Really proud to be a finalist for the Public Voices Fellowship on the Climate Crisis with The OpEd Project at the Yale Program on Climate Change Communication. They had 445 applications this year and though I didn’t get one of the 20 fellowship slots, as a finalist I will have some incredible opportunities this coming year to sharpen and hone my climate change storytelling. Please join me in congratulating this year’s fellows.
On the Calm app, Matthew McConaughey reads a sleep story titled Wonder. In the earliest days of my cancer diagnosis and treatment, in the middle of the pandemic before vaccines when death tolls were skyrocketing, I waited for biopsy results and surgery. I would lie in bed praying for sleep, knowing cancer was in my body. I’d often wake up in the middle of the night—alone, afraid, and lost.
I would turn on Wonder, and Matthew McConaughey’s voice would help me escape from my panicked and fearful mind. I needed to build my own anchor, and that story one was of my tools. It features a 7-year-old girl named Zoe who loves dinosaurs, art, and the cosmos. Her stargazing grandfather is wise and kind, and lives on a lake. When Zoe can’t sleep because of her worries about the world and her future, he reassures her of the beauty and comfort we can find in the darkness if only we are willing to step into it with curiosity and courage.
In those nights of drifting liminal space, caught in the sea of time between no longer and not yet, between living and dying, between this world and what’s next, Zoe, her grandfather, and Matthew helped me became limitless, fearless, and amazed. They kept the tiny light within me burning bright. Awe became my salvation.
I was Zoe, and her grandfather and Matthew were my guides. They reminded me again and again that in this moment, I was alive. “What might happen in the future can’t happen now,” they assured me. That truth was my North Star and I clung to it like the life raft that it was. I listened to this story so many times that I could recite it from memory.
Now, over two years cancer-free, I’m in the midst of re-imagining my future home and career. Recently I woke up in the middle of the night, concerned about what’s ahead. I listened to Wonder again for the first time in a long time. Again, as then, Matthew, Zoe, and her grandfather soothed my worried mind. They reminded me of how far I’ve come, how far we’ve all come, since those terrifying nights when, in the wise and timeless words of Ani DiFranco, self-preservation was a full-time occupation (and then some.)
When we are most unsure, we can be certain of this: if we can find something, anything, to help us hang on, there is so much beauty and wisdom to be gained in the struggle. Someday, our struggle and triumph will be the inspiration that helps someone else survive their own long night. That is reason enough to keep going—to have the honor of paying it forward.
“50 years on, my children’s children will sit down to watch these [Harry Potter] films. Sadly, I won’t be here. But Hagrid will.” -Robbie Coltrane, Scottish actor
This is the most true thing I’ve ever read about art and the motivation of artists. It’s our chance to be immortal, to get down stories and put them out into the world. They will be here long after we’re gone. Someone will see them or read them or hear them and a part of us will be there. Our energy, our hopes, our dreams, our fears, our disappointments, our joy.
It will mean something to someone across space and time who we never had the honor to meet on this plane. And maybe they will feel less alone.
They will find in our art someone like them, someone who validates everything they’re feeling, someone who makes them feel seen and heard, who helps them see that they matter. Art is the gift that never stops giving. It becomes our home, in the truest sense of the word, the place where we will always belong.
This week we lost Robbie Coltrane, the actor who immortalized Hagrid, a character who is dear to so many of us. His memory lives on in his work and his art.
“If you want to build a ship, don’t drum up people to collect wood and don’t assign them tasks and work, but rather teach them to long for the endless immensity of the sea.” ~ Antoine de Saint Exupéry, author of The Little Prince (among many others)
Today I want to talk to you about how storytelling has a vital role to play in saving the planet. Over the past few weeks, I’ve been consumed with getting ready to start my new graduate program in Sustainability Leadership at University of Cambridge. I’ve completed my first set of assignments and the first (very long!) reading list. I’ve read well over a thousand pages of documents, reports, data collections, and science journal articles. I have 10 new books on my to-be-read list, many relating to the connections between the economy, nature, and societal structure. It will come as no surprise that much of it is bleak, and there is some hope sprinkled in here and there.
