creativity

A Year of Yes: A weekend of creativity

I spent this weekend in complete creative mode: building the bones of a new live show that I’m creating and co-producing, working on my first writing fellowship application, completing my application to be in a storytelling festival this summer, submitting a podcast idea to Squarespace and Gimlet Creative, finalizing the lineup my storytelling show NYC’s Secrets & Lies at Caveat on Monday, June 18th at 7pm, and some writing work on my second novel.

It was good for my heart to see all of this coming together. It was just what I needed.

creativity

A Year of Yes: April Edition of NYC’s Secrets & Lies

Had such a great time hosting last night’s NYC’s Secrets & Lies w/ these amazing storytellers: Adam Wade, Vicki Eastus, Suzanne Reisman, Carla Katz, and Madame Morbid (Allison Huntington-Chase). It is an honor to have this show at Caveat and I feel so lucky to do the work I love with these wonderful people. My heart is full. Thank you to everyone who came to the show – you were a fantastic crowd. Our next show is on the books for June 25th at 7pm. Mark your calendars. Tickets on sale soon!

creativity

A Year of Yes: NYC’s Secrets and Lies is tonight

Screen Shot 2017-12-13 at 7.52.48 AMI’m so insanely excited about the storytelling show NYC’s Secrets and Lies tonight at Caveat. I’ll be hosting a slate of incredible storytellers who have dug up some incredible NYC secrets all hidden in plain sight that we walk by every single day. The show is capped off with trivia by Madame Morbid and a fantastic prize from our pals at Untapped Cities. Doors open at 6:30pm, show starts at 7:00pm. Tickets available at http://caveat.nyc/event/new-york-citys-secrets-and-lies-2/. See you there!

 

creativity

A Year of Yes: What does your dream day look like?

Have you ever had a dream day? What happened? Who were you with? What lasting effect did it have on you?

I had one of my dream days yesterday and it was magical:

  • Interviewed a radiation oncologist for a piece I’m writing for The Washington Post about an innovative new cancer treatment that uses protons.
  • I spent the morning getting a private tour and digging through the archives at The Explorer’s Club. I was doing research for my second Emerson Page novel, and got to see art, travel diaries, photographs, and artifacts from around the world that were collected by our most intrepid explorers.
  • Then I had a fun meeting with the fine people at Untapped Cities about a new live performance project we’re working on together. Cannot wait to share more details with you!
  • Had a long overdue visit with a magical man who’s saved my life several times, and taught me to stand in my own light.
  • Dinner with my best friend.

To write, to research, to tell stories, to collaborate with others on creative projects, and to spend time with people who are central to my life. That is the perfect day for me.

creativity

A Year of Yes: What story do you want to be?

“In the end, we’ll all become stories.” ~Margaret Atwood

Stories are so intrinsic to our culture, to the structure of our lives, that it’s impossible to separate ourselves from them. We are defined by our stories, the ones we tell about ourselves and others, and the ones others tell about us. It’s how we connect and share with each other. They stir every emotion we can possibly have. Friendship and love both grow from stories. We are our stories, and our stories are us. Let’s make sure the ones we choose are really the ones we want.

creativity

A Year of Yes: NYC’s Secrets & Lies partners with Untapped Cities

http://caveat.nyc/event/new-york-citys-secrets-and-lies-2/
http://caveat.nyc/event/new-york-citys-secrets-and-lies-2/

I’m so excited to tell you that my monthly storytelling show, New York City’s Secrets and Lies at Caveat (next show on April 17th at 7pm!), has partnered with Untapped Cities, an online publication that “unearths New York City’s most unique and surprising places, stories and events for the inquisitive reader. We are a community of over 600 passionate contributors, interested in what’s hidden and unnoticed, and how our history informs city life now and in the future.”

What does that mean?

  • 20 members of Untapped Cities Insiders get a free ticket to the show
  • Untapped Cities will offer the fantastic prize to the winner of our show
  • Untapped Cities will feature the show on their media channels before and during the show

I am absolutely in love with the work that Untapped Cities does to showcase our amazing city, and I’m honored to have them partner with us to bring to life the most wild stories about New York City.

creativity

A Year of Yes: My live storytelling show New York City’s Secrets and Lies is now a monthly show for a year at Caveat

Screen Shot 2017-12-13 at 7.52.48 AMI’m so excited to tell you that my first storytelling show New York City’s Secrets and Lies was so successful in January (a sold out show!) that it’s now going to be a monthly show for a year at Caveat starting in April.

