During my Year of Yes, I decided to submit more of my collage work for contest consideration. Today I put together my Power To The Polls submission for the open call for art being run by Amplifier. What do you think?
The Modern Woman
Tag: art
A Year of Yes: Dreadnoughtus, my first multi-panel collage
I’ve been working on my first multi-panel collage. I wanted the subject to be fitting for a larger piece.
I give you Dreadnoughtus. Discovered by Dr. Kenneth Lacovara and his team in Argentina, it is one of the largest animals to ever roam the planet. It is part of a large group of plant-eating dinosaurs known as titanosaurs.
I recently learned that dinosaurs skeletons are never found in totality and many times are reconstructed from a small handful of bones. The skeleton of Dreadnoughtus was exceptionally complete with over 70 percent of its bones represented. In life, it was 85 feet long and weighed approximately 65 tons.
Collage explanation:
Dreadnoughtus is entirely composed of the faces of other animals closely related to dinosaurs—birds (which are in actuality dinosaurs) and modern-day reptiles. The skeleton in silver paint illustrates the bones that were part of the discovery in Argentina per this schematic:
The salmon-colored sky represents the asteroid (comet) which likely caused the end of the 165-million year reign of the dinosaurs. There is still some mystery surrounding the exact cause though it is widely believed that the Chicxulub crater on the Yucatan Peninsula in Mexico suggests that an asteroid or comet approximately 10km wide hit the Earth, and created a series of events that led to their extinction.
Below Dreadnoughtus, I used bits of paper from a photo of the gnarled landscape of Wistman’s Wood. Packed with moss-draped boulders, ferns, grass, and lichen-covered dwarf oaks, and dense fog, it’s located in Dartmoor National Park in the U.K. It’s a landscape that inspires myth and mystery, the kind of wonder that dinosaurs inspire in so many of us.
The other items in the collage represent everything that was born into the world because of the exit of the dinosaurs. The truth is that if the dinosaurs hadn’t died out, if the asteroid or comet hadn’t hit the Earth exactly when and where it did, we likely wouldn’t be here, nor would many of the other species that exist today. Nature is opportunistic and chancy, one species loss is another’s gain. Everyone and everything we know and love came about on the backs of the dinosaurs. Our history is intricately intertwined with theirs. We owe them a great deal, as Ken explains in his book, Why Dinosaurs Matter.
A Year of Yes: It’s never too late
I saw this list over the weekend:
- At age 23, Oprah was fired from her first reporting job.
- At age 24, Stephen King was working as a Janitor and living in a trailer.
- At age 28, J.K. Rowling was a suicidal single parent living on welfare.
- At age 30, Harrison Ford was a carpenter.
- At 40, Vera Wang designed her first dress after a career in which she failed to make the Olympic figure skating team and didn’t get the Editor-in Chief position at Vogue.
- At 42, Alan Rickman gave up his graphic design career to pursue acting.
- At 52, Morgan Freeman landed his first MAJOR movie role.
- At 62, Louise Hay launch her publishing company, Hay House.
- At 101, the artist Carmen Herrera finally got the show the art world should have given her 40 or 50 years ago before: a solo exhibition at the Whitney in New York City, where she has been living and working since 1954.
Know this: it is never too late to do what you love. We put a lot of pressure on ourselves to achieve all of our dreams at an increasingly younger age. We beat ourselves up because we aren’t a 30 Under 30 or a 40 Under 40. Here’s my advice: forget about your age. Stop tracking your life’s milestones against someone else’s.
Life is about the long game; it’s about being a little bit better version of yourself today than you were yesterday. That’s the greatest win of all. Your life could change at any moment, at any age. Do something you’re proud of doing. Celebrate your wins, learn from your losses, and most importantly, keep going. You’re going to find your way. You’re going to find what you’re meant to do, who you’re meant to be with, and where you’re meant to be. I can’t tell you when, but I can tell you that if you keep looking and trying new things, you will find your best life.
A Year of Yes: Taking a storytelling workshop with Third Rail Projects
Staying true to my New Year’s resolution of “Yes”, I signed up to take a storytelling workshop with Tom Pearson, Co-Artistic Director of Third Rail Projects. You may know Third Rail from their ingenious immersive theater productions of Then She Fell and The Grand Paradise. Tom co-created both of these projects. I’ve been increasingly intrigued by this art form of immersive performance and want to expand my personal and professional skills in rich, 3-D storytelling as a vehicle for audience development. I couldn’t be more excited to take this class.
Ritual & Performance: Rites of Passage
This one-day intensive will demonstrate how an artist can (re)construct a story from just the remnant or shard of a fragmented narrative. We will look at the mythologies surrounding coming of age, death, re-birth, and oracular archetypes – and their applications in Third Rail’s recent immersive theater hit The Grand Paradise – as a way to understand ritual, narrative, and rites of passage in an immersive theater context. The workshops will mostly be in lecture/demonstration format. Hand written note-taking is encouraged, but there will be no electronic devices of any kind allowed. Please prepare to participate in group material and to work together in dyads. A Q&A session will wrap up the last hour of the day.
A Year of Yes: Embracing “kintsugi”, the art of imperfection
In Japan, “kintsugi” is an art form and method of mending. When a piece of pottery develops cracks, those cracks are filled with gold. The flaws aren’t hidden; they’re highlighted. We try so hard to give the illusion of perfection—in photos, in words, in life. What if we not only let our imperfections and flaws and mistakes and scars show, but we actually brought attention to them? What if we shouted them from the rooftops and claimed them as sources of strength and resilience and courage? What if we could celebrate them, in ourselves and in others? Imagine how much kinder and more productive we could be if we stopped being so afraid to try, and just decided to go for it without any concern of failure and success, only to embrace doing our best and learning every step of the way. What would you try first?
