On Friday, May 31, 2024, I’ll be hosting a party in New York City (and online!) to celebrate the launch of my book, Emerson Page and Where the Light Leads / welcome summer / being alive. I’d absolutely LOVE to celebrate with wonderful YOU! We’ve all been through a lot in the last few years, the world is heavy, and I’d like to host a party filled with joy, love, laughter, light, food, drinks, music, dancing, gift bags, and general merriment. I’ll be doing a short reading from the book and brief conversation with a very special guest moderator that will also be available online for anyone who can’t make it to New York City for the party.
I’m still securing a venue and exact time. Save the dates will go out soon so if you’d like to know about the in-person or online details, please fill out this Google form below that takes about 10 seconds: https://forms.gle/53ACYqByeG7RQnbY9
Another exciting book launch milestone! The press release and sell sheet for my novel, Emerson Page and Where the Light Leads, are complete and being sent out with the galley (watermarked book manuscript) to media for review. Please feel free to share these with any media contacts whom you think would be interested. Pre-order links will be available next week, and I’ll share those as soon as I have them. Thank you to everyone for all the support. It takes a village, and I’m glad I’m with you.
Buzzing with excitement! The watermarked galley (proof copy) of my novel, Emerson Page and Where the Light Leads, is finalized! The press release and sell sheet are in progress. The manuscript along with the press release, sell sheet, and cover letter comprise the media packet. These will start to go out to media reviewers next week, as well as feature editors, book sellers, podcast hosts, book award competitions, and potential partners.
My website and socials will be updated, as well as my newsletter, in the new year. The next season of my podcast, JoyProject, will focus on the book, writing, and publishing. I want this book to be a bright spot, not a blind spot. I want Emerson’s story to be a respite so everyone who slips into her world for a short time can gather the strength and inspiration they need to keep going. A trip through a magical version of New York City and Ireland can do wonders for the imagination!
Publishing a book is akin to starting a business, marketing and promoting a book is a joint responsibility between the publisher and the author. My experience in business (specifically as an entrepreneur and product developer) is enormously helpful in my work as an author. Because I’m often pitched to as a journalist, I work hard to craft my pitches so they’re personal, relevant, and as interesting as possible. I need to make it easy to want to read and share my book, and I’m grateful to anyone and everyone who takes the time to even consider my pitch. I know how precious time is.
To that end, if you or someone you know would be interested in reviewing or selling the book in any medium or channel, please let me know at christa.avampato@gmail.com. A million thank yous!
When I took my book writing research trip to Ireland in 2018, I had two must-see places on my list: the Long Room at Trinity College Library and the Dark Hedges (which is the inspiration for the cover of my second Emerson Page novel). The photos below show me at both locations. They feature prominently in the book.
What I didn’t know before I arrived in Ireland is that so many other places would also find their way into the book. Everywhere I went, from the local pubs to the ancient sites to the natural settings, inspired my imagination and creativity, and filled me with wonder. So much of my trip was completely unplanned. I let the spirits and good people of Ireland direct me and guide me, and not once did I falter (which is a rarity for me, especially while traveling, because I often get myself into trouble that makes for interesting stories later on!) I carried a copy of Emerson’s first book with me everywhere and I often felt her nudge me in certain directions. I was never disappointed to follow her lead.
Other than New York, Ireland is the only place I’ve ever been that immediately felt like home, as if I’d been there before and was fated to be there at that very moment. Certainly a piece of my heart remains there now. For this reason, New York and Ireland are where Emerson spends all her time in this second book in the trilogy. Her New York and Ireland are filled with mythology, magic, and fantastical beings, experiences, and objects, and in the book I’ve done my best to transport readers into her world of adventure.
Some more fun facts about the Long Room and the Dark Hedges:
1.) The Long Room is 65 metres, nearly 300 years old, and filled with 200,000 of the library’s oldest books as well as gorgeous sculptures and an ancient harp that dates to the 15th century. The harp inspired the coat of arms of Ireland as well as the logo for Guinness beer. The scent in the Long Room is unlike anything I’ve ever experienced before or since. Known as Biblichor, from the Greek words, Biblos (meaning book) and Ichor (meaning “fluid that flows in the veins of gods”), it is related to the word Petrichor, a pleasant smell that frequently accompanies the first rain after a long period of warm, dry weather. The Irish are serious about a number of things that are dear to me—stories and books, history, music, beer, and nature, not necessarily in that order. No wonder I feel so at home in this country!
It sits above a chamber that holds the Book of Kells, a 9th century handwritten illuminated manuscript of the four gospels of the New Testament, filled with ornate Latin text and intricate illustrations, many of them quite cheeky and containing secret messages that the Celtic monks who created it wrote to each other. I love the Irish for so many reasons, and their humor is among my favorite of their attributes.
2.) The Dark Hedges (in Irish:Na Fálta Dorcha) is an avenue of beech trees along Bregagh Road between Armoy and Stranocum in County Antrim, Northern Ireland. The majority of them are 250 years old, and form a tunnel that from the start seems never-ending. The fields on either side are abandoned cemeteries, lending to the ghostly feeling I had as soon as I arrived. It’s as if the trees whisper to each other through the wind. The trees are rumored to be haunted by many mythological beings—namely the Grey Lady and the Mórrígan (Mór-Ríoghain in modern Irish) who is the fierce Celtic goddess of battle, destiny, fertility, and death (a heavy workload!) and often appear as or is be accompanied by a crow or wolf. They’re badass women who know what they want and don’t tolerate nonsense. Did I mention I felt very at-home here, too?! 😉
Beech trees are linked with time and knowledge, especially written wisdom as thin slices of beech were used to write the very first books. Whatever words were inscribed on beech took on the power and magic of the gods. This is why the beech tree was held in such awe in those early days of books, and still is today. Beech trees were called ‘Boc’ by the Anglo-Saxons, which later became the word ‘book’. I didn’t know any of this until I arrived at the Dark Hedges, and it felt serendipitous since Emerson’s entire journey in the trilogy revolves around finding the first book ever written.
