Tag: writers

creativity

How writers using multi-sensory storytelling will save the planet

Christa Avampato
Photo by Marc Wieland on Unsplash

“If you want to build a ship, don’t drum up people to collect wood and don’t assign them tasks and work, but rather teach them to long for the endless immensity of the sea.” ~ Antoine de Saint Exupéry, author of The Little Prince (among many others)

Today I want to talk to you about how storytelling has a vital role to play in saving the planet. Over the past few weeks, I’ve been consumed with getting ready to start my new graduate program in Sustainability Leadership at University of Cambridge. I’ve completed my first set of assignments and the first (very long!) reading list. I’ve read well over a thousand pages of documents, reports, data collections, and science journal articles. I have 10 new books on my to-be-read list, many relating to the connections between the economy, nature, and societal structure. It will come as no surprise that much of it is bleak, and there is some hope sprinkled in here and there.

Here’s what I didn’t find on a single page I read: what will our world look, feel, sound, smell, and taste like when humans learn how to live on this planet in a sustainable way?

The science matters. We have to have the reporting and data to show what’s happening in real-time right now, and explain what can happen if we don’t turn things around and fast. We need the urgency provided by the dire warnings. The doomsday scenarios are true possibilities and we’re on a collision course with them.

We also have to give people hope by explaining all we stand to gain if we change our ways, systems, governments, businesses, cities, economies, and — here’s the kicker — our values.

For decades we’ve been obsessed with efficiency and convenience, and in the process have caused a massive number of extinctions and destroyed priceless ecosystems that we’ll never see again. We stand to lose much more if we don’t realize we must value nature because nature underpins every aspect of our lives and livelihoods.

We have no future without nature and we need to wake up to that reality.

I’ve been thinking a lot about what it would take to give people an experience of what a truly sustainable world will be like. How can we make it an experience that sticks with people long after the experience is over, motivates them to make changes in their lives, and causes them to demand change from the businesses they patronize and the governments of which they’re citizens?

How can we, in the words of Antoine de Saint Exupéry, make them long for the healthy, thriving, clean sea, literally and figuratively?

I’ve been immensely inspired by the immersive exhibits that are all the rage right now — Van Gogh: The Immersive Experience and Imagine Picasso are two examples of the tech-centric, projection-based exhibits that are everywhere. In February, The New Yorker wrote a long, exceptional piece on this trend. For many years, I’ve been a fan of immersive theater like the wildly popular Sleep No More that’s a bit like Clue meets haunted house meets Eyes Wide Shut, complete with masks for all guests so you feel like you’re at a costume party. Since I was a child, I’ve loved choose-your-own-adventure stories. And let’s be honest; I still love choose-your-own-adventure stories.

So here’s my proposal — what if we take the:

  • technology of immersive art exhibits
  • participatory storytelling of immersive theater
  • user-guided choice of choose-your-own-adventure stories
  • science of climate change

to not tell, not show, but allow people to experience how climate change will look, sound, smell, taste, and feel if we continue on our current trajectory and if we make the needed, massive changes to save the planet, save ourselves, and save all the species who call Earth home? There would then we an online component that would connect people to one another and provide support for making the changes we need and charting collective and individual progress because as we know, what gets measured gets done.

Would that be a way to use multi-sensory storytelling as a tool to motivate people, open their hearts and minds, and give us a fighting chance at building a sustainable society together? If executed flawlessly and meaningfully with heart, I think this might be part of the solution we need that doesn’t yet exist. What do you think?

creativity

For writers: FREE resources on query letters, nonfiction book proposals, finding an agent, and social media from Eric Smith

Christa Avampato
Eric Smith from his website https://www.ericsmithrocks.com/

Hello, lovely writers. Do you know Eric Smith, author and agent extraordinaire? If not, please get to know him because he’s a ray of light in the writing community. As both a successful author and agent, he understands both points-of-view and helps demystify a lot of things in the writing and publishing world that many other people don’t.

It’s incredible how much wonderful advice he puts out into the world for authors for FREE! There are a lot of organizations out there who want to charge you a lot of money for this advice—I’ve paid some of them for it and I can promise you I should have just read Eric’s website because the advice I paid for was exactly the same as what Eric offers. 

Here’s a summary of what he has on his website:

Query letters
The good ol’ query letter is what we put together when looking for an agent or publisher who accepts unagented queries. You can read the query letter that helped me find my publisher for my Emerson Page young adult adventure trilogy here. Eric offers up 17 successful query letters from authors he’s worked with and he also explains why their pitches worked so well. In my pitch to my publisher, I did so many things that conventional wisdom said not to do. If you’d like to read my article on that, it’s here: A Publisher Bought My YA Novel Trilogy — Here’s Everything I Did Wrong.

