creativity

Public Voices Fellowship on the Climate Crisis at Yale University

Really proud to be a finalist for the Public Voices Fellowship on the Climate Crisis with The OpEd Project at the Yale Program on Climate Change Communication. They had 445 applications this year and though I didn’t get one of the 20 fellowship slots, as a finalist I will have some incredible opportunities this coming year to sharpen and hone my climate change storytelling. Please join me in congratulating this year’s fellows. 

creativity

Thanks for the joy, James Corden

James Corden on The Late Late Show

You may know I’m a massive fan of James Corden and his edition of The Late Late Show. You may not know that he and the show were part of my care plan when I went through cancer treatment during the pandemic. In my efforts to find joy every day to get myself through one of the toughest times in my life, James, his staff, and his guests were often that source of joy for me. 

This has made saying goodbye to him in my own distant fangirl way especially difficult. I cried watching him sing his farewell song, “That’s Our Show.” I’m so grateful to him and his team for all they’ve done for eight years to make me laugh, to make us all laugh, especially during the challenging times. What a gift. 

Though his time on late night is done, at least for now, I’m hopeful that we will see him again soon in his next great role. He is a massive talent. His performance in the Amazon show, Mammals, is beautiful and haunting. His comedic work on stage in The History Boys and One Man, Two Guvnors is masterful. I can’t wait to see what he does next because after his incredibly successful late night run, he could do anything. Truly. The world of opportunities is open to him. And I imagine that could be frightening and daunting. What would you do if you could do anything? It’s an enormous, poignant question. 

My hope for him is he takes a long vacation, takes some time, takes a breath, takes in all the love and admiration fans like me have for him, and then does exactly what he wants to do. Maybe he’ll decide to do nothing. Maybe he’ll decide to do something. No matter what I will always be glad he chose to spend eight years of his life in the U.S. bringing his light to late night and making us smile every day. Thank you, James and the whole Late Late Show team, for everything. What a run. What a legacy. Congratulations. 

creativity

My dream New York City apartment

The search is on for my new apartment! I’ll be moving on May 31st, or slightly before. To manifest this new space for my new chapter in this city, I wrote out what where I’d love to live:

  • Dog-friendly
  • Filled with light
  • Good public transit
  • Private outdoor space
  • Modern kitchen and bathroom
  • Laundry in-unit or in-building
  • Elevator
  • Doorperson
  • Neighborhood feel with a green space nearby

Let’s see what I can find. All ideas and referrals welcomed!

creativity

Remembering Todd Haimes, President / CEO of New York’s Roundabout Theatre Company

“I didn’t know if you’d seen this. I remember your reverence for him.”

My friend Trevin Cooper, himself a talented theater professional, wrote me this note when he sent me the news that Todd Haimes, President / CEO of New York’s Roundabout Theatre Company, where I got my first job in New York after college, passed away. I put my head down and let two big tears roll down my face.

When I first started at the Roundabout, Todd showed me what was possible when you bet on yourself. Fresh out of college and not sure where my life or career was going, his example gave me hope, and a roadmap.

Todd went to the University of Pennsylvania for undergrad, as did I. He got an MBA, which I would get 7 years later following his example. He knew his career was not on stage (he acted in only one play), but on the administrative side. The same was true for me as well. He often described himself as an orchestrator with a talent for getting the right people around the table and removing any roadblocks so they could create something incredible together. I think of myself that way, too.

Todd was the first person who helped me realize not only could I love business and the arts equally, but that the two benefit one another. It’s a lesson I’ve never forgotten in all the years since I worked at the Roundabout and it’s been the basis for my entire career and life—to use rock solid business principles to support creative endeavors.

When I found out Todd got cancer in his 40s, I was devastated. Then I was inspired because he kept going in spite of it — for 20 years! — and his star rose higher than ever. I also got cancer in my 40s during the pandemic, and again Todd’s example showed me what’s possible, even in the face of a difficult diagnosis. (I am thankfully now cancer-free.)