As a writer, you think you’re leading the story but what I’ve often found is that the story is always leading me to a far better place than I could ever create on my own. The art of writing a novel is a long and winding road, the path meandering but always with purpose. If I just sit as a willing scribe, the story finds me. My job is just to get it down as honestly and vividly as possible. All it takes is time. It’s the great mystery of imagination—I don’t know where the story comes from but I’m honored that it found me and continues to guide me.
I’m excited to share more behind-the-scenes about the book in future posts leading up to its release in Spring 2024. I’m so excited to be back in Emerson’s world, and revisiting my fond memories of Ireland, a country I hope to return to very soon.
Emerson Page and Where the Light Leads by Emerson Page
Drumroll please! Here is the book cover for my second novel, Emerson Page and Where the Light Leads. What do you think?!
Emerson’s joined here by her three best friends: Skylar, Truman, and her service dog, Friday. This scene captures the moment when they arrive at a magical location where they encounter several mythological creatures who never quite reveal themselves as friends or foes. Can you guess the real-life location in Northern Ireland that inspired the cover? Can you guess which mythological creatures they find there and what they reveal to our favorite quartet?
I’ll share the answers tomorrow along with some fun photos and stories. For now, I’d love to hear your reactions to the cover and your guesses to the two questions above.
Breaking news: my second novel, Emerson Page and Where the Light Leads, will be released in Spring 2024!
The publisher is working on the final steps and around the holidays we’ll have a better sense of a set release date along with pre-order links. On Wednesday, September 27th, I’ll post a cover reveal sneak peek on here.
Set in a mgaical version of New York City, and Ireland’s Dublin, the Dark Hedges, and Newgrange, I can’t wait to share this next chapter of Emerson’s adventures with you. Thank you to everyone who has cheered me on these many years in a million different ways. Writing novels is a solo art form that takes a village to bring to life. I’m grateful to be in this village with all of you.
Leading up to publication, I’ll be sharing loads of info on the book, the process of book publication, querying, storytelling and writing, and other behind-the-scenes goodies and giveaways. Book publishing can feel like such a mystery from the outside, so come on inside with me and I’ll show you around this wild and always-changing world!
For me, the setting of a novel is a character. It sets the stage for the action and houses the many revelations of a story. Right now I’m outlining and crafting the story of my third Emerson Page novel. I’ve had some ideas of what will happen but I was struggling with where to place this action. I wanted a spectacular, magical setting. Frustrated that I couldn’t find it, I put it away and focused on something else.
I opened up Google Maps and decided to look at the street view of my walk from Fitzwilliam College, my college at Cambridge University, to the building where I’ll be taking my classes. It’s a winding 30-minute route dotted with shops and eateries tucked into centuries-old architecture through what looks like Diagon Alley. It goes past Fitzwilliam Museum, Cambridge’s main museum. I looked up some images of the museum and the second I saw the entrance, I knew I’d found the main setting for the novel.
The museum is free for all, houses a spectacular collection of antiquities and rare books and manuscripts, and has a stunning library. It’s exactly what the books needs. Get ready for more museum adventures!
Art by CJ Bown of the Arcade in Central Park that hangs in my apartment
I’m under contract to write the third novel in my Emerson Page trilogy. I’ve struggled to find my footing with this one. I’ve written out over half a dozen concepts and nothing felt genuine. It all felt like a forced narrative. This has been going on for months.
I had a hunch that the book should begin in the Arcade near Central Park’s Bethesda Fountain. I wasn’t sure how or why, but that space has called to me for years. I have a huge photograph of it hanging in my apartment, and it’s one of my favorite pieces of art. For months I’ve been looking for interesting aspects of the arcade and the fountain, hoping to find some link to Emerson’s story. Nothing.
So I went back to the primary source—Greensward, the original plan for Central Park written by Olmsted and Vaux in 1858. Bethesda Fountain and Terrace, along with the Arcade, are considered the heart of the Park. Ralph Waldo Emerson’s essay Nature had an enormous influence on the design of Central Park. Both Olmsted and Vaux admired him. My protagonist, Emerson Page, is named after Emerson.
From there, I did more research on Emerson, Olmsted, and Vaux and found a number of links to the muses of Greek mythology who figure prominently in Emerson Page’s story. All the pieces I’d been struggling to find fell into place one by one and before I knew it, my outline of the third book was humming after so many false starts.
If you find yourself stuck in your writing, I highly encourage a detour into research and into primary sources. The answers to our present challenges often have roots in the past. Our job as writers is to uncover them and bring them into the light.
After two long years, I’ve completely edited my manuscript for my second novel, including a round of edits requested by agents in November. Like my first novel, this book follows the story of Emerson Page into a world built from mythology and love.
I’m so grateful to Justine and Erin at Byte the Book who introduced me to literary agents at a recent pitch event. Their comments and requests made the book stronger, and their unbiased feedback was priceless. Now it’s time to resubmit to those agents and start my queries. Here we go!
The writing moment I love best: I write a scene, do research for the next scene, and find an eerie, wonderful synchronicity with secret history I uncovered in my research and never knew before. These magical moments makes me feel that the story I’m writing is meant to be written by me. It’s happened to me many times, especially in the course of writing my second Emerson Page novel. Every single time it happens, I’m amazed.
Christa Avampato 