creativity

Be one of our storytellers for NYC’s Secrets & Lies

Iโ€™m so excited to share this update: NYCโ€™s Secrets & Lies, my storytelling show about secret NYC history, is officially looking for new storytellers for our 2026 season!

This show is a dream come true for me and incorporates everything I love – NYC, history, research, game shows, storytelling, and collaboration. We’re thrilled to be back on stage and growing.

Read the full Playbill listing, including the link to submit at http://bit.ly/46UcuAz.

Please feel free to share this with anyone whom you think would be interested.

Here is the full text of the listing:

NYC’s SECRETS & LIES: Storytellers Wanted

PRODUCTION DESCRIPTION:
NYC’s Secrets & Lies is aย critically acclaimed, dynamic live storytelling showย that blendsย deep historical researchย withย high-energy theatrical performance. We bringย little-known NYC storiesย to life, pairing each storyteller’s script withย synchronized, original visual presentationsย (slides/images). Each performer acts as a historian, researcher, and entertainer.


SEEKING DIVERSE STORYTELLERS (18+)

We seek diverse, charismatic performers who are passionate about historical research and engaging presentation.

Storytellers: Individuals comfortable conducting independent historical research, writing a compelling script (typically 8โ€“12 minutes in length), and delivering it with theatrical flair.

Key Skills:

  • Ability to translate complex historical facts into anย accessible, entertaining narrative.
  • Familiarity with creating simple visual aids (slides/Keynote) is helpful, but not required.

Experience: Prior experience in educational performing, tour guiding, or narrative podcasting is a plus, but not a requirement. The only true requirement is a passion for NYC history and a desire to share it with an audience in a fun way.


SUBMISSION INSTRUCTIONS: VIDEO FIRST OPEN CALL

We are accepting self-tape video submissions for the first round. (A phone video is perfectly fine; please minimize the file size.)

Required Materials:

  1. Headshot and Resume/CV:ย Highlight any experience in research, writing, public speaking, performance, or tour guiding.
  2. Short Video (Self-Tape):ย Aย 2-minute excerptย of a historical story or topic you are passionate about. Focus on captivating delivery and clarityโ€”imagine you are telling a fantastic secret tidbit to a good friend.ย No visuals needed.
  3. Cover Letter:ย Please include the following:
  • Relevant experience (research, performance, etc.)
  • Your interest in the show and NYC history.
  • If you’ve seenย NYC’s Secrets & Liesย (or plan to attend in October or December.)
  • Social media handles (if applicable.)

Please submit all materials via email at nycsecretsandlies@gmail.com. Email us if you have any questions.


HIGHLY RECOMMENDED: LEARN ABOUT OUR SHOW

To understand the unique blend of entertainment, historical research, and performance, we highly encourage you to attend one of our upcoming live shows:

October Show: “Ghost Stories”

  • Date:ย Tuesday, October 28th, 2025
  • Location:ย The Hidden Jewel Box Theater –ย a secret theater hidden inside Port Authority Bus Terminal!
  • Time:ย Doors 7:30pm; Show 8:00pm
  • Link for Tickets/Info:ย http://lies.eventbrite.com

December Show: “Holiday Maritime History” (includes a holiday party!)

  • Date:ย Thursday, December 11th, 2025
  • Location:ย South Street Seaport Museum (Our Partner)
  • Link to tickets will be available soon and will be emailed to all who submit.

Salary: $50.00 โ€“ $200.00 per show

creativity

How to lead when we lose

Prospect Park, Brooklyn – Fall 2024. Photo by Christa Avampato.

On this difficult day, I have some things to say about gratitude, storytelling and leadership. Hundreds of thousands of people heeded the call ~100 days ago to not do something but do everything to try to help Vice President and Governor Walz win. I’m sorry neither of them took the stage at Howard University last night to say thank you, so I will. I’m abundantly grateful to all of you, and for everything you taught me during this campaign. You showed up, generously giving your money, time, and talents. That means a lot to me. You mean a lot to me.