A Year of Yes: Science and art – two worlds not so far apart
Science and art are not mutually exclusive. There’s so much cross-over, so much cross-inspiration. Be a scientific artist, or an artistic scientist. They are languages, forms of communication about the experience of the world and our place in it. They are dialogues. They are stories of discovery and chance and change. Find them, write them, and share them as clearly as you can. It’s all beautiful.
A Year of Yes: Making time for Michelangelo at the Met
“The wait’s going to be at least an hour.”
That’s what one of the guides said to me at the Met when I inquired about the insanely long line to see the exhibit Michelangelo: Divine Draftsman and Designer. I almost left without seeing it. Almost. But then I remembered my commitment to say yes more often in 2018 (even though it was still 2017.)
So I wound my way through multiple gallery spaces and parked myself at the very end of the line. I knew it would be crowded; I doubted I would be able to get up close to the pieces. And that was okay with me. I just wanted to be in the presence of the work. So I waited. For about 10 minutes, not even close to an hour, and then I was there. The first part of the exhibit was crowded but I was able to get up close to the work in many of the galleries. Very close to it.
“Yes, I’ll stay in line” was the right answer.
Toward the end of the exhibit, I came to this placard. It’s short story hit me right in the gut. I audibly gasped. To give the illusion of perfection, to hide his process and his struggle in his work, Michelangelo burned many of his sketches. He wanted people to think his talent was effortless and god-given even though it was far from it.
Think of all that lost work. Think of everything we could have learned if he hadn’t been so concerned about the illusion of perfection.
I sat there in the middle of the exhibition and thought about how afraid we all are to show our stumbles and missteps, how we savor the performance and cringe at the endless practice it took to get there.
When I left the museum, I turned and looked back at the building in the cold, dark night. I was so glad and grateful to be able to come to this museum any time I want, to live in a city that build castles to creativity. And as I looked at the Met, I thought about how much art has changed my life. And how much effort, how much beautiful effort, it takes to be an artist of any kind.
What if we could all commit to being a little more authentic, to sharing when we’re lost and confused and unsure of how to proceed, to asking for help? What if we could be okay with admitting failure and defeat because accepting them while not being discouraged by their existence gives us resilience and confidence? Imagine what we could learn, what we could inspire, and what we could teach others in the process. I say, yes. Let’s.
A Year of Yes: Show your work – a lesson from Matisse
Pentimento is Italian for “repent” though its colloquial meaning in the art world is a bit closer to “show your work”. If you look at a number of Matisse’s drawings, you can see that he left his erasure marks so that we can see where and when he changed his mind and how often it took him multiple tries to get his work exactly the way he wanted it to be.
When I look at the path of my life, I see many pentimentos, places and traces of changing my mind, trying something new, exploring, and traveling in a new direction. Like Matisse’s sketches, you’ll see the marks if you look closely enough. And that’s okay with me. I don’t erase the mistakes of my life; I just re-arrange them. I put them in perspective. I try very hard to learn from them and be a better version of myself as a result of having lived through them.
I hope that as we begin a new year after what was a very difficult one, we’ll find a way to take a page from Matisse’s book. Let’s make use of our collective pentimentos so that we can craft a much better future together.
In the pause: How to achieve impossible dreams
When I want to do something big, I spend about 30 seconds thinking about what that goal looks and feels like. Almost immediately, I move into what I call breakdown mode. I start to break apart that big, beautiful dream into bite-sized pieces. The big dream, for me, is too daunting and it’s not actionable. I make it happen, I’ve got to unpack it, dissect it, and put it into a to-do list with deadlines. And then I pick a place and begin. For my writing, it’s one word at a time. For my collage work, it’s one tiny piece of paper. For getting a new job, it’s making sure my resume is up-to-date in all its various forms and channels. You get the idea. It’s a puzzle and the best I can do is focus on one piece at a time.
When my head hits the pillow at night or when I sit down for my 18 minutes of daily meditation, I give myself a little chance to think about that shiny goal out there in the distance. I fall asleep thinking about those dreams and I wake up thinking about them. Everything in between, all my waking hours, are devoted to action. It’s the only way I know how to make things happen.
In the pause: On this Cyber Monday, meet Privé Revaux, my favorite popup store of the season featuring an online brand
Happy Cyber Monday!
I was walking to the Times Square subway from the Bryant Park Holiday Market and stopped short when I saw a set of retail windows that celebrated Artists, Explorers, and Dreamers. I went inside to find an art installation that featured a graffitied subway car, a space scape, and an artist’s work room. They encourage you to go in and snap selfies so Emerson Page did a little photo shoot.
The art installation doubled as a retail popup for online sunglass brand, Privé Revaux. The designer sunglasses are all handcrafted, polarized, and $29.95 in over 100 styles. Now if only all shopping experiences, online and in brick-and-mortar, could come with a side of art, we’d all feel a little more inspired and a little less tired during our holiday shopping.
If you’re in NYC, check out the Privé Revaux popup store at 120 West 42nd Street. Not in NYC? No problem. All frames are also available at https://priverevaux.com/.
Christa Avampato 