creativity

Climate change will impact everything everywhere all at once 

The new NASA global data set combines historical measurements with data from climate simulations using the best available computer models to provide forecasts of how global temperature (shown here) and precipitation might change up to the year 2100 under different greenhouse gas emissions scenarios. Credits: NASA

Over the weekend, I read a disturbing article that quoted a potential presidential candidate who wrote, “We will keep fighting until we put a stop to ESG once and for all!” 

ESG stands for Environmental, Social, and Governance and is a set of investment standards for a company’s behaviors. In other words, it’s a set of standards that takes more than profit into account. It was coined by the United Nations in 2005. Originially, the acronym was GES because they believed Governance was the most important of the three. They weren’t wrong then. They aren’t wrong now. They just didn’t know at the time the dire state of our environment in 2023. 

The quote above is so incredibly dangerous because if the United States completely gives up on the environment now, catastrophe is certain. Even if we went to net zero today, there’s still no way to keep global warming below 2 degrees Celsius. Above 2 degrees, we will see more intensified storms, extreme heatwaves, dangerous flooding, drought, and fire conditions, crop failures, sea level rise, deathly disease increases, and massive loss of biodiversity in flora and fauna. 

To be fair, many parts of the world are already seeing impacts. Whole towns such as Newtok, Alaska moved to avoid climate impacts. Tuvalu, the Pacific island country of 12,000 people halfway between Hawaii and Australia, announced at COP27 its plans to become the world’s first digital country in hopes to preserve its history and heritage. 40% of its capital district is underwater during high tide. Eventually, it will be completely lost to rising seas. The Colorado River, Lake Mead, the Great Salt Lake, and the Mississippi River are rapidly shrinking. 

But, climate has always changed. It’s changed many times before in the history of the planet. So why does this chapter of climate change matter? The last time CO2 was as high as it is now was 3 million years ago. Modern humans didn’t exist then. The rapid rate change of CO2 we’ve seen in the last 100 years because of human activity, particularly the burning of fossil fuels, has never happened before in the history of the planet. And it’s that rate that is the key point. 

Yes, the planet can adjust to changes. But it can’t adjust this much this quickly. If you lost $1 a month in income, you could adjust and manage for a certain amount of time. If you lost $100 a month, that would require a much bigger adjustment in your budget. If you lost $1000 a month, that would require an enormous adjustment and you may find yourself in serious trouble with basic needs because of that rate of change. The planet is under this same type of pressure. 

So why bother doing anything? If we’re on the deck of the climate Titanic, should we just play on? No. Not by a long shot. For every fraction of a degree we can curtail warming, we will see impacts lessened, human lives saved, and species protected from extinction. It’s going to be a difficult ride toward a fully sustainable world, and if we commit to protecting each other, we will eventually get there. It will be painful, expensive, and massively inconvenient to say the least, but not impossible for humans to survive. But life will look different, very different, for centuries. 

None of us will be here to see a fully sustainable world, but we all have a responsibility to future generations. Consider how much better off we’d be today if 100 years ago strong governance cared about the environment as much as they cared about money during the Industrial Revolution. Our world would be healthier, cleaner, happier, and more peaceful. It could be that way for future generations if we, and our governments, do the difficult work now of restoring and regenerating the health of our planet. That could be our legacy. We could be known as the generation who saved human life, and the lives of the species with whom we share this planet. Imagine that. That’s our collective goal. 

No matter on which side of the aisle you sit, can we all agree that health and happiness are what we all want? Don’t we want clean air, water, and soil? Plentiful healthy food and fresh water? Can we start to talk about ESG not as this divisive, political policy as framed in the quote above but as a means of kindness, care, and concern for all? If that’s woke, then please let’s not allow ourselves to turn a blind eye and go back to sleep. Our survival depends upon our eyes and hearts being wide open. 

creativity

Edward Hopper’s New York at the Whitney Museum

Sunlight on Brownstones by Edward Hopper

If you’re in New York this weekend, run don’t walk to the expansive and breath-taking art exhibit Edward Hopper’s New York at the Whitney Museum. New York was Hopper’s muse, second only to his wife Josephine “Jo” Nivison Hopper who was also a talented and accomplished painter. (Some of her works are featured in the exhibit as well and they’re stunning.) We see Automat, which reminds me of my heady early adult days in New York when I was scraping by working in Broadway theaters, as well as Early Sunday Morning, Room in New York, Bridle Path, Two Comedians, Drug Store, Tables for Ladies, New York Interior, From Williamsburg Bridge, Approaching the City, Sunlight on Brownstones, New York Pavements, Boy and the Moon, and the exhibit goes on and on with one gorgeous work after the next. 

We also find his illustrations, which I never knew he did, and an extensive set of his theater stubs that he saved. He and Nivison Hopper were massive theater fans and often went there to sketch not the show, but the audience and staff. Hopper was obsessed with depicting the lives of everyday people in ordinary and intimate moments of their lives. This entire exhibit is a celebration of not just New York, but New Yorkers. We could be, and perhaps have been, many of the people in these works. They feel familiar to us because they are. In our city, we have all lived these moments in the course of our average days. 

What Hopper helps us realize is the extraordinary in our ordinary. In his work, we find the sliver of light through the window of our small apartment, the summer sunshine and shadows in Central Park, the very first moments of our mornings when we are still between sleeping and waking, the views from our trains and ferries as we rush to our next appointment, that burnt orange hat or sky blue dress that we love to wear, and that moment when we round the corner and spot our friends seated around the bar at our third home where everyone knows our name. 

The one sadness I felt is that his most famous work, Nighthawks, is not there. I asked a guard where that painting is, and was told, “It’s at The Art Institute of Chicago and they weren’t giving it up. But, the sketches of it are in the side room.” My dear friend, Vicki, who prompted me to catch this exhibit with her before it closes on March 5th, and I hustled over to that side room and it was filled with Hopper’s sketches of many of his best known works. We found them equally fascinating as the final pieces because they show his meticulous, studious process of perspective and the clarity of vision via the clean lines with which he’s synonymous.

To enhance the exhibit even further, don’t miss the views of New York from the Whitney roof. Though it was freezing, Vicki and I ventured out there to see the sculptures and the views of New York that still look so much like the views Hopper saw. “Christa, we live here,” Vicki said to me. “We get to live here.” My heart was filled with gratitude for this city, this time with my dear friend, and for Hopper and Nivison Hopper whose visionary works endure.