On leadership:
It was a huge missed opportunity that they didn’t address supporters and the nation last night. Even though we didn’t know the final count, it was important to say something, anything, and then say they’d be back today to say more. We needed them, and they left without saying a word. That’s not leadership. It doesn’t matter how disappointed they were. We’re all disappointed. They had a real opportunity to maintain a connection with people and they didn’t. They went out the back door and sent the campaign manager to talk to the crowd at Howard and the nation. Vice President Harris will deliver remarks at Howard University today at 4pm. That’s too late. They missed the moment. And sadly, tragically, their opponents didn’t. There’s a lesson in that for us, too. Leaders have to lead, even when they lose. Especially when they lose.

On storytelling:
We have to take a long, hard look in the mirror, and at the words we said and didn’t say in this campaign. We need to meet the audience where they are, listen, understand, and work together to craft a better story for all of us. We didn’t do that and the election results show it. How things have been done on campaigns in the past no longer matters because we’re no longer living in the time of “how things are done.” We need better stories and methods. We need to be better listeners and storytellers. Plato said, “Those who tell stories rule society.” That’s true then and true now.

So that’s my focus moving forward – leadership and storytelling. I’ll stay curious, keep learning, improve my craft, and get better. I’ll continue to “be a lamp, or a lifeboat, or a ladder,” as Rumi so beautifully said. I will continue to, “walk out of my house like a shepherd” every single day. I will listen and love. I hope you’ll join me.

creativity

Can ecofiction inspire climate action?

Created by Christa Avampato using AI.

While on vacation I wrote my first full piece of ecofiction for a climate fiction writing competition. Itโ€™s a short story (5,000 words) that provides a slice of life in New York City in the year 2200, and grew out of the research I did for my University of Cambridge dissertation.

Itโ€™s told through the eyes of a journalist walking his dog who by chance meets the 90-year-old former mayor who galvanized the rebuilding of NYC after it was destroyed by floods caused by climate change. Biomimicry figures prominently in it. I tried to incorporate humor, heart, and redemption alongside the heartbreak, loss, and destruction. Ultimately, itโ€™s a story about leadership, community, and vision.

No matter the outcome of the competition, I enjoyed writing it and plan to do more with these characters and in this genre. The predominant channels and messages weโ€™re using for climate storytelling now are not generating the scale and speed of the changes we need. Fiction can play a bigger role is painting the picture of what a world transformed can look like, what it will take to get there, and how we might work together to make it so. The fandoms around fiction can be a unifying force for good, which is exactly what we need, now more than ever.

(I created the images below with AI, inspired by the story I wrote.)

creativity

Iโ€™m a guest on the nature podcast, Unearthing Wild Wonders

A few months ago, I met Nicky Jenner, a gardener, conservationist, and nature lover who lives in Devon in the southeast of the U.K. Though Iโ€™ve only known her a short while, the moment we met I knew she was a kindred spirit. 

She told me she was starting a podcast called Unearthing Wild Wonders about the wisdom and wonder of nature, and how we bring about positive change in our deeply troubled world. I was honored when she asked if Iโ€™d be a guest and I immediately accepted. Our episode, Nature inspiredโ€Šโ€”โ€Šhome, healing, and biomimicry with Christa Avampatoโ€Š, is out now. Unearthing Wild Wonders is beautiful, uplifting, and hopeful, and each episode leaves me newly inspired to continue my work to protect the planet. Also, Nickyโ€™s voice immediately puts me at ease. 

In our conversation, Nicky and I talk about how the challenges Iโ€™ve faced in my life and with my health ignited my passion and commitment to make a difference for all beings on our precious planet. We talk about biomimicry and how the most unlikely species have inspired phenomenal innovations that we now use in our daily lives. We chat about the many languages we need to speak to bridge the divide between science, conservation, business, and finance.

