I understand that museums have engaged in some unfortunate practices when it comes appropriating items from other cultures. It’s impossible to erase the past; we can make amends with respect, understanding, and concern. The Museum of Vancouver has begun the process of repatriation with the Haida Now exhibit, a thoughtfully curated exhibit done in collaboration with the Haida people. I was fortunate enough to see the exhibit while I was there this weekend. I’m still processing my thoughts and feelings about everything I learned, and I wanted to share these photos with you. Visit the exhibit’s website by clicking here.
On Saturday morning, I went snorkeling in the ocean inlet by my hotel in Puerto Rico. Clad in slightly too-big flippers, a suction mask, and breathing tube, I proceeded to slightly hyperventilate. I didn’t learn to swim until I was 30, and the open water is still a scary, albeit magical, place for me. It’s initially disconcerting not to be able to breathe through my nose. After standing and breathing with my mask for a few minutes, I was able to calm down and get used to the altered breathing pattern. Then I was able to happily kick and float along the water’s surface in search of tropical fish and and coral tucked among the flowing sea grass.
At one point my arms and legs got tired (I had spent most of the night before on the dance floor at my friends’ wedding) so I just stopped and watched. The fish nibbled on the grass below and I just floated, all of us supported and rocked by the gentle tides of the ocean. I didn’t have to do anything in that moment except be present and observe. And it was glorious.
Now that I’m back on dry land, far away from that beautiful island, I’m trying to hold on to that lesson. Sometimes all that’s needed is our presence. Sometimes showing up makes more of a statement that any words or actions. Once in a while, it’s okay to let go and float. It’s surprising how much support we actually have all around us if we just stop and take it in.