Crafting nonfiction book proposals
I’ve been working on a nonfiction book proposal for about 6 months and Eric’s advice has helped me tremendously. He provides several successful nonfiction book proposals from authors he’s worked with and again offers his explanation of why they worked for those authors. There are definitely paid services out there that could be valuable for you to use but I recommend you try following his advice to create your proposal first, send it out, and see how it lands with agents and publishers.

Author and editors whom you can work with
If you’ve decided you’re at the point where you need an author or editor to look at your work and offer specific advice on your manuscript, proposal, or query, Eric has a long list of recommendations of people he trusts. He’s used the services of these people himself, as an author and as an agent. 

Looking up literary agents
Eric’s blog, which he updates regularly, is chock full of other advice for writers. One question I always get is, “How do I find an agent?” If you’re in the market for an agent, it takes legwork and research to find them. Eric offers advice on looking up agents and reaching out to them in this blog post.

Social media for authors
Ah, social media for authors. Do you love it? Do you hate it? It matters, and it doesn’t have to take over your life. Eric offers all kinds of advice on what to share on social media, platforms to use, and how it’s helped him as a writer and as a person. 

Building a platform
“You have to have a platform.” I have heard this for years and I still hear it all day every day to this day. Platform matters. It can also be fun to build one. There is so much to learn. There are so many people in the world doing really interesting work. While building your platform, you’ll meet and befriend so many terrific people you may not meet otherwise. That’s certainly been my experience and it’s brought me a lot of joy over the years. Eric offers up advice on building a platform as well. 

If you’re in need of writing and publishing advice (and who among us isn’t?!), hop over to Eric’s website and use his free resources for writers to the max. Happy writing and I can’t wait to read your stories!

creativity

How research helps writers get unstuck

Christa Avampato
Photo by Emily Morter on Unsplash

Have you ever been in the messy middle of a writing project? It’s the point where you’re not quite sure how to get from the middle of the narrative to the satisfying conclusion you have planned. It feels like you’re in quicksand, unable to clearly see the path forward. Your characters look to you for guidance, you look to them for guidance, and none of you have any answers so you just spin place, or worse—you abandon the project altogether. 

The wisdom and guidance you need to get out of the messy middle is research. Right now I’m working on a historical fiction novel. The main tentpoles of the plot have remained the same but I’ve brought in many new details to make the script come alive. It’s set in an Italian bakery in New York City in 1910, a dynamic and wild time in the city, country, and world. A myriad of historical events would have had an outsized impact on my characters so I have to research that time to get the details just right. It’s a heavy lift, and ultimately worth the time and attention.

I got myself out of that messy middle by digging into The New York Times archive for specific dates and events that figure prominently into the lives of my characters. In that research I found a plethora of information, and that information created the map I needed to find my way to the conclusion. 

If you’re in the messy middle now and ready to throw in the towel out of frustration, take a deep breath and go to the archives. Let history be your guide. Research your way across the channel to safely emerge on shore on the other side. It’s only a matter of time. The world needs your story.

creativity

Joy today: What I learned during my first #PitMad writing pitch event

Christa Avampato

On Thursday, I participated in my first #PitMad, a quarterly Twitter event where writers put together up to three tweets about a manuscript they’ve written, add the #PitMad, age category, and genre hashtags, and hope that agents and / or publishers like their tweets. A like means that they’re interested in receiving your query. Think of it as a writer’s foot in the virtual door. With the likes in your notifications, you then research those agents and publishers, review their query requirements, and send in your materials. And then you wait, and likely wait and wait and wait.

I didn’t expect to receive any likes on my 3 manuscripts. I figured low expectations were warranted with so much competition. I was shocked and thrilled when all 3 manuscripts got some interest. I’m working on my queries this weekend, and am excited to see what comes of it. Of course, I’ll keep you all in the loop!

Here’s what I learned during my first run at #PitMad:

1.) Take your shot
Yes, there will be thousands of tweets in competition with yours. Yes, the odds are long. And yes, it’s worth it. Your manuscript deserves every shot at being published, even the long shots. In publishing, it’s all a long shot. Take as many as you can.

2.) Relatively minimal effort on your part
It’s three well-composed tweets. You can write them ahead of time and schedule to publish on the day of #PitMad. Yes, they take time to write but think about how much time querying takes, and most of those queries fall into the void. Write the tweets, post them, and see what happens.