I talk about my University of Cambridge dissertation that uses storytelling to connect climate entrepreneurs developing nature-based solutions with family offices looking for new investment opportunities that deliver a financial return and have a higher purpose.

I also share stories about my journey to overcome cancer, and how learning to heal my own body helped better prepare me to heal the planet. One of them Iโ€™m sharing publicly for the first timeโ€Šโ€”โ€Šhow lying in a hospital bed seriously ill from chemotherapy helped me realize the immensity of the plastic waste problem and made me even more determined to do something about it.

Iโ€™m so grateful to Nicky for having me on the podcast. Our conversation happened just days after the passing of my sweet soul dog, Phineas, one of the worst losses of my life. Talking to Nicky helped me begin to heal and honor him. I’m so grateful for that. Let us know what you think of the episode.

Iโ€™m excited for the day when Iโ€™ll get to Devon, give her a hug, and walk through her garden with her. Nicky has a wonderful website and newsletter at https://www.hawksdawn.co.uk/ that I highly recommend. You can also find her on Instagram @nickyjenner_hawksdown posting gorgeous pictures of nature along with inspiring quotes and stories.

creativity

My novel, Emerson Page and Where the Light Leads, is an official selection at the 2024 New Media Film Festival

https://emersonpagebook.wordpress.com/shop/

Closing out the week on a high! I just found out that my upcoming novel, Emerson Page and Where the Light Leads, is an official selection for the 2024 New Media Film Festival in Los Angeles in June. One of my big goals for Emerson is to have her story made into a film or series so bumps like this within the film industry mean a lot. I’m grateful for this honor and I’m hoping I can get to LA for the festival in June.

On Coverfly, a platform that curates film, book, and media awards, my book is ranked in the top 34% of over 135,000 projects in all genres and formats, and top 19% of books and manuscripts.

Thank you to everyone who continues to champion Emerson and support me in my creative work. Your encouragement means everything to us.

On May 14th, the book will be available everywhere books and eBooks are sold. Pre-orders can be placed now on Amazon, Bookshop, and Barnes & Noble. The first book in the series, Emerson Page and Where the Light Enters, is available now in paperback and as an eBook everywhere books are sold.

creativity

Second season of JoyProject podcast in the works

Season 2 of my podcast JoyProject is in the works!

In 2022, I started this podcast to ask people what brings them joy and share our conversations with listeners so they feel like theyโ€™re at the table with us. I booked the guests, recorded and edited all the episodes, and did all of the marketing and promotion. Joy was a big part of my daily care plan when I was going through cancer treatment during the pandemic in 2020โ€“2021, and I wanted to create a podcast that amplified joy in its many forms and the healing it provides.

With my Masters program at University of Cambridge and my book launch this spring, I had to hold off on a second season of JoyProject because I didnโ€™t have the time to do it well. Later this year, Iโ€™m going to release another season and Iโ€™m now in the story planning phase for it. Iโ€™m very excited to get back to it and canโ€™t wait to find and meet the new guests.

Iโ€™d love for you to listen and let me know what you think. You can hear the first season here or anywhere you listen to podcasts: https://christaavampato.com/joyproject/

creativity

The book Storyworthy by Matthew Dicks is a masterpiece about storytelling

The book Storyworthy: Engage, Teach, Persuade, and Change Your Life through the Power of Storytelling by Matthew Dicks is to storytelling what The Elements of Style by Strunk & White is to writing. Reading it immediately improves our craft because the advice is approachable and applicable. For every audience about any topic in any medium, every page of Storyworthy shows us how and why to tell stories, including the behind-the-scenes processes that make stories memorable and vehicles that can change hearts, minds, and behaviors.