The next show will be on Tuesday, April 17th at 7pm. Tickets are now on sale for $12 so get ’em while they’re hot and spread the word! Hope to see you there.

Link to buy tickets: http://caveat.nyc/event/new-york-citys-secrets-and-lies-2/

More details about the show:
Can you tell the difference between a secret and a lie? Five expert storytellers spin incredible tales about the secret pasts of NYC locations you walk by every day. All the stories are true except for one. If you can identify the lie, you’ll be in the running to win a pair of tickets to a secret NYC event.

Stories Include:
“When a secret nature versus nurture experiment is exposed, a delicious New York City restaurant is born.”

“New York City nearly became its own country, but not for the reasons you’d expect or hope for.”

Doors: 6:30pm
Show: 7:00pm
Tickets: $12 in advance, $15 at the door

 

STORYTELLERS: 

Adam Wade

Adam is an inimitable fixture in both the New York City storytelling and comedy scenes. He is the winner of 20 SLAMS at The Moth (18 StorySLAM victories and 2 GrandSLAM Championships) with 20 different winning stories. He has toured across North America with The Moth Main Stage. His stories have appeared on The Moth Radio Hour and The Moth Podcast.

Adam has been performing his New York Times and Time Out New York’s critic’s pick monthly solo show The Adam Wade from NH Show since January 2010. He is also a regular performer on Nights of Our Lives at the Upright Citizens Brigade Theatre, and has made several appearances on Asssscat 3000 (guest monologist), Whiplash and Night Train with Wyatt Cenac.

Adam recently released his debut storytelling/comedy album Adam Wade: The Human Comedy, with Comedy Dynamics. The album was enthusiastically lauded in Sarah Larson’s profile of Adam in The New Yorker. He has been seen on HBO’s GIRLS Season 5 finale and on Season 2 and 3 of Comedy Central’s Inside Amy Schumer.

In 2017, Adam began hosting a tech web series for Bloomberg called Conversations with Coders as well as a series he created called Wade on the Bench in Hoboken.

A seasoned teacher of his craft, since 2010, Adam has been teaching a variety of 6-week Storytelling Classes at NYC’s Magnet Theater. In December 2017, Adam teamed up with Airbnb to create his very own NYC Storytelling Experience.

He also conducts one-on-ones meet ups and workshops for businesses and organizations. Find him online at AdamWade.com, on Twitter at @adamwade, and on Instagram at@adamwadestoryteller, and Facebook at @adamwadestoryteller.

Carla Katz
Carla is Jersey born and bred storyteller and now lives in Hoboken. She debuted her solo show “Body Parts” at this year’s SOLOCOM 2017 at the Peoples Improv Theater. She has performed at numerous Moth StorySlams, at the Magnet Theatre, in “Adam Wade’s Storytelling Series”, and in front of her dog Finn. Carla likes to get emotionally naked and she tells stories that expose the small dramas that make us laugh or cringe. By day, she is a labor union leader, lawyer, and political animal. By night, she gets naked and howls at the moon over Manhattan. Carla learned storytelling craft from fellow Hobokenite Adam Wade, a 20-time Moth winner and comic extraordinaire.

Jane Cooke
Jane is a stage, film, and television actress originally from Canada. She has worked at the Stratford Festival in Ontario, Canada, and has been in the touring company of Broadway shows including Disney’s Beauty and the Beast and Mamma Mia!. She comes from a large family with six siblings so she’s been telling “stories” her whole life. Jane loves a big red wine from Napa, and hates soft cheese.

 

Suzanne Reisman
Suzanne  lives in Manhattan with her husband and teddy bear, but, unwilling to fully abandon her Chicago-area upbringing, insists on calling soda “pop,” and sneakers “gym shoes.”

Her first book is Off the (Beaten) Subway Track: New York City’s Best Unusual Places, a travelogue about/guide to unusual places and things to do in NYC. She is also the author of 1.87 yet-to-be published novels. Her essays and fiction have appeared in New York Nonprofit PressMetro New YorkCity Limits MagazineBookanista, Flash Fiction Magazine, and The Sunlight Press.

In addition to writing, Suzanne is the founder of TwentyTwenty Books, a nonprofit organization that connects marginalized voices in literature to community-based book clubs. She has MFA in creative writing from the New School and an MPA from Columbia University.

She likes eating, running, House Hunters International, wandering around cities, and sleeping.