Here’s what I didn’t find on a single page I read: what will our world look, feel, sound, smell, and taste like when humans learn how to live on this planet in a sustainable way?
The science matters. We have to have the reporting and data to show what’s happening in real-time right now, and explain what can happen if we don’t turn things around and fast. We need the urgency provided by the dire warnings. The doomsday scenarios are true possibilities and we’re on a collision course with them.
We also have to give people hope by explaining all we stand to gain if we change our ways, systems, governments, businesses, cities, economies, and — here’s the kicker — our values.
For decades we’ve been obsessed with efficiency and convenience, and in the process have caused a massive number of extinctions and destroyed priceless ecosystems that we’ll never see again. We stand to lose much more if we don’t realize we must value nature because nature underpins every aspect of our lives and livelihoods.
We have no future without nature and we need to wake up to that reality.
I’ve been thinking a lot about what it would take to give people an experience of what a truly sustainable world will be like. How can we make it an experience that sticks with people long after the experience is over, motivates them to make changes in their lives, and causes them to demand change from the businesses they patronize and the governments of which they’re citizens?
How can we, in the words of Antoine de Saint Exupéry, make them long for the healthy, thriving, clean sea, literally and figuratively?
I’ve been immensely inspired by the immersive exhibits that are all the rage right now — Van Gogh: The Immersive Experience and Imagine Picasso are two examples of the tech-centric, projection-based exhibits that are everywhere. In February, The New Yorker wrote a long, exceptional piece on this trend. For many years, I’ve been a fan of immersive theater like the wildly popular Sleep No More that’s a bit like Clue meets haunted house meets Eyes Wide Shut, complete with masks for all guests so you feel like you’re at a costume party. Since I was a child, I’ve loved choose-your-own-adventure stories. And let’s be honest; I still love choose-your-own-adventure stories.
So here’s my proposal — what if we take the:
technology of immersive art exhibits
participatory storytelling of immersive theater
user-guided choice of choose-your-own-adventure stories
science of climate change
to not tell, not show, but allow people to experience how climate change will look, sound, smell, taste, and feel if we continue on our current trajectory and if we make the needed, massive changes to save the planet, save ourselves, and save all the species who call Earth home? There would then we an online component that would connect people to one another and provide support for making the changes we need and charting collective and individual progress because as we know, what gets measured gets done.
Would that be a way to use multi-sensory storytelling as a tool to motivate people, open their hearts and minds, and give us a fighting chance at building a sustainable society together? If executed flawlessly and meaningfully with heart, I think this might be part of the solution we need that doesn’t yet exist. What do you think?
Smartphones have turned all of us into photographers. We take pictures of our friends and family, our food, pets, art, selfies, sunsets, gorgeous vistas. If we can see it, we’re taking photos of it. Smartphones changed the way we see and capture our world and experiences.
Less than a year before the pandemic started, photographer Amy Selwyn gave herself a gift that completely and unexpectedly changed nearly every aspect of her life. A trip to Cuba not only transformed her career, but it gave her a totally new way of seeing the world and her place in it.
At the end of the podcast, I share something that brought me joy this week related to the episode. As she adjusts her life to make room for making more art, she’s downsizing her home. That inspired me to re-arrange my own home and declutter my life. Apartment Therapy is an Instagram account and website that offers fantastic ideas on how to organize and decorate a small space for it’s beautiful and functional.
Topics discussed in this episode: – How Amy got interested in photography – Traveling to Cuba and falling in love with street photography – The joy of being a beginner – Discovering and living out your passions at any age – Mental health and the artist mindset
About Amy: Amy Selwyn is a writer and fine arts photographer, and an utterly devoted dog mom to a sassy and adorable French Bulldog.
Amy spent over 35 years working for and with news organizations around the world, including the BBC, The New York Times, the European Broadcasting Union, and The Associated Press. Stories and storytelling are a lifelong passion.