Though Todd physically left this world last week after his long battle with cancer, the energy, enthusiasm, and talent he wielded to completely transform Broadway theatre lives on in our beautiful city of New York, artistic communities all over the world, and the many people whom he inspired. Me included, of course.

They say the neon lights are bright on Broadway, wrote Weil and Mann. I say they shine brighter because Todd Haimes dedicated his life to making them so.

creativity

Katie Porter for Senate

Yesterday I attended a fundraiser for California’s next senator, the indomitable, authentic, passionate Congresswoman Katie Porter, hosted by Vicki Eastus and Ted Janger. We covered a lot of ground in our conversation: the economy, climate change, agriculture, fair housing, social justice, childcare, and abortion.

Katie is the real deal. She cares deeply about all of her constituents and this country. She is one of only 11 in Congress who do not take money from PACs or lobbyists. She cannot be bought and that’s one of the thing I admire most about her. Her book, I Swear: Politics is Messier Than My Minivan, came out yesterday and she was also on Colbert last night just before the fundraiser.

What we see on TV is exactly who Katie is. I’m so proud to support her, and I hope you will, too!

creativity

Navigating change like Disney / Pixar

One thing you should know about me is that I’m a huge animated movie nerd. I could spend days watching Pixar movies, and have! As I went looking for inspiration about how small creative teams manage change for my latest academic paper on sustainability leadership, I happily re-discovered Ed Catmull’s book Creativity, Inc.: Overcoming the Unseen Forces that Stand in the Way of True Inspiration.

Catmull is the Co-founder of Pixar and was the President of Walt Disney Animation Studios. His 37 principles of how the company operates, including how they navigate change, hold business and life lessons for all of us.

Jonathan Michael from the company Bplans pulled together these Catmull quotes and created a set of graphics with photos from Disney / Pixar that will have your brain buzzing with ideas. I hope you find them as inspirational as I do.

creativity

Climate change will impact everything everywhere all at once 

The new NASA global data set combines historical measurements with data from climate simulations using the best available computer models to provide forecasts of how global temperature (shown here) and precipitation might change up to the year 2100 under different greenhouse gas emissions scenarios. Credits: NASA

Over the weekend, I read a disturbing article that quoted a potential presidential candidate who wrote, “We will keep fighting until we put a stop to ESG once and for all!” 

ESG stands for Environmental, Social, and Governance and is a set of investment standards for a company’s behaviors. In other words, it’s a set of standards that takes more than profit into account. It was coined by the United Nations in 2005. Originially, the acronym was GES because they believed Governance was the most important of the three. They weren’t wrong then. They aren’t wrong now. They just didn’t know at the time the dire state of our environment in 2023. 

The quote above is so incredibly dangerous because if the United States completely gives up on the environment now, catastrophe is certain. Even if we went to net zero today, there’s still no way to keep global warming below 2 degrees Celsius. Above 2 degrees, we will see more intensified storms, extreme heatwaves, dangerous flooding, drought, and fire conditions, crop failures, sea level rise, deathly disease increases, and massive loss of biodiversity in flora and fauna. 

To be fair, many parts of the world are already seeing impacts. Whole towns such as Newtok, Alaska moved to avoid climate impacts. Tuvalu, the Pacific island country of 12,000 people halfway between Hawaii and Australia, announced at COP27 its plans to become the world’s first digital country in hopes to preserve its history and heritage. 40% of its capital district is underwater during high tide. Eventually, it will be completely lost to rising seas. The Colorado River, Lake Mead, the Great Salt Lake, and the Mississippi River are rapidly shrinking. 

But, climate has always changed. It’s changed many times before in the history of the planet. So why does this chapter of climate change matter? The last time CO2 was as high as it is now was 3 million years ago. Modern humans didn’t exist then. The rapid rate change of CO2 we’ve seen in the last 100 years because of human activity, particularly the burning of fossil fuels, has never happened before in the history of the planet. And it’s that rate that is the key point. 