Vicki Eastus
Vicki is a storyteller, an improviser, and a law professor. She grew up in Dallas, Texas, the land of tall tales and tall hair.

She left Texas for Harvard, where she spent most of her time as an activist on feminist issues but also studied obscure 19th century Russian novels. Years of law school and lawyering led Vicki to need more joy in her life, so she studied improv at the Upright Citizen’s Brigade and storytelling with Adam Wade.

Vicki performs with the indie team “Improvisers of a Certain Age” and can be seen at Sunday Night Improv at Stand Up NY. Vicki has spun her tales at Moth StorySlams, in Adam Wade’s Storytelling Series, and in numerous shows at the Magnet Theater. She is developing a solo show of her stories, “Can Feminists Wear Tiaras?”

For fans of slide decks, Vicki has presented “Using Techniques from Improvisational Comedy and Storytelling to Help Students Find Their Legal Voices” at academic conferences in New York and Verona, Italy.

creativity

A Year of Yes: Native American culture sets aside time and space for reflection

As I think about my own storytelling projects, I am reminded of my introduction to it when I was a young child.

I grew up in a rural area where Native American culture is still very much alive. We had a family friend who was a Mohawk chief, Chief Black Bear. We would often go to visit his trading post. He was a very tall, solid, regal man. I was fascinated by him. I remember the jewelry, items fashioned from animal skins, the art, and the tobacco pipes carved from natural items. I have no Native American heritage in my blood, but I somehow felt very much at home in his culture. I still do.

One year for Christmas, my mom bought me several books about Native American history. The way they live and what they believe makes complete sense to me. They take care of the planet and each other. They believe in the connectedness of the heavens above and the Earth below. And their storytelling—that’s what captivates me the most. They make deep wisdom palpable, even to a child.

Yesterday I learned about how some members of some tribes welcome people back from war. There is a recognition that they must have transition time. They go with the medicine man for a number of days to literally and figuratively have the blood washed away. The trauma of war is recognized and processed. They deal with this in the light so that it doesn’t get subsumed into the shadows. They grieve. They’re cleaned. They’re healed so that they can return whole.

Setting war aside, if we just look at our own grieving process today with any lens, we often don’t allow space or time for it. We are supposed to move on quickly and in earnest to sunny skies and smiles. We are told to let it go as quickly and cleanly as possible. Though truthfully we hang onto things inside of us. We don’t always give ourselves time to adequately mourn our losses and reflect on what we’ve learned. And so it piles up, and up and up and up until we literally collapse under it. We do ourselves a disservice all in an effort to get on with it. Except we haven’t gotten on with anything. We are playing a role, and eventually we will have to leave the stage and all of our grief will be there waiting in the wings. And we will feel alone and isolated and ashamed of it. And we will bear it until we can’t.

Our society is dealing with massive public issues now, issues that have been ignored and swept under the rug for too long by too many. Of course they now seem unwieldy. Look how much time they’ve had to grow unattended. We cannot and should not shrink away from dealing with them now, no matter how large they loom. If we don’t recognize and set ourselves on a course to solve them, that task will fall to the next generation and the generation after that. Bringing them into the light is painful, but it is the only way to create a better tomorrow. Have faith, and let’s get to work. We can do hard things, together.

creativity

A Year of Yes: My New York City storytelling show is growing

This week I had 4 partner conversations with people and organizations I greatly admire to discuss my passion for storytelling and New York City history. 3 months ago, my idea for a show was barely a seed. Now it’s bigger and brighter than I ever thought possible. Here’s to dreaming and living out loud. I love this town. More details soon!

creativity

A Year of Yes: Don’t Hide the Madness

“Follow your inner moonlight; don’t hide the madness.” ~Allen Ginsberg

This week as the host of a live storytelling show, I was there as an orchestrator and doing tiny bits between our featured storytellers. Rather than overly rehearse them (as is my usual MO) I decided to be a bit more improvisational with them.

This is not my style. I like to be on point, suited up, and prepared for every eventuality. I hope for the best, and expect the worst. It’s how I survive in a mad, mad world. Some say it’s part of my charm; others say it’s part of my neurosis. Either way, that’s me.

And despite it being against my nature, I will admit that ad-libbing was actually fun. It was freeing (if a wee bit frightening) to just be able to listen, enjoy the stories, and respond. It’s a healthy thing to follow you inner moonlight, to let your madness have some time to the spotlight once in a while. Give it some room to breathe and explore. It’s interesting to see what it finds.