Me leading our tour group. Photo by Shannon Carroll.
This is me in my happy place: sharing stories about New York City’s secret past, weaving together narratives about food, nature, and people. My second official Climate Week NYC event was a huge success!
On Tuesday evening, we gathered at South Street Seaport for the NYC’s Secrets & Lies walking tour, Sunken Suppers & Coastal Secrets, as part of Climate Week NYC. Together, we walked through centuries of changing coastlinesโfrom ancient oyster reefs that once buffered this harbor against storm surges to colonial wharves, historic street markets, and the nature-based solutions along the water that are reimagining and rebuilding coastal resilience today.
A huge thank you to the 44 people who bought tickets. You are all stars with insightful questions, boundless curiosity, and great energy for the entire evening.
Tremendous gratitude to photographer Shannon Carroll for capturing the spirit of our group so brilliantly throughout the evening, and to Climate Group for sending Shannon to photograph our event, all the support you gave to us, and an incredible week. ๐
Where should we take our secret history stories next? ๐๐ฆช
All photos by Shannon Carroll for Climate Week NYC
Fraunces Tavern in NYC. Photo by Christa Avampato.
When global leaders, researchers, climate advocates, scientists, and business managers gather across New York City for Climate Week NYC 2026 next week, the conversations will often hover at 30,000 feet. We will hear about carbon offsets, macroeconomic shifts, and international energy policy, as well as companies talking (often in broad strokes) about their actions and programs.
Those high-level summits matter. Yet climate resilience does not start in a boardroomโit lives under our feet, in the streets we navigate daily, and along the shorelines that shape our city.
Long before seawalls and modern bulkheads defined Lower Manhattan, this shoreline functioned as a dynamic, edible ecosystem. Oysters the size of dinner plates stabilized storm surges, tidal wetlands cushioned the coast, and maritime markets fed a growing metropolis straight from local waters and busy sidewalks. The street names we walk every dayโWater Street, Pearl Street, Front Streetโtrace the literal history of how New Yorkers continually pushed soil into the harbor, reshaping the edges of New York’s islands while distancing ourselves from the natural systems that sustained us to make us the city we are today.
Looking at climate adaptation through the lens of history changes how we view resilience:
Rediscovering Living Infrastructure: Oysters and salt marshes were never just food sources; they were natural breakwaters. Rebuilding living shorelines today is not a new inventionโit is a return to an ecological equilibrium that protected these New York islands for centuries.
Understanding What Lies Beneath: When we walk Lower Manhattan, we are standing on layers of ballast stones, discarded oyster shells, historic timber, and sunken treasure. Knowing how past generations transformed the coast helps us understand why these same neighborhoods flood today during severe storms.
Reconnecting Food to Place: A resilient city requires a resilient food web. Examining how New York historically fed itself from surrounding estuaries reveals the urgent need to protect regional waterways, support local fisheries and food-based businesses, and eliminate pollution in our waters, as well as our air and soil.
Join the Walk
We already have a great crowd who’s bought tickets, but a handful of spots remain for those who want to step out of the conference rooms and experience Climate Week NYC from the street level with me.
We will walk the historic paths of Lower Manhattan around the South Street Seaport, examine how colonial maritime trade shaped our physical geography, and discuss how community-driven ecological repair can protect our coastal neighborhoods like this one from rising tides and storms.
Whether you join in person or follow along from afar, reconnecting with the historical geography of your own neighborhood is one of the most powerful ways to ground climate action in reality.
The Togetherhood Takeaway
You don’t need to attend an international summit to build a climate mindset. You can start by observing how your own neighborhood interacts with the living world.
Find What Existed Before Modern Infrastructure: Look up historical topographic maps of your neighborhood (such as the Welikia Project for NYC) or check out exhibits at your local museums. Notice where streams, marshes, and natural shorelines once flowed beneath modern pavement. That historical geography often predicts where water pools during heavy downpours today and opens up our imaginations to what we may be able to restore so that all living beings thrive.
Support Nature Restoration: Back grassroots organizations working directly in your neighborhood. In NYC, we have quite a few including the Billion Oyster Project, local riverkeeper groups, and Natural Areas Conservancy. Restoring native habitats builds long-term natural buffers against storm damage and climate resiliency.
Walk with Curiosity: Take an hour this week to walk your neighborhood with fresh eyes. Notice where rainwater drains, how trees and vegetation exist alongside human-made infrastructure, and your wildlife neighbors.
Next week, I will be sharing a full recap from my walking tour, along with dispatches, field notes, and ideas gathered from events across Climate Week NYC that I’ve attended.
My NYC’s Secrets & Lies storytelling show is heading back to the South Street Seaport Museum on Sunday, March 29th at 3pm. Our first-ever afternoon show and first-ever weekend show. I would love to see you there and I’ve got a special deal available for you!
Buy your tickets at https://southstreetseaportmuseum.org/sports-secrets-lies/. Enter the code SECRETS20 after you put in your billing info and you’ll get the tickets for $12, which includes the show, museum entry, snacks, drinks, and the chance to win a sail on the museum’s 1885 Schooner Pioneer. Did you already buy your tix? Just let me know when you arrive and I’ll give you an extra set of lottery tickets for the prize drawing.
About this show’s theme and cast:
Keep the competitive spirit high with an afternoon of New York Cityโs most incredible secret sports history stories. We’re excited to dive into the grit and glory of the cityโs athletic past, from legendary boxing gyms to behind-the-scenes at the NBA.
We’ve got two special guests for this show (also a first for us!) and they are two elite sports history experts: renowned photojournalist Arlene Schulman, who spent years documenting the raw world of NYC boxing, and Gina Antoniello, Academic Director at NYUโs Tisch Institute for Global Sport and a pioneer in professional sports communications. They will share unbelievable, firsthand accounts of how they broke barriers in NYC sports alongside other rising stars.
Then, the game is on! Public historian Alexa Rast and I will face off in a high-stakes battle, trading increasingly wild mini-stories from NYCโs sports history. All are trueโexcept for one. Can you spot the masterful lie to win an exclusive prize – a sail on the Seaport Museum’s 1885 Schooner Pioneer?
Weโll have plenty of light bites and drinks on hand, included in your ticket. After all, whatโs a sporting event without a snack?
Nellie Bly, c. 1890. Library of Congress Prints & Photographs Division Washington, D.C.
At the top of Women’s History Month, there’s no shortage of women who’ve shaped business in every sector and shown us the economic and human value of heart-centered leadership. When I think of women who’ve given us an example of women who can do anything, the first woman I think of is Nellie Bly.
History often paints Nellie Bly as a two-hit wonder. We know her as the fearless 23-year-old who invented investigative journalism by tricking police into committing her to the Womenโs Lunatic Asylum on Blackwellโs Island. She spent ten days there uncovering the abhorrent conditions and unethical reasons women were being imprisoned there. She wrote the exposรฉ that sparked grand jury investigations and reformed mental health care.
We also know her as the 25-year-old who set out to beat a fictional record, traveling around the world alone in just 72 days with nothing but the dress on her back, a coat, and a single handbag the size of a toaster oven.
But at 25, Nellie Bly was just getting started. Over the next six years, she wrote 13 novels and three nonfiction books. Her most radical acts of leadership were still to come.
Leading with Care and Building an Ecosystem At 31, she married Robert Seaman, the millionaire owner of the Iron Clad Manufacturing Company. She retired from reporting to run his Brooklyn factory. She refused to be a mere figurehead; she rolled up her sleeves, learned to weld, and racked up 25 patents to her name.
When her husband died ten years later, the world expected her to become a quiet Gilded Age widow. Instead, at 41, she fully took control of the company and completely changed how a business cares for its workers.
She built her 1,500 employees an on-site gym, a bowling alley, and a library. She became the first person to pay a living weekly wage instead of paying people by the number of pieces they produced on the line. She knew if she treated people well, they’d be happier, more productive, and more loyal. She took care of her people, and she proved that a business thrives when it nourishes the ecosystem that supports it.
Doing the Work That Needs Doing Her trusted managers eventually betrayed her. They forged her signature and spent nearly ten years bleeding her dry, stealing millions. When she caught them, she went to war, spending years in one of the most bitter and expensive legal battles in New York City history. She refused to let them get away with what they did to her and her workers, ultimately losing her fortune, her factory, and her home in the fight.
By age 49, she was broke.
She didn’t have a mid-life crisis; she created a mid-life conquest. Determined to revive her business, she packed her toaster-oven-sized handbag and sailed for Europe just before her 50th birthday to find a financial backer.
World War I broke out days after she landed in Austria. She didn’t head for a bomb shelter. She saw a job that needed doing, talked her way onto the Eastern Front, and became the first woman to report from the trenches. The military even arrested her as a British spy for getting too close to the gunfire. She told the officers they were doing their jobs poorly, filed her dispatches, and kept moving. She never carried literal or emotional baggage; she took what she needed, left the rest behind, and moved faster than anyone else of her era.
A Legacy of Action Returning to New York at 55, she took a job writing a newspaper column and used it to launch an adoption bureau, placing hundreds of orphaned or abandoned children into homes. She personally vetted parents to prevent fraud and abuse, demanding high standards for the welfare of the children.
At 57, Nellie Bly got pneumonia and died in NYC. She wasn’t a millionaire anymore, but she was still telling stories, giving a voice to the voiceless, and terrifying corrupt politicians by standing up, speaking out, and writing about all of it. She effectively used storytelling as a form of social activism, forcing city officials to address the suffering of marginalized people including women, people with mental illness, and children.
