You’ve got to hand it to those wacky producers over at Xanadu. They’re young and fearless, and finally they are starting to crack the crusty old wheels of Broadway and the marketing of Broadway shows. My friend, Dan, pointed me to Cubby Bernstein, a fictional character who makes his bones by getting people Tony Awards. Cubby’s about 10 years old though he behaves like a grown theatre promoter with an attitude problem. (Sorry – was that redundant?) While antics like his are often deplored in adults, when Cubby behaves this way, it makes for good comedy in that very Doris Roberts sort of way.
What I love about Cubby is how completely unconventional and creative the entire campaign is, and how little money it cost to produce. I follow him on Twitter, and you can friend him on Facebook. On Broadway, the use of social media is practically unheard of so to step out like this is a big change for the industry. From the creation of Cubby’s character to the episodic nature of his YouTube segments, he is a little man with a plan in a class by himself. And maybe that goes for the brave producers of Xanadu as well. They may prove that being a little bit wacky can get you everywhere.
I haven’t seen the show, and I haven’t heard glowing reviews either, but this campaign has so piqued my interest from a business perspective, that I may just walk myself down to the Helen Hayes. After all, if I’m interested in having the theatre industry do more innovative work , I need to support new thinking. And maybe I’ll get a chance to meet Cubby.
Published by Christa Avampato
IN BRIEF
Author, journalist, digital product manager, and licensed New York City tour guide. Creator and host of NYC's Secrets and Lies. Alumna of the University of Pennsylvania (BA), the Darden School of Business at the University of Virginia (MBA), Arizona State University (Biomimicry), and the University of Cambridge (MSt in Sustainability Leadership).
I build digital media platforms, report on urban climate resilience and biodiversity, and produce live narrative experiences that connect communities to history, nature, and place.
THE DEEP DIVE
My work centers on a single thread: building systems and stories that foster deep connection to our shared world. Across digital streaming, environmental reporting, and live civic storytelling, I design experiences that help people understand complex ideas and the environments around them.
DIGITAL PRODUCT STRATEGY & MEDIA LEADERSHIP
At Carnegie Hall, I serve as Digital Product Manager, leading product strategy, operations, and technical delivery for the video streaming platform Carnegie Hall+. I translate artistic mission into scalable, high-performance streaming architecture that reaches audiences globally. Previously, I led agile product and delivery teams across operations and compliance at American Express, managed Broadway theatrical productions and national tours, and guided strategic initiatives across cultural institutions.
ENVIRONMENTAL JOURNALISM & AUTHORSHIP
As a freelance journalist, I investigate how living systems, urban infrastructure, and human culