creativity

How author Neil Gaiman taught me to be a gardening writer in Dublin

Me on a bridge over the River Liffey in Dublin in 2018.

The portal between New York City and Dublin may be closed, but here’s something even better – the International Literature Festival Dublin kicks off today!

6 years ago I was in Dublin, Ireland doing research for my second novel, Emerson Page and Where the Light Leads, that came out this week. There are a few key settings in the book in Dublin – the Brazen Head (Ireland’s oldest pub dating founded in 1198), Trinity Library (both the Long Room and the stunning Book of Kells), Temple Bar (a cobblestone street in Dublin filled with interesting characters), and St. Stephen’s Green (a park filled with nature and art where I spent a lot of time people watching and writing). Beyond Dublin, Newgrange, the Dark Hedges, and Giant’s Causeway also inspired scenes in the book that let me showcase the retellings of some of my favorite Celtics myths, legends, and folklore.

By a wonderful stroke of synchronicity, I was also in Dublin during the 2018 International Literature Festival Dublin. Neil Gaiman, one of my favorite authors who’s influenced my writing more than anyone, was the headliner. I grabbed a ticket. He talked about how Ireland inspired his comic, Sandman, and how he reimagined his favorite stories from Celtic mythology in his 2017 book, Norse Mythology. Now he felt even more like a kindred spirit to me!

Of all the beautiful advice he offered that evening, this quote is the one that affected me the most because it helped me give myself some grace as a writer:

“I’m not an outliner or someone who free writes. I’m more of a gardener. I plant seeds and I see what grows. I plant pumpkins and I expect a pumpkin. But if I get a tomato, I’ll figure out what to do with a tomato. That’s how I write. I love that magic moment when something happens on the page I’m writing that I didn’t know was going to happen. I get to be the first reader of my work, and it’s very exciting. And quite frankly that magic doesn’t happen often enough. A lot of writing is just laying brick.”

I’m a planner (probably because I grew up with a lot of instability). I like order and organization. I like to know what I’m doing and where I’m going, and I absolutely hate wasting time because I know what a precious and finite resource time is. I can’t imagine a world in which I completely let that go. However, Neil made me realize I could be a little less afraid and loosen the reins a bit.

As I walked back to my hotel in Dublin that night, I let myself entertain the idea that I don’t need the next bit figured out before I sit down to write every single time. I could be okay with planting seeds, seeing what grows, and figuring it out as I go. It was at least worth trying, and giving something a try is where everything begins.

In the 6 years since I heard Neil speak in Dublin, I’ve learned how to let more air into my writing and life. I’m still a planner, and I also plan to be delighted by surprise. There’s a time for hard and serious work, for laying bricks, and there’s also a time for fun and play. There’s room for the unexpected, for magic. My second Emerson Page novel that came out this week embodies that. I’m so grateful to Neil for helping me grow as a writer, and also as a person.

I wish I was in Ireland right now for this year’s International Literature Festival Dublin. Maybe in 2025! For now, I’m following the inspiration online at https://ilfdublin.com/.

creativity

Two locations in my second Emerson Page novel: The Dark Hedges and Trinity College Library’s Long Room

When I took my book writing research trip to Ireland in 2018, I had two must-see places on my list: the Long Room at Trinity College Library and the Dark Hedges (which is the inspiration for the cover of my second Emerson Page novel). The photos below show me at both locations. They feature prominently in the book.

What I didn’t know before I arrived in Ireland is that so many other places would also find their way into the book. Everywhere I went, from the local pubs to the ancient sites to the natural settings, inspired my imagination and creativity, and filled me with wonder. So much of my trip was completely unplanned. I let the spirits and good people of Ireland direct me and guide me, and not once did I falter (which is a rarity for me, especially while traveling, because I often get myself into trouble that makes for interesting stories later on!) I carried a copy of Emerson’s first book with me everywhere and I often felt her nudge me in certain directions. I was never disappointed to follow her lead. 

Other than New York, Ireland is the only place I’ve ever been that immediately felt like home, as if I’d been there before and was fated to be there at that very moment. Certainly a piece of my heart remains there now. For this reason, New York and Ireland are where Emerson spends all her time in this second book in the trilogy. Her New York and Ireland are filled with mythology, magic, and fantastical beings, experiences, and objects, and in the book I’ve done my best to transport readers into her world of adventure.

Some more fun facts about the Long Room and the Dark Hedges:

1.) The Long Room is 65 metres, nearly 300 years old, and filled with 200,000 of the library’s oldest books as well as gorgeous sculptures and an ancient harp that dates to the 15th century. The harp inspired the coat of arms of Ireland as well as the logo for Guinness beer. The scent in the Long Room is unlike anything I’ve ever experienced before or since. Known as Biblichor, from the Greek words, Biblos (meaning book) and Ichor (meaning “fluid that flows in the veins of gods”), it is related to the word Petrichor, a pleasant smell that frequently accompanies the first rain after a long period of warm, dry weather. The Irish are serious about a number of things that are dear to me—stories and books, history, music, beer, and nature, not necessarily in that order. No wonder I feel so at home in this country!

It sits above a chamber that holds the Book of Kells, a 9th century handwritten illuminated manuscript of the four gospels of the New Testament, filled with ornate Latin text and intricate illustrations, many of them quite cheeky and containing secret messages that the Celtic monks who created it wrote to each other. I love the Irish for so many reasons, and their humor is among my favorite of their attributes.