The Togetherhood Takeaway We often view our careers as linear paths. Nellie Bly proves our lives have chapters, and they can all be fulfilling. You can be an undercover reporter, an inventor running a factory, a war correspondent, and a social justice advocate all in one lifetime.
If we’re in the midst of reconsidering our careers and the value of our work, Nellie Bly’s story holds valuable examples for all of us. When we look around and see work that needs doing, we can step up and make it happen. When we see someone who needs help, we can be that support. When history places us in circumstances to be of service, we can serve.
Nellie Bly teaches us our prime isn’t a decade; it’s a mindset. We always have agency; we always have the choice to use what we have, where we are, to do the most good that we can.
What a night! Last night, we gathered in a hidden speakeasy in the heart of the city for a sold-out edition of NYCโs Secrets & Lies: Prohibition.
There is nothing quite like the energy of a room full of New Yorkers leaning in to hear the hidden histories of their city. I am so proud of the community we are building with this show.
A massive shoutout to our storytellers Melissa, Bethany, Margo, and Taylor who were phenomenal! And as always I have unending gratitude for our amazing audience, and my friends Ashley, Vicki, and Erin who care so deeply about this show and always provide me with such excellent advice, input, and counsel.
If you missed this one, don’t worry! We have two shows coming up in March and April, both back at the South Street Seaport Museum – the history of NYC sports and the history of women who defined the NYC waterfront! Your $15 ticket includes our storytelling show, the museum exhibit, drinks, & snacks. Links to buy tickets:
For the December NYC’s Secrets & Lies storytelling show at the South Street Seaport Museum, I baked 300+ cookies for our guests. All the recipes had a historical backstory and a maritime connection to match the theme of our show and the beautiful venue.
Iโve gotten messages asking for the recipes and the stories behind them, so here they are! Swipe through the photos to find the recipe cards and the history behind each cookie.
I hope you enjoy baking up a bit of NYC history with:
– The Captain’s Lie (New Amsterdam Lemon Jumbles)
– Sweet Corruption (Spiced Molasses Gingerbread)
– The Original Hustle (Dutch Shortbread Trefoils a la the Girl Scouts)
Since itโs cookie season, I’d love to see your baking pics! Happy baking!
Ashley Semrick, Erin Hunkemoeller, Carla Katz, and Christa Avampato
I’m proud to share that the NYC’s Secrets & Lies holiday show this week about secret NYC maritime history at the South Street Seaport Museum was a huge success! I’m still GLOWING from all the good cheer.
This show is a dream passion project for me, and I feel so lucky to do this work. The phenomenal storytellers, the engaged and joyful audience, and the perfect museum partner team and venue made for such a special holiday celebration. I’m beyond grateful to everyone who came out to the show.
We had a packed house that enjoyed a special evening of history and stories, complete with snack table filled with historically accurate treats that all had a backstory! This event was our first location-based event; all the stories were thematically linked to the space where we performed creating an immersive environment where the audience didn’t just hear the stories but could feel them.
It was also a powerful case study in the critical value of collaboration. Working with the Seaport Museum team was seamless, proving that when partners share a clear vision, we can create an immersive meaningful experience for our audience that stays with them long after the show ends.
Live events are a masterclass in crisis management. As the creator and producer, successfully navigating the unexpected is part of the job description. Though it might sound crazy to some, this is what I love about producing: problem-solving, thinking on my feet, and taking care of everyone involved in making the show possible. The ultimate reward is delivering a high-quality experience for the audience and seeing the talented storytellers shine.
A little behind-the-scenes secret – I was more nervous about this show than any show we’ve ever done. Between my back injury, the cookie baking, a brand new venue with a brand new partner, this being our first location-based show, and a last minute emergency I didn’t expect, my natural stage fright was flying high. But through collaboration and partnership and joy, it all worked out. Once I focused solely on the storytellers, our audience, and our museum partner, the nerves finally faded. We are always stronger and better together.
And good news (a la Buddy the Elf!): I saw a dachshund outside the museum as I arrived and another dachshund outside the museum on my way home. My Phinny is always with me!
Thank you again to the phenomenal team, the storytellers, and everyone who came out to support live storytelling and New York history. This is proof that focused passion and strong partnerships can achieve anything!
Below are some photos from the show. Happy Holidays!
It’s official! The tickets for my December NYC’s Secrets & Lies storytelling show at the South Street Seaport Museum are now on sale and they’re only $10
I am so excited for this oneโitโs going to be a gorgeous night of holiday secret stories, exclusive access to the museum’s exhibit on NYC maritime history,ย freeย wine, and free holiday treats with a cast that includes Carla Katz, Erin Hunkemoeller, and Ashley Semrick. ๐ท
Iโm so excited to share this update: NYCโs Secrets & Lies, my storytelling show about secret NYC history, is officially looking for new storytellers for our 2026 season!