3.) Love shines bright in the writing community
The best part of #PitMad for me was seeing all of the love fly around the Twittersphere that day. People retweeting and commenting on posts that piqued their interest made my day. Twitter can be a bullying garbage pile sometimes with so much disrespectful criticism, and it was nice to see it as a force for good for writers during #PitMad.

I will absolutely participate again, and if you have a finished manuscript, I encourage you to participate, too. For more details and the 2020 dates for #PitMad, check out https://pitchwars.org/pitmad/.

 

creativity

Joy today: How to think about critiques of your writing

Christa Avampato

For all those who create and face criticism for putting the very best of your imagination out into the world, remember this👇

“In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and themselves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talent, new creations. The new needs friends.”

~Brad Bird via Anton Ego, Disney’s Ratatouille

creativity

Joy today: On the passing of Toni Morrison

Christa Avampato
Toni Morrison taught me that prose can be poetry, that struggle can lead to freedom, that you get what you give in writing and life.

She gave me 2 priceless lessons: we all have time to write and never give up. As a single mom with 2 kids, Morrison wrote her first novel, The Bluest Eye, in 15-minute increments each day because that’s all the free time she had. It took her 5 years to write it.

She kept writing despite her novel’s low sales. 3 years later, her next novel, Sula, was nominated for the National Book Award. Her following novels received mixed reviews, but she remained determined.

In 1987, 17 years after publishing her 1st novel, she won the Pulitzer. If you have a dream project, work on it bit by bit. Don’t let critics sap the joy you get from your work. Toni Morrison lived her life with passion and unending grace. She taught me to keep writing.

You were the GOAT, Ms. Morrison. How lucky we are to forever inhabit your multitude of worlds through your gorgeous books. Rest in Power, because that is what you gave all of us—the power of our own language, our own stories. What a life. What a gift.

creativity

A Year of Yes: Why writers have lived on the Upper West Side for so long

Christa Avampato

Screen Shot 2018-05-24 at 9.27.14 AMMy Upper West Side neighborhood is a place where neighbors sit on their brownstone stoops when the weather’s nice to say hello and visit. For writers, this is an especially wonderful practice because we hear, see, and share so many stories. It gives us a place to observe. And the fresh air does wonders for creativity.

My dog, Phineas, is a fan of this lifestyle. Here he is wishing everyone a good morning as he lounges in the dappled sunshine. I love this dog, this town, and the opportunity to tell stories.

creativity

A Year of Yes: Why Harry Potter and the Sacred Text podcast is so good for writers

Christa Avampato

Screen Shot 2018-05-06 at 3.23.22 PMThe Harry Potter and the Sacred Text podcast has been improving my life from the moment I set ears on it. There are so many life lessons and conversations starters about our society throughout the Harry Potter books and this podcast explores ALL of them with two fantastically intelligent, thoughtful, compassionate, and hilarious hosts. Thank you, thank you, thank you to Vanessa, Casper, Adriana, and Julia for the wonder and gift that is this podcast. I’m so grateful and can’t wait for them to do another live show from New York City!

Writers, when we think about the depth of our stories and the work it takes to create this depth, a podcast like this shows just why that work is so worthwhile. Books are a lens through which to look at our lives, the world, and our place in it. It’s a hefty responsibility and an honor to be able to impact people in a positive way through our art. It’s the very best part of being a writer.

creativity

A Year of Yes: My book is in The New York Review of Books

Christa Avampato

Ending another week of happy book news! A few months ago I was invited to be in the Independent Press Listing of The New York Review of Books – Spring Books issue. I’m honored to be among so many fantastic books and authors in this publication that I have admired for years. You can pick up a copy of Emerson Page and Where the Light Enters on Amazon, at Barnes & Noble, and in independent bookstores everywhere. Thanks to all of you who continue to support my book and this journey with Emerson. I hope you keep writing—through all the difficulties, rejections, and doubts. It’s worth it and the world needs your story. I can’t wait to read it.

Screen Shot 2018-04-18 at 8.56.28 PMnyrb040518

creativity

A Year of Yes: What story do you want to be?

Christa Avampato

“In the end, we’ll all become stories.” ~Margaret Atwood

Stories are so intrinsic to our culture, to the structure of our lives, that it’s impossible to separate ourselves from them. We are defined by our stories, the ones we tell about ourselves and others, and the ones others tell about us. It’s how we connect and share with each other. They stir every emotion we can possibly have. Friendship and love both grow from stories. We are our stories, and our stories are us. Let’s make sure the ones we choose are really the ones we want.