This week I’m working with one of my biomimicry clients to explore the use of OpenAI, makers of ChatGPT. It has several models within it, including Davinci which we’ve found has the most detailed, natural sounding results but not necessarily the most accurate information. We are using this technology to ingest a wide variety of scientific papers and produce plain-language text that can be used by designers and engineers who want to explore nature-based solutions and biomimicry inventions and applications.
We tried five tests with different biomimicry topics. I compared the source papers and the two versions of AI-generated text to assess them. Of the five tests, four were decent first drafts that need a human editor to refine them. Most of the scientific data was presented in a plain text way that maintained accuracy and integrity. It missed some key findings that would be valuable for engineers and designers, and the tests need to be edited for clarity. It had some trouble extrapolating the information into potential biomimicry applications and nature-based solutions. In other words, it could create plain-language text based on complicated, jargon-filled text reasonably well as a first draft. It could not creatively interpret the data to imagine many new possibilities. The one failed test completely missed the mark on the main points of the scientific paper.
Overall, it was exciting to see how this innovation could democratize access to information that is concealed in jargon. As with any simplification task, the accuracy has to be evaluated by someone who can reliably translate from language that needs deep expertise to language that’s accessible to those without that expertise. Proliferation of misinterpreted, oversimplified, and inaccurate translations is a risk and a danger. We’re in the early days of this tool and it will undoubtedly improve over time.
Some have expressed concern that writers will no longer be needed and that all writers will be forced into becoming editors. As a writer and an editor, I don’t share that fear. Human creativity, ingenuity, and imagination will never be obsolete. My hope is that tools like AI-generated text will free up our time, energy, and headspace to spend more time on creative projects.
Published by Christa Avampato
IN BRIEF
Author, journalist, digital product manager, and licensed New York City tour guide. Creator and host of NYC's Secrets and Lies. Alumna of the University of Pennsylvania (BA), the Darden School of Business at the University of Virginia (MBA), Arizona State University (Biomimicry), and the University of Cambridge (MSt in Sustainability Leadership).
I build digital media platforms, report on urban climate resilience and biodiversity, and produce live narrative experiences that connect communities to history, nature, and place.
THE DEEP DIVE
My work centers on a single thread: building systems and stories that foster deep connection to our shared world. Across digital streaming, environmental reporting, and live civic storytelling, I design experiences that help people understand complex ideas and the environments around them.
DIGITAL PRODUCT STRATEGY & MEDIA LEADERSHIP
At Carnegie Hall, I serve as Digital Product Manager, leading product strategy, operations, and technical delivery for the video streaming platform Carnegie Hall+. I translate artistic mission into scalable, high-performance streaming architecture that reaches audiences globally. Previously, I led agile product and delivery teams across operations and compliance at American Express, managed Broadway theatrical productions and national tours, and guided strategic initiatives across cultural institutions.
ENVIRONMENTAL JOURNALISM & AUTHORSHIP
As a freelance journalist, I investigate how living systems, urban infrastructure, and human culture intersect. My reported features on urban decarbonization, biodiversity, coastal resilience, and biomimicry appear in publications including Smithsonian Magazine, The Washington Post, Mongabay, Natural History Magazine, and Foreign Policy Magazine. In fiction, I write the Emerson Page young adult novel series, alongside upcoming historical fiction and nonfiction works on New York history, mythology, and human resilience. I also write Togetherhood, a LinkedIn newsletter focused on urban ecology and community restoration, and co-host the podcast Frameworks in the Wild.
LIVE EXPERIENCE & CIVIC STORYTELLING
As a licensed New York City tour guide and live event producer, I transform urban landscapes into shared narrative encounters. I created, produce, and host NYC's Secrets and Lies, an interactive live storytelling series staged across cultural landmarks including the New York Transit Museum, the South Street Seaport Museum, and the historic tall ship Wavertree. I also design and lead site-specific walking tours exploring coastal ecology, food history, and neighborhood evolution, often with partners at Climate Week NYC and the Natural Areas Conservancy.
DOUBLE OR NOTHING MEDIA
Through my independent production studio, Double or Nothing Media, I develop ventures across media, ecology, and public history:
Digital Products & Strategy: Architecting scalable digital platforms, streaming experiences, and operational models for mission-driven institutions.
Environmental Reporting & Publications: Delivering long-form reporting, books, and newsletters grounded in climate resilience and regenerative design.
Site-Specific Live Storytelling: Producing immersive live shows and educational walking tours that engage public audiences in community history.
CONNECT
Website & Production Hub: doubleornothingmedia.com and christaavampato.com
Newsletter: Togetherhood on LinkedIn - linkedin.com/newsletters/togetherhood-7273771832221089792/
Instagram & Threads: @christarosenyc
Emerson Page Novels: emersonpagebook.wordpress.com/
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