Science and art are not mutually exclusive. There’s so much cross-over, so much cross-inspiration. Be a scientific artist, or an artistic scientist. They are languages, forms of communication about the experience of the world and our place in it. They are dialogues. They are stories of discovery and chance and change. Find them, write them, and share them as clearly as you can. It’s all beautiful.

creativity

A Year of Yes: The gift of the cold gave me the view of Emerson Page

I got a gift from the frigid cold in New York City. It gave me the chance to physically walk in Emerson Page’s footsteps.

Walking down Fifth Avenue, the air was so cold that my lungs hurt. I couldn’t wait to get to the warmth of the Met a few blocks away. I tried to distract myself by looking at Central Park. Around 75th Street, I stopped short. People were walking on ice, but there wasn’t a rink there. I couldn’t believe it. It had been so cold for so long in New York that the boat pond was frozen. Not ones to be deterred by signs of danger and warning of any kind, New Yorkers were walking on the pond. I smiled and kept walking.

A few blocks away, I stopped. I turned around. In my novel, Emerson Page and Where the Light Enters, Emerson goes out into the middle of the boat pond when she’s most fragile, turns to face the Alice in Wonderland statue, and descends how into the Lake of Possibility where her life changes forever. This was my chance to see that view in real life the way I imagined it in my mind.

Was I really going to stand out in the freezing cold just to look at the view of the world from Emerson’s perspective? Yes. Hell yes. I ran back to the Children’s Gate entrance of the park and down to the boat pond. Like Emerson, I was a little timid in those first steps on the pond, and then glided my way to the middle of it. I took in that view of Alice and couldn’t stop smiling. My eyes got a little bit teary. It was just like I imagined it would be.

I said a silent thank you to the setting sun and to beautiful Central Park and to this amazing city that never stops inspiring me and my work. The cold gave me this magical moment to step into Emerson’s world, to be right in the center of it, and I was so grateful. Right now, I’m exactly where I need to be. Yes, this is home. Like Emerson, this is exactly where my life changed forever, too.

creativity

A Year of Yes: Making time for Michelangelo at the Met

“The wait’s going to be at least an hour.”

That’s what one of the guides said to me at the Met when I inquired about the insanely long line to see the exhibit Michelangelo: Divine Draftsman and Designer. I almost left without seeing it. Almost. But then I remembered my commitment to say yes more often in 2018 (even though it was still 2017.)

So I wound my way through multiple gallery spaces and parked myself at the very end of the line. I knew it would be crowded; I doubted I would be able to get up close to the pieces. And that was okay with me. I just wanted to be in the presence of the work. So I waited. For about 10 minutes, not even close to an hour, and then I was there. The first part of the exhibit was crowded but I was able to get up close to the work in many of the galleries. Very close to it.

“Yes, I’ll stay in line” was the right answer.

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Toward the end of the exhibit, I came to this placard. It’s short story hit me right in the gut. I audibly gasped. To give the illusion of perfection, to hide his process and his struggle in his work, Michelangelo burned many of his sketches. He wanted people to think his talent was effortless and god-given even though it was far from it.

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Think of all that lost work. Think of everything we could have learned if he hadn’t been so concerned about the illusion of perfection.

I sat there in the middle of the exhibition and thought about how afraid we all are to show our stumbles and missteps, how we savor the performance and cringe at the endless practice it took to get there.

When I left the museum, I turned and looked back at the building in the cold, dark night. I was so glad and grateful to be able to come to this museum any time I want, to live in a city that build castles to creativity. And as I looked at the Met, I thought about how much art has changed my life. And how much effort, how much beautiful effort, it takes to be an artist of any kind.

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What if we could all commit to being a little more authentic, to sharing when we’re lost and confused and unsure of how to proceed, to asking for help? What if we could be okay with admitting failure and defeat because accepting them while not being discouraged by their existence gives us resilience and confidence? Imagine what we could learn, what we could inspire, and what we could teach others in the process. I say, yes. Let’s.

creativity

A Year of Yes: Show your work – a lesson from Matisse

Pentimento is Italian for “repent” though its colloquial meaning in the art world is a bit closer to “show your work”. If you look at a number of Matisse’s drawings, you can see that he left his erasure marks so that we can see where and when he changed his mind and how often it took him multiple tries to get his work exactly the way he wanted it to be.

When I look at the path of my life, I see many pentimentos, places and traces of changing my mind, trying something new, exploring, and traveling in a new direction. Like Matisse’s sketches, you’ll see the marks if you look closely enough. And that’s okay with me. I don’t erase the mistakes of my life; I just re-arrange them. I put them in perspective. I try very hard to learn from them and be a better version of myself as a result of having lived through them.