When I first picked up Storyworthy, I didnโ€™t expect much. Iโ€™ve read dozens of books on storytelling and many of them offer similar advice. When one of my best friends recommended Storyworthy, I was skeptical. However, my friend is a law professor who teaches writing and argument construction, and she is an exceptional storyteller whom Iโ€™ve worked with on storytelling shows. With her recommendation, I figured I could spend a few minutes flipping through it. My dissertation at University of Cambridge is centered around storytelling so if nothing else, I figured maybe Iโ€™d pick up one or two pointers that might be useful. 

By the time I got to page 2 of the preface, I was completely hooked even though Matt hadnโ€™t yet given a scrap of advice on storytelling. His honesty is what got me. He opens the book with the first time he ever contemplated telling a story live on stage. Heโ€™s deeply conflicted about it. He has so much respect for the art form and heโ€™s completely terrified of being judged. The stakes are high. His nervousness becomes my nervousness. Iโ€™ve felt that sick feeling in the pit of my stomach. I feel it every time I tell a story or do any kind of presentation in front of an audience. Terrified, he just goes for it. He takes his shot, and decides if his name gets picked heโ€™ll just tell a story scared. Heโ€™s my kind of guy. I love risk-takers. I root for them.ย 

The book unfolds chapter after chapter with advice, exercises, and samples of Mattโ€™s stories. These arenโ€™t platitudes like โ€œpeople love an underdogโ€ or โ€œstart at the end and work backwardsโ€ that Iโ€™ve read in other storytelling how-to books multiple times. Both of those ideas are generally true and helpful but Matt goes so much further than that kind of advice. 

He explains exactly why and how he chooses his beginnings, endings, and the arc that connects them. He talks about pacing and timing, content and structure, word selection, story strategy, and storytelling devices to grab and hang onto an audienceโ€™s attention. Storyworthy is a playbook and it works for every story by every storyteller. Itโ€™s a compass, map, flashlight, and go-bag for everyone who has something to say that someone else needs to hear. Itโ€™s for all of us.

At one point, a friend of Mattโ€™s whom I know and have told stories for, grabs his arm and tells him that he absolutely canโ€™t tell anyone his secrets (or hers!) about how to create and tell a story. He laughs, ignores her, and thankfully we have Storyworthy. Heโ€™s given us the tools he has and uses every day. 

This might sound counterintuitive. Shouldnโ€™t he keep some of this to himself so he can continue to make money from workshops, consulting, writing, and shows? Shouldnโ€™t he hold back just a little? Heโ€™s the real trick: by telling his secrets I canโ€™t wait to take a class with him to show him how Iโ€™m using these tools and to get his feedback so I can level up even further.ย 

Actually, I have to take a class with him. Hereโ€™s why: Matt is a lifelong learner. He wrote Storyworthy five years ago. I bet heโ€™s got even more tools, tips, and advice to share now, especially after the pandemic. And I want to know all of them. 

My dissertation about storytelling involves interviewing storytelling experts. I want to interview Matt. My friend who recommended Storyworthy to me said he probably wonโ€™t agree to an interview. Heโ€™s busy. A man-in-demand. I wrote him an email anyway. Even if he said no or never responded, at least heโ€™d know how much his book means to me and how much itโ€™s helped me become a better storyteller and a better human. 

Iโ€™m a big believer in the idea that unexpressed gratitude is a horrible waste of a resource. Imagine what kind of world weโ€™d have if people just said thank you more often.

So I go to Mattโ€™s website. I navigate to his online contact form and put the advice in his book to work to craft my pitch. I was honest to the point of gushing about the book. All of it true. I gave some hints about my life. I told him about my dissertationโ€™s research question and why itโ€™s so important to me. I closed it by saying that this kind of request from someone he doesnโ€™t know may feel a bit out of left field. It may not be of any interest to him, and if thatโ€™s the case thatโ€™s okay. Again I tell him that if all this message does is explain how much I appreciate the time and effort he took to write Storyworthy, then thatโ€™s what matters the most.