 

2.) The Dark Hedges (in Irish:Na Fálta Dorcha) is an avenue of beech trees along Bregagh Road between Armoy and Stranocum in County Antrim, Northern Ireland. The majority of them are 250 years old, and form a tunnel that from the start seems never-ending. The fields on either side are abandoned cemeteries, lending to the ghostly feeling I had as soon as I arrived. It’s as if the trees whisper to each other through the wind. The trees are rumored to be haunted by many mythological beings—namely the Grey Lady and the Mórrígan (Mór-Ríoghain in modern Irish) who is the fierce Celtic goddess of battle, destiny, fertility, and death (a heavy workload!) and often appear as or is be accompanied by a crow or wolf. They’re badass women who know what they want and don’t tolerate nonsense. Did I mention I felt very at-home here, too?! 😉

Beech trees are linked with time and knowledge, especially written wisdom as thin slices of beech were used to write the very first books. Whatever words were inscribed on beech took on the power and magic of the gods. This is why the beech tree was held in such awe in those early days of books, and still is today. Beech trees were called ‘Boc’ by the Anglo-Saxons, which later became the word ‘book’. I didn’t know any of this until I arrived at the Dark Hedges, and it felt serendipitous since Emerson’s entire journey in the trilogy revolves around finding the first book ever written. 

As a writer, you think you’re leading the story but what I’ve often found is that the story is always leading me to a far better place than I could ever create on my own. The art of writing a novel is a long and winding road, the path meandering but always with purpose. If I just sit as a willing scribe, the story finds me. My job is just to get it down as honestly and vividly as possible. All it takes is time. It’s the great mystery of imagination—I don’t know where the story comes from but I’m honored that it found me and continues to guide me. 

I’m excited to share more behind-the-scenes about the book in future posts leading up to its release in Spring 2024. I’m so excited to be back in Emerson’s world, and revisiting my fond memories of Ireland, a country I hope to return to very soon.

creativity

Write every day: Nothing beats in-person research visits

One of my favorite parts of the writing process is research. I’ll dig through archives, old photos, memoirs, diaries, online sources, and anything I can get my hands on that helps me get a feeling for a time, a place, or a culture that’s in my writing. And as much as I love this portion of research, my very favorite channel is in-person visits.

My second novel takes place in New York City and Ireland. I live in New York so that in-person research was easy. I also went to Ireland for a week in 2018 to specifically do research for my book. Nothing could beat smelling the old books of the Long Room in Trinity Library, visiting an ancient tomb, learning about Celtic mythology in the oldest pub in Dublin, wandering the road of the Dark Hedges, and walking over the rocks at Giant’s Causeway.

All of those settings appear in the book, and those scenes are richer because of my visits there. Small details piqued by my senses are in the words because they’re in my mind and I can’t help but think of them when I set a scene in those places.

Have you ever done a writing trip to collect research for your work? Where did you go? What did you learn?

creativity

A Year of Yes: Storytelling dinner with New York City secret history

This week, I got some very exciting news today about my storytelling dinner with New York City secret history, all inspired by my time in Ireland: my #1 choice for a museum partner is very interested! Friends, swing for those fences and make ’em high. You never know what you can do until you try.

creativity

A Year of Yes: Off to Ireland to research and write my second book

I’m off to Ireland today to do research for my second book in the Emerson Page series. When I booked the trip, I didn’t know that one of the most historic votes on human rights would happen during my trip. I also didn’t know that the Dublin Literary Festival was happening while I was there. These are synchronous events where I will meet so many people and be able to bear witness to subjects and issues that mean so much to me.

I’ll be doing some on-the-ground reporting, and sharing pictures, encounters, learnings, and experiences. You can find those on Instagram at https://instagram.com/christarosenyc and Twitter at https://twitter.com/christanyc. See you there!

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A Year of Yes: Leaving pieces of my book about Emerson Page all over Dublin and Northern Ireland

unnamedIn two weeks, I’m going to Dublin to do research for my second Emerson Page novel. As a gift to Ireland, I’m leaving silver charms with the quote, “She believed she could so she did”, and rose gold keys in all the different places I visit for people to find. I’ll tuck them away in museums, gardens, historic sites, bookstores, libraries, and pubs I visit in Dublin and on excursions I’m taking in Northern Ireland to Newgrange, Hill of Tara, Giant’s Causeway, Dark Hedges, the ruins of Dunluce Castle, and on the Carrick-a-Rede Rope Bridge. I can’t wait to see who finds them. They are a perfect token of Emerson’s spirit. And after all she’s given me, I wanted to return the favor to the world. Happy hunting, Ireland!

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A Year of Yes: Going to Ireland

Last week, I put out a call for help to plan my first international trip of the year—to Ireland. I’m doing research for my next Emerson book and I’ve long been thinking about Dublin because of the stunning Trinity Library and the many treasures it holds. Once I got into researching the city and surrounding area, there were so many reasons why this is the perfect destination for Emerson to travel to in book two. It is, after all, a land of magic, history, and literature. It is, and has been for centuries, a hotbed of science and discovery. From its museums to its castles to its natural phenomenon, Ireland has everything that Emerson needs to make her next daring leaps into her future. And they will be daring.

Here are some of the places I’m planning to visit:
Trinity College & Library
Marsh’s Library
Newgrange
The Little Museum
Birr Castle Gardens
National Museum of Ireland, including the Natural History Museum
St. Patrick’s Cathedral
…and a short stop over in Wistman Woods in England because I really need to see that with my own eyes to believe it’s real.

A huge thank you to Museum Hack and several of its staff members and tour guides who provided great tips and encouragement, tour company Hennessey & Furlong, Jennifer O’Neill, and all the staff of the sites tagged above. All of your advice and the ideas you shared have made me more excited than ever to visit this inspiring country. I can’t wait for spring!

Have you been to Ireland? Are there place you’d recommend I see that inspire wonder? I’d love to hear about them.