I hope that as we begin a new year after what was a very difficult one, we’ll find a way to take a page from Matisse’s book. Let’s make use of our collective pentimentos so that we can craft a much better future together.

creativity

2018: A Year of Yes

My 2018 resolution can be summed up in one word: Yes. My friend, Ria, recently told me about an article she read in which the author explained that when you commit to saying yes, your day ends up in a completely different place than where it started. And I’m all for that. Yes to:

    • adventure
    • travel
    • learning
    • passion
    • creativity
    • exploration
    • joy
    • opportunity
    • community
    • building a better city, country, & world
    • kindness
    • helping others

I’m going to make 2018 the best year of my life so far in every way. And I’m going to lift others as I rise. We’re doing this.

creativity

What I learned in the pause of 2017

2017 started on a difficult note for many of us, and so it ends that way for many people, too. 2017 has been a series of near constant ups and downs. Month-to-month, day-to-day, and sometimes hour-to-hour. A lot of unexpected change came my way—I moved back to New York from D.C., I started a new job, and I published my book. I said a tearful goodbye to several people whom I dearly loved as their souls crossed over to continue onto the next leg of their journey. I kept many friends close, reconnected with people whom I haven’t seen in years, and welcomed brand new people into my life. I tried to be mindful and grateful every day, and to make the best of the good and the bad.

I thought long and hard about my life—what I love and what needs to change. Explored new ideas, passions, and interests. I’m most proud of the fact that I didn’t give up, even in the face of extreme difficulty and adversity, and that I continued to stand up and speak out for myself and for others. I kept showing up, listening, and doing my best, and in 2017 that often felt like a vertical climb. I found that if I could pause and breathe, then I could steady myself and continue.

There were absolutely times that I wanted to crawl under the covers and hide, and for a few days out of the year I did just that. But never being one to rest easy, I found a way to quickly get my feet under me again so that I could keep inching forward even if I didn’t always know where I was going nor what I was doing. I continued to tell my story, and that in and of itself is often the bravest thing we can do. To not be silenced, to not let someone else shape our narrative, to take our days in our own hands and mold them as best we can. That is a win, even if it doesn’t always feel like one.

Some days I created what felt like strong, solid work, and some days I just crashed and burned. Those crashes were painful, and necessary. And in all those days, I learned something. It wasn’t always the lesson I wanted; it was always the one I needed.

So now as we round the corner to 2018, I feel a sense of urgency, a sense that I have licked my wounds and healed and grown in leaps and bounds in 2017 so that 2018 could be the turning point it needs to be. I can’t think of a year when I’ve felt this much anticipation and excitement, this much responsibility to keep reaching and climbing and helping and appreciating and giving. I’m under no illusion that 2018 will be easy; I do know in my gut that it will be far different from any of my previous years. I’m prepared to be surprised, and to meet those surprises with openness, grace, and courage.

I wish you a monumental year in 2018, a year in which you live exactly the life you want on your own terms. I’ll see you there. Happy new year.

creativity

In the pause: Interview about my book on Cheddar

A wonderful way to close the last week of 2017: a live on-screen interview on Cheddar about my book, Emerson Page and Where the Light Enters. Thanks so much for to the team there, especially hosts Baker Machado and Jill Wagner, and to expert publicist, Dan Fortune. Happy to give thanks and shout-outs to the Metropolitan Museum of Art, my inspiring home city of New York, and National Novel Writing Month. Watch the interview here: https://cheddar.com/videos/what-it-takes-to-get-a-novel-published

creativity

In the pause: My live on-screen interview on Cheddar

Screen Shot 2017-12-27 at 5.34.04 PMI’m so excited to share that I’ll be doing a live on-screen interview about my young adult fantasy book, Emerson Page and Where the Light Enters, on Friday at 1:30pm Eastern on Cheddar. You can tune in at Cheddar.com, cheddar.twitter.com, and www.facebook.com/cheddarlive/. I’ll post the link to the interview on Friday afternoon once I have it. Thanks for all your support on this journey with special thanks to publicist extraordinaire, Dan Fortune.

More about Cheddar:
Cheddar focuses on covering the most innovative products, technologies, and services transforming our lives. The programming is available on Sling TV, Amazon, Vimeo, Twitter, Xumo, Pluto TV, and 60 percent of smart TVs in the U.S. They also stream live on Facebook and on Twitter’s homepage during certain hours. Certain Cheddar hours also air on Fusion, the cable news network available in over 60 million homes.

Other past guests include Ford CEO Mark Fields, CBS CEO Les Moonves, Starbucks CEO Kevin Johnson, Thrive Global Founder Arianna Huffington, T-Mobile CEO John Legere, New York Stock Exchange President Tom Farley, Hearst Magazine CMO Joanna Coles, Twitch founder Justin Kan, Neil deGrasse Tyson, Tory Burch, Tony Robbins, Kareem Abdul-Jabaar, DJ Khaled and more.

Here are links to recent interviews with Will.i.am, SNL’s Kenan Thompson and Lea DeLaria. Check out their sizzle reel, too.