I click โ€œsubmit formโ€ and close my laptop. I take my dog outside for walk. I worry about my dissertation. I have to interview 30โ€Šโ€”โ€Š40 experts. People are busy. What if they all say no? What if no one wants to talk to me? I better come up with a plan B just in case the worst happens. I should start that plan today because I have no idea how Iโ€™m going to explain this to Cambridge and keep my dignity. 

I go back up to my apartment and open my email. A note from Matt. โ€œWell this is the second fastest rejection Iโ€™ve ever gotten,โ€ I think. The first was from a literary agent I queried a few years ago when I was shopping my first novel. The response from the agent came back less than a minute after I sent it, and it had just one word. โ€œNo.โ€ I should dig it out from my email archive and send it into the Guinness World Records. Fastest rejection everโ€”what a record to hold. 

I take a deep breath and open up Mattโ€™s message. He says he appreciated my kind words about the book and heโ€™s glad it helped me. Well, at least itโ€™s a nice rejection, I think. 

Then he writes if we can make the timing work, heโ€™d be happy to be interviewed. Hand to heart, I danced around my apartment. We figured out a date in short order and itโ€™s in the calendar. Iโ€™ve got a few months to prepare for this interview, and I canโ€™t wait for everything Iโ€™ll learn during it. Saying thanks really is an under-rated way to build a connection. 

creativity

Two locations in my second Emerson Page novel: The Dark Hedges and Trinity College Library’s Long Room

When I took my book writing research trip to Ireland in 2018, I had two must-see places on my list: the Long Room at Trinity College Library and the Dark Hedges (which is the inspiration for the cover of my second Emerson Page novel). The photos below show me at both locations. They feature prominently in the book.

What I didn’t know before I arrived in Ireland is that so many other places would also find their way into the book. Everywhere I went, from the local pubs to the ancient sites to the natural settings, inspired my imagination and creativity, and filled me with wonder. So much of my trip was completely unplanned. I let the spirits and good people of Ireland direct me and guide me, and not once did I falter (which is a rarity for me, especially while traveling, because I often get myself into trouble that makes for interesting stories later on!) I carried a copy of Emersonโ€™s first book with me everywhere and I often felt her nudge me in certain directions. I was never disappointed to follow her lead. 

Other than New York, Ireland is the only place I’ve ever been that immediately felt like home, as if I’d been there before and was fated to be there at that very moment. Certainly a piece of my heart remains there now. For this reason, New York and Ireland are where Emerson spends all her time in this second book in the trilogy. Her New York and Ireland are filled with mythology, magic, and fantastical beings, experiences, and objects, and in the book I’ve done my best to transport readers into her world of adventure.

Some more fun facts about the Long Room and the Dark Hedges:

1.) The Long Room is 65 metres, nearly 300 years old, and filled with 200,000 of the library’s oldest books as well as gorgeous sculptures and an ancient harp that dates to the 15th century. The harp inspired the coat of arms of Ireland as well as the logo for Guinness beer. The scent in the Long Room is unlike anything I’ve ever experienced before or since. Known as Biblichor, from the Greek words, Biblos (meaning book) and Ichor (meaning “fluid that flows in the veins of gods”), it is related to the word Petrichor, a pleasant smell that frequently accompanies the first rain after a long period of warm, dry weather. The Irish are serious about a number of things that are dear to meโ€”stories and books, history, music, beer, and nature, not necessarily in that order. No wonder I feel so at home in this country!

It sits above a chamber that holds the Book of Kells, a 9th century handwritten illuminated manuscript of the four gospels of the New Testament, filled with ornate Latin text and intricate illustrations, many of them quite cheeky and containing secret messages that the Celtic monks who created it wrote to each other. I love the Irish for so many reasons, and their humor is among my favorite of their attributes.

