creativity, determination, frustration, learning, Life, loss, luck, mistakes, presentation, producer, television, trend

Step 199: Why I Hate Reality TV Shows With Elimination Rounds

I have a hard time watching reality TV, especially when elimination rounds are involved. I get nervous for the contestants as if I’m on the show myself. I never knew why until my brother-in-law recently shared his view on these shows: “You don’t get judged on the body of your work; one mistake and you’re gone.” This is a horrible lesson to reinforce in our society.

Real success comes from trying a lot of different ideas, taking risks, and learning from failures as well as achievements. To support the idea that one false move means you’re down for the count is just plain dumb. Real life isn’t like that, making the idea of this kind of “reality” TV anything but.

My brother-in-law had an idea: why don’t we let all of the contestants stay until the end and have the judging be on the full season of work, not just one dish, one task, or one song? Have the weekly winners actually win something extra. Let people learn from their weekly mistakes, and actually see what they do with what they learn. That would be a reality TV show worth watching.

art, business, producer, theatre

Cubby Bernstein

You’ve got to hand it to those wacky producers over at Xanadu. They’re young and fearless, and finally they are starting to crack the crusty old wheels of Broadway and the marketing of Broadway shows. My friend, Dan, pointed me to Cubby Bernstein, a fictional character who makes his bones by getting people Tony Awards. Cubby’s about 10 years old though he behaves like a grown theatre promoter with an attitude problem. (Sorry – was that redundant?) While antics like his are often deplored in adults, when Cubby behaves this way, it makes for good comedy in that very Doris Roberts sort of way.

What I love about Cubby is how completely unconventional and creative the entire campaign is, and how little money it cost to produce. I follow him on Twitter, and you can friend him on Facebook. On Broadway, the use of social media is practically unheard of so to step out like this is a big change for the industry. From the creation of Cubby’s character to the episodic nature of his YouTube segments, he is a little man with a plan in a class by himself. And maybe that goes for the brave producers of Xanadu as well. They may prove that being a little bit wacky can get you everywhere.

I haven’t seen the show, and I haven’t heard glowing reviews either, but this campaign has so piqued my interest from a business perspective, that I may just walk myself down to the Helen Hayes. After all, if I’m interested in having the theatre industry do more innovative work , I need to support new thinking. And maybe I’ll get a chance to meet Cubby.