This show is a dream come true for me and incorporates everything I love – NYC, history, research, game shows, storytelling, and collaboration. We’re thrilled to be back on stage and growing.
Read the full Playbill listing, including the link to submit at http://bit.ly/46UcuAz.
Please feel free to share this with anyone whom you think would be interested.
Here is the full text of the listing:
NYC’s SECRETS & LIES: Storytellers Wanted
PRODUCTION DESCRIPTION: NYC’s Secrets & Lies is aย critically acclaimed, dynamic live storytelling showย that blendsย deep historical researchย withย high-energy theatrical performance. We bringย little-known NYC storiesย to life, pairing each storyteller’s script withย synchronized, original visual presentationsย (slides/images). Each performer acts as a historian, researcher, and entertainer.
SEEKING DIVERSE STORYTELLERS (18+)
We seek diverse, charismatic performers who are passionate about historical research and engaging presentation.
Storytellers: Individuals comfortable conducting independent historical research, writing a compelling script (typically 8โ12 minutes in length), and delivering it with theatrical flair.
Key Skills:
Ability to translate complex historical facts into anย accessible, entertaining narrative.
Familiarity with creating simple visual aids (slides/Keynote) is helpful, but not required.
Experience: Prior experience in educational performing, tour guiding, or narrative podcasting is a plus, but not a requirement. The only true requirement is a passion for NYC history and a desire to share it with an audience in a fun way.
SUBMISSION INSTRUCTIONS: VIDEO FIRST OPEN CALL
We are accepting self-tape video submissions for the first round. (A phone video is perfectly fine; please minimize the file size.)
Required Materials:
Headshot and Resume/CV:ย Highlight any experience in research, writing, public speaking, performance, or tour guiding.
Short Video (Self-Tape):ย Aย 2-minute excerptย of a historical story or topic you are passionate about. Focus on captivating delivery and clarityโimagine you are telling a fantastic secret tidbit to a good friend.ย No visuals needed.
Cover Letter:ย Please include the following:
Relevant experience (research, performance, etc.)
Your interest in the show and NYC history.
If you’ve seenย NYC’s Secrets & Liesย (or plan to attend in October or December.)
Social media handles (if applicable.)
Please submit all materials via email at nycsecretsandlies@gmail.com. Email us if you have any questions.
HIGHLY RECOMMENDED: LEARN ABOUT OUR SHOW
To understand the unique blend of entertainment, historical research, and performance, we highly encourage you to attend one of our upcoming live shows:
October Show: “Ghost Stories”
Date:ย Tuesday, October 28th, 2025
Location:ย The Hidden Jewel Box Theater –ย a secret theater hidden inside Port Authority Bus Terminal!
On Sunday afternoon, I wrote โThe Endโ on the first draft of my new novel. While my first two novels are young adult fantasy adventure, this one is historical fiction.
In December 1941 four friends graduate from an all-womenโs college and seize new career opportunities in a world forever changed by war. I was so happy to sink back into the world of these four friends. The struggles they face are, unfortunately, highly relevant to the times weโre living in today. With themes of empowerment, being on the right side of history, speaking out against injustice, and the love story of female friendship, theyโre determination made me more determined, too.
Iโm hoping that it will be the first book in a series. The subsequent books will share the very different journeys that each of these women take in a new world order emerging before their eyes and how their friendship will pull them through.
This story began as a screenplay in 2020. It was a quarterfinalist in 3 international screenwriting competitions and received great feedback. Since then, most of my writing has focused on getting my second Emerson Page novel published and writing my masterโs dissertation for University of Cambridge. With those projects complete, I returned to my historical fiction screenplay in January of this year.
It turns out that writing a screenplay is akin to having a very detailed outline for a novel:
All the dialogue is there.
The scenes and their sequence are set.
The characters and their relationships are developed.
The plot is charted.
I wouldnโt say going from a screenplay to a novel is a slam dunk, no-effort-needed project. As someone who dreads a blank page, the screenplay was my map, a guide that helped steer my writing sessions and make them productive.
Iโll take a short break from this story (to finish the first draft of another novel thatโs also nearly done!) and let the first draft build up some dust so I can return to it in a few weeks with fresh eyes. Then Iโll dive back in to begin the work of editing and rewriting.
I much prefer to edit and rewrite rather than write a first draft. I no longer have any blank pages. Every time I sit down to write, it will be to refine and improve what I already have. Iโll immerse myself in extra research (something else I absolutely love to do!) and Iโll add much more detail, polishing the story one word at a time. Editing and rewriting is gratifying work because itโs all about making the story shine.
Iโm hopeful that this new novel will do well in the query process and that Iโll be able to find a literary agentโโโa goal Iโve had for many years. For now, Iโm celebrating this huge milestone of completing the first draft. It only gets better from here!