 

2.) The Dark Hedges (in Irish:Na Fรกlta Dorcha) is an avenue of beech trees along Bregagh Road between Armoy and Stranocum in County Antrim, Northern Ireland. The majority of them are 250 years old, and form a tunnel that from the start seems never-ending. The fields on either side are abandoned cemeteries, lending to the ghostly feeling I had as soon as I arrived. Itโ€™s as if the trees whisper to each other through the wind. The trees are rumored to be haunted by many mythological beingsโ€”namely the Grey Lady and the Mรณrrรญgan (Mรณr-Rรญoghain in modern Irish) who is the fierce Celtic goddess of battle, destiny, fertility, and death (a heavy workload!) and often appear as or is be accompanied by a crow or wolf. Theyโ€™re badass women who know what they want and don’t tolerate nonsense. Did I mention I felt very at-home here, too?! ๐Ÿ˜‰

Beech trees are linked with time and knowledge, especially written wisdom as thin slices of beech were used to write the very first books. Whatever words were inscribed on beech took on the power and magic of the gods. This is why the beech tree was held in such awe in those early days of books, and still is today. Beech trees were called โ€˜Bocโ€™ by the Anglo-Saxons, which later became the word ‘book’. I didn’t know any of this until I arrived at the Dark Hedges, and it felt serendipitous since Emerson’s entire journey in the trilogy revolves around finding the first book ever written. 

As a writer, you think you’re leading the story but what I’ve often found is that the story is always leading me to a far better place than I could ever create on my own. The art of writing a novel is a long and winding road, the path meandering but always with purpose. If I just sit as a willing scribe, the story finds me. My job is just to get it down as honestly and vividly as possible. All it takes is time. It’s the great mystery of imaginationโ€”I don’t know where the story comes from but I’m honored that it found me and continues to guide me. 

Iโ€™m excited to share more behind-the-scenes about the book in future posts leading up to its release in Spring 2024. Iโ€™m so excited to be back in Emersonโ€™s world, and revisiting my fond memories of Ireland, a country I hope to return to very soon.

creativity

Cover reveal for my second novel, Emerson Page and Where the Light Leads

Emerson Page and Where the Light Leads by Emerson Page

Drumroll please! Here is the book cover for my second novel, Emerson Page and Where the Light Leads. What do you think?!ย 

Emersonโ€™s joined here by her three best friends: Skylar, Truman, and her service dog, Friday.ย This scene captures the moment when they arrive at a magical location where they encounter several mythological creatures who never quite reveal themselves as friends or foes. Can you guess the real-life location in Northern Ireland that inspired the cover? Can you guess which mythological creatures they find there and what they reveal to our favorite quartet?

Iโ€™ll share the answers tomorrow along with some fun photos and stories. For now, Iโ€™d love to hear your reactions to the cover and your guesses to the two questions above.

creativity

Stories in and on walls

Art on one of the walls in my apartment

If you’ve ever been to one of my apartments, you know I paint my walls with art. In preparation for my move, I took down all my art today and packed it. Normally, this day is a sad one for me. Suddenly my home isn’t my home anymore without the art on the walls.

But today was not a sad day for me. Though I will miss my neighbors and my neighborhood, letting go of this apartment is part of turning the page and letting go of a lot of painful memories. The pandemic. Cancer treatment. Nearly dying from cancer treatment. Break-ups. Old jobs. The loss of friends. The loss of family members. Phineas getting sick multiple times. As I took down my art, I let go of all those difficulties, all that sadness and disappointment.

There were plenty of wonderful times in these walls, too. Visits with friends. Unpacking a box full of copies of my first Emerson novel. Selling my second and third Emerson novels to a new publisher. Getting into the biomimicry program at ASU. Getting into the sustainability leadership course at Cambridge. Healing – for me and for Phin. Here, finally, I found peace and I will take it with me.

I’ve lived in this apartment for 6 years, longer than I’ve lived anywhere else as an adult. It’s a funny thing to be a renter, to live in a place where so many other lives have played out of people I will never know and never meet. Everything that happened to me here will never be known by the people who will live here less than a month from now. They’ll make their own memories here, and I’ll never know those stories. Only the walls know it all, and they keep every secret.