Amy is currently in a 3-year MFA program at Maine Media in Rockport, Maine, studying photography. This month, Amy will have one of her works in a juried show at the South East Center For Photography in Greenville, South Carolina.
Originally from Hartford, CT, Amy and her beloved pup are currently based in Portsmouth, New Hampshire.
In June 2022, I had the great good fortune to speak to my professor, mentor, and dear friend, Dr. Ed Freeman from the Darden School, on The Stakeholder Podcast.
how writing my Emerson Page novel trilogy saved my life
my live storytelling shows, screenwriting, and passion projects
my love for history, being a NYC tour guide, and how I got a tattoo live on stage
how product development helps me as a writer, and how being a writer helped me as a product developer
living through difficult times and mental health challenges through creative work
my multi-faceted and varied career
making a living through a creative life
business and product development
building a better, more sustainable world
Ed is a treasure. He’s been one of the greatest influences on my work and life. He recently won University of Virginia’s highest honor: The Thomas Jefferson Award. Ed’s pioneering work on stakeholder theory changed the way we think about business and how businesses all over the world make decisions to create value.
If you’ve ever used the word “stakeholder,” you can tip your cap to Ed. His writing about sustainability and stakeholder theory is what put UVA’s Darden School on the map for me, why I applied, and why I was honored to attend and graduate from the school with my MBA. He changed my life in incredible ways and I’m forever grateful for him. Thanks to Ed and producer, Ben Freeman, for having me on the podcast as a guest.
Think you can’t find joy in an airport? Think again! Felicia Sabartinelli is a seasoned world traveler and once you hear her wax poetic about airports, you’ll see them and experience them differently. She explains that airports are the rarest of gems that help us to discover “a state of childlike wonderment.”
At the end of the podcast, I share something that brought me joy this week. It was a stressful and frightening one for me, and I say a heartfelt and grateful thank you to the Animal Medical Center of New York doctors and staff who saved my dog’s life when I was afraid I may have to say goodbye to him too soon.
The Joy of Airports with Felicia Sabartinelli
Topics discussed in this episode: – Felicia’s definition of joy – The importance of finding joy during the most challenging times – All the places to find and experience joy in an airport – How airports are becoming a destination – Felicia’s travels to Spain, Turkey, Iceland, Sweden, China, Alaska, Finland, Mexico, Jamaica, and Austria – Her upcoming book, Good Girl – Writing while traveling – The Denver airport and the mysteries it holds – The art of the Seattle airport – Her upcoming Masters program in the UK – How the joy of musicals found their footing in society after WWII
A little bit about Felicia: Felicia Sabartinelli is a fifth-generation Coloradoan whose poetry and personal essays have been published in major magazines, newspapers, and anthologies. Many of her personal essays are still in wide circulation today like, My Miscarriages Ruined My Marriage, The Invisible Hierarchy of Grief which recently won a Writer’s Digest award, and I’m So Allergic, Event Fruits and Veggies Can Kill Me. When she is not writing, you can find her acting, painting, traveling the world, binge-watching her favorite TV shows, or speaking on the topics of creativity and self-realization.
In this episode, Carolyn shares her journey and joy behind the microphone as she lifts up the stories of her guests.
At the end of the episode, I share the tools I use to create JoyProject: Zencastr for interviews, Otter_ai for transcripts, WordPress for the website, Headliner Video for audiograms, Unsplash for photos, Anchor for podcast hosting and distribution, Canva for quote posters that I share on social media, & Twisted Wave for audio editing.
This year marks 25 years since the release of Janine Benyus’s book Biomimicry: Innovation Inspired by Nature. The Biomimicry Institute is marking the occasion with a set of videos from biomimicry practitioners about how they got interested in biomimicry. I’m honored to be asked to participate and have them share my journey in this short video. Learn why I decided to pursue biomimicry and how storytelling can help us build a more sustainable world.