As a scientist-in-training in the field of biomimicry and a beginning filmmaker, the Imagine Science Film Festival is a perfect lab for people like me who want to use the medium of film to ignite and inspire curiosity and wonder about our natural world.
The New York City-based festival kicks off this week on Friday, October 18th, and runs through next Friday, October 25th. There are events each day at various locations around the city, and the majority of the films are short-format. Whether you’re interested in science, filmmaking, or a combination of the two, this festival is a wonderful way to see new research that’s emerging as well as new ways of explaining and communicating science. Get a feel for the festival by check out the trailer at https://vimeo.com/363581326
The whole schedule is available online, along with links for tickets sales, and here is a summary with all of the direct ticket links for each:
Friday, October 18
Opening Night of the Imagine Science Film Festival | The spaces between utopia and dystopia, gene editing, and the post-anthropocene.
Saturday, October 19
Science for Nanos: Taking Flight
Film program for kids at the Imagine Science Film Festival | Whether by wing, flipper, jet, or rocket, everyone must leave the nest someday.
Can humanoid robots be our friends? Scientists and tech visionaries believe that artificially intelligent robots will become an integral part of everyday life.
Sunday, October 20
Films on perception and memory, consciousness and identity, and the spaces that lie between mind and circuitry.
Tales from the Biosphere
The surface of the earth teems with stories, a drama which has played out over millenia. Will we continue to play a part of it all?
Monday, October 21st
Symbiosis Lab: Talks, Films, and Drinks
Watch six working scientists and six pro filmmakers as they compete to create new genre bending works in science filmmaking.
Tuesday, October 22nd
Self-care, Alchemy, and Other Life Hacks
Each year we save some of the most audacious reconfigurations of scientific themes for a program of largely animation and experimental film
The film program in which we allow some of the phantoms banished by science back into the proceedings.
Wednesday, October 23rd
This program collects 4 brilliant experiments in light, landscape, perception. Luminous photochemical effects. Climactic celestial events.
Thursday, October 24th
Eyes on Elsewheres
How do we observe that which we cannot experience directly? Whether searching the surfaces of distant planets or peering into the quantum world, science seeks to extend our perception ever further.
Friday, October 25th
Six new science films in which emerging filmmakers and working scientists have been paired and supplied with production funds to create new genre bending works in one week examining all aspects of emergence.
Today’s filmmaking lesson: the quality of the camera only gets you so far. What matters more is the filmmaker’s taste and ability to tell a story. A film with a lower grade camera and an A+ filmmaker will create a far better film than a high-end camera and a mediocre filmmaker. A class can teach you about techniques and the technology. It cannot give you taste. It cannot give you the story. That is up to you. Yes, a camera will give you the settings you need, the resolution, etc. But what matters most is what you put in the frame and how that frame drives the audience to keep asking, “And then what happened?” Without that emotional need-to-know, the greatest camera in the world will do nothing for a filmmaker.
Yesterday I had my first meeting to be considered as a director of photography on a small film. Still many more meetings to have and it’s by no means a done deal, but just the fact that this meeting happened at all so early on in my Double or Nothing Media venture is thrilling!
In my camera class we talked about the concepts of critical focus and framing each shot with the subject of greatest significance. Parallels between filmmaking and life aren’t lost on me. I’m grateful for the reminder and encouragement as I make massive changes in my life and career right now. It takes a village to start and run a business.
Aspiring Manhattan filmmakers, do you know about Manhattan Neighborhood Network – MNN, an award-winning public access TV offering Manhattan residents low-cost production training and shows in 40+ languages? Take classes, use their state-of-the-art equipment and studios, tell stories that matter, and discover filming opportunities. I’m going to their orientation on Tuesday evening, and I’m excited to learn more about this treasure trove of resources, support, and community for film producers and directors.
Next week I’ll be on the most unique trip I’ve ever taken—to Saudi Arabia and the United Arab Emirates. I’ll be there for work on a film, and will be visiting Jeddah (on the coast of the Red Sea) via Amman in Jordan, Dubai, Abu Dhabi, and the Empty Quarter, the world’s largest continuous sand desert. I’m excited to show you these countries through my lens and stories, and can’t wait to share what I find. Follow along here, and on Instagram (christarosenyc) and Twitter (@christanyc).
Let the filming begin! I’m so excited that my camera kit arrived and I can start getting a feel for filmmaking with my hands, heart, and mind. Let’s tell some stories that matter, shall we? Take one…
As a gift to myself to spur inspiration, I signed up for Masterclass’s All-Access Pass. I’m obsessed. Masterclass is basically Netflix for online learning. Neil Gaiman, one of my favorite authors, teaches a class on storytelling class and it’s wonderful. I’m about half-way through and I’ve already learned so much that is immediately helping me as a writer and author.
Given my new job for a film production company, I’m so excited to take the film and TV classes with:
Other classes on my “I need to take this” list:
What I can’t believe is that for just $180, I get all of these incredible classes and more for a year. Each class also comes with a downloadable PDF workbook and there is a mini-forum and office hours where you can post your comments and ask questions. Plus there’s a 30-day money-back guarantee so there’s no risk to try it out.
And I’ve got some good news for you! When I bought my 1-year All-Access Pass, they offered me a link to share with others to give you $30 off an All-Access Pass. So you can get all of this for $150 for a year. Just follow this link, and check it out for yourself: https://share.masterclass.com/x/5d9sN3
Got started today in film editing with Adobe Premiere Pro and I love it! As writers and storytellers, we often hear that writing is editing. It’s also true for filmmaking – editing is the key to removing the unnecessary so the necessary can literally speak.
Today I’m rolling up my sleeves and starting to learn how to edit film footage with the Premiere software package by Adobe. Please send me any of your tips, tutorials, and resources that you think would be helpful! I’m so excited to dive in and learning this new skill.
I’m absolutely THRILLED to share that I’ve been offered & accepted a new job as a Development Manager at a TV & film production company in New York City to develop, produce, and write. I’m over-the-moon excited about this new adventure and dream job. I’m literally pinching myself to make sure this is really happening! A year ago I never would have believed this was even a possibility. It’s been a huge lesson for me that if we live our passions and share them, our lives can change in ways we can barely imagine.