Yes, the planet can adjust to changes. But it can’t adjust this much this quickly. If you lost $1 a month in income, you could adjust and manage for a certain amount of time. If you lost $100 a month, that would require a much bigger adjustment in your budget. If you lost $1000 a month, that would require an enormous adjustment and you may find yourself in serious trouble with basic needs because of that rate of change. The planet is under this same type of pressure. 

So why bother doing anything? If we’re on the deck of the climate Titanic, should we just play on? No. Not by a long shot. For every fraction of a degree we can curtail warming, we will see impacts lessened, human lives saved, and species protected from extinction. It’s going to be a difficult ride toward a fully sustainable world, and if we commit to protecting each other, we will eventually get there. It will be painful, expensive, and massively inconvenient to say the least, but not impossible for humans to survive. But life will look different, very different, for centuries. 

None of us will be here to see a fully sustainable world, but we all have a responsibility to future generations. Consider how much better off we’d be today if 100 years ago strong governance cared about the environment as much as they cared about money during the Industrial Revolution. Our world would be healthier, cleaner, happier, and more peaceful. It could be that way for future generations if we, and our governments, do the difficult work now of restoring and regenerating the health of our planet. That could be our legacy. We could be known as the generation who saved human life, and the lives of the species with whom we share this planet. Imagine that. That’s our collective goal. 

No matter on which side of the aisle you sit, can we all agree that health and happiness are what we all want? Don’t we want clean air, water, and soil? Plentiful healthy food and fresh water? Can we start to talk about ESG not as this divisive, political policy as framed in the quote above but as a means of kindness, care, and concern for all? If that’s woke, then please let’s not allow ourselves to turn a blind eye and go back to sleep. Our survival depends upon our eyes and hearts being wide open. 

creativity

Edward Hopper’s New York at the Whitney Museum

Sunlight on Brownstones by Edward Hopper

If you’re in New York this weekend, run don’t walk to the expansive and breath-taking art exhibit Edward Hopper’s New York at the Whitney Museum. New York was Hopper’s muse, second only to his wife Josephine “Jo” Nivison Hopper who was also a talented and accomplished painter. (Some of her works are featured in the exhibit as well and they’re stunning.) We see Automat, which reminds me of my heady early adult days in New York when I was scraping by working in Broadway theaters, as well as Early Sunday Morning, Room in New York, Bridle Path, Two Comedians, Drug Store, Tables for Ladies, New York Interior, From Williamsburg Bridge, Approaching the City, Sunlight on Brownstones, New York Pavements, Boy and the Moon, and the exhibit goes on and on with one gorgeous work after the next. 

We also find his illustrations, which I never knew he did, and an extensive set of his theater stubs that he saved. He and Nivison Hopper were massive theater fans and often went there to sketch not the show, but the audience and staff. Hopper was obsessed with depicting the lives of everyday people in ordinary and intimate moments of their lives. This entire exhibit is a celebration of not just New York, but New Yorkers. We could be, and perhaps have been, many of the people in these works. They feel familiar to us because they are. In our city, we have all lived these moments in the course of our average days. 

What Hopper helps us realize is the extraordinary in our ordinary. In his work, we find the sliver of light through the window of our small apartment, the summer sunshine and shadows in Central Park, the very first moments of our mornings when we are still between sleeping and waking, the views from our trains and ferries as we rush to our next appointment, that burnt orange hat or sky blue dress that we love to wear, and that moment when we round the corner and spot our friends seated around the bar at our third home where everyone knows our name. 

The one sadness I felt is that his most famous work, Nighthawks, is not there. I asked a guard where that painting is, and was told, “It’s at The Art Institute of Chicago and they weren’t giving it up. But, the sketches of it are in the side room.” My dear friend, Vicki, who prompted me to catch this exhibit with her before it closes on March 5th, and I hustled over to that side room and it was filled with Hopper’s sketches of many of his best known works. We found them equally fascinating as the final pieces because they show his meticulous, studious process of perspective and the clarity of vision via the clean lines with which he’s synonymous.

To enhance the exhibit even further, don’t miss the views of New York from the Whitney roof. Though it was freezing, Vicki and I ventured out there to see the sculptures and the views of New York that still look so much like the views Hopper saw. “Christa, we live here,” Vicki said to me. “We get to live here.” My heart was filled with gratitude for this city, this time with my dear friend, and for Hopper and Nivison Hopper whose visionary works endure.

creativity

How Matthew McConaughey helped me through cancer

Photo by Greg Rakozy on Unsplash

On the Calm app, Matthew McConaughey reads a sleep story titled Wonder. In the earliest days of my cancer diagnosis and treatment, in the middle of the pandemic before vaccines when death tolls were skyrocketing, I waited for biopsy results and surgery. I would lie in bed praying for sleep, knowing cancer was in my body. I’d often wake up in the middle of the night—alone, afraid, and lost.

I would turn on Wonder, and Matthew McConaughey’s voice would help me escape from my panicked and fearful mind. I needed to build my own anchor, and that story one was of my tools. It features a 7-year-old girl named Zoe who loves dinosaurs, art, and the cosmos. Her stargazing grandfather is wise and kind, and lives on a lake. When Zoe can’t sleep because of her worries about the world and her future, he reassures her of the beauty and comfort we can find in the darkness if only we are willing to step into it with curiosity and courage.

In those nights of drifting liminal space, caught in the sea of time between no longer and not yet, between living and dying, between this world and what’s next, Zoe, her grandfather, and Matthew helped me became limitless, fearless, and amazed. They kept the tiny light within me burning bright. Awe became my salvation.

I was Zoe, and her grandfather and Matthew were my guides. They reminded me again and again that in this moment, I was alive. “What might happen in the future can’t happen now,” they assured me. That truth was my North Star and I clung to it like the life raft that it was. I listened to this story so many times that I could recite it from memory.

Now, over two years cancer-free, I’m in the midst of re-imagining my future home and career. Recently I woke up in the middle of the night, concerned about what’s ahead. I listened to Wonder again for the first time in a long time. Again, as then, Matthew, Zoe, and her grandfather soothed my worried mind. They reminded me of how far I’ve come, how far we’ve all come, since those terrifying nights when, in the wise and timeless words of Ani DiFranco, self-preservation was a full-time occupation (and then some.)

That’s the thing about stories. They give us hope and joy. They help us rest and recharge. They give us an escape so we can re-enter our lives with new perspective and renewed strength. Stories have saved my life more than once. They continue to be that solid core of my being every time I’m afraid “the centre cannot hold,” as Yeats speaks of so poignantly in his poem “The Second Coming”. He talks of revelation and rebirth in the middle of chaos, darkness, and doubt—exactly the same spirit of Wonder. 

When we are most unsure, we can be certain of this: if we can find something, anything, to help us hang on, there is so much beauty and wisdom to be gained in the struggle. Someday, our struggle and triumph will be the inspiration that helps someone else survive their own long night. That is reason enough to keep going—to have the honor of paying it forward. 

creativity

Looking for a new NYC apartment

I’m moving and looking for a new apartment. Yesterday I received my renewal lease – $2750 / month for 1 year, $2850 / month for 2 years. A $300 / month increase for 1 year, $400 / month for 2 years. This after they raised my rent $210 / month last year. Over a 20% increase over the course of 2 years, and I never got any kind of pandemic deal either. Time to find a new place. Even if they reduced it a bit, it’s still too much for me.

I’m sad to leave. I’ve been in this apartment for 6 years, the longest I’ve ever lived anywhere as an adult. I love my neighborhood and neighbors, and I really like the setup of my cute and quirky apartment. I love the park, and all the conveniences of this area.

This apartment has held so much for me. Over the last few years, I’ve dealt with a lot of heavy and difficult situations and emotions in this apartment. They’re part of my attachment to this place. Maybe this is a sign that I can let go of all that, turn the page, and move forward into a new chapter. I’m dreaming of a place loaded with natural light to start a-new.

So if you’ve got any leads on a great place for me and my very sweet old dog, Phin, I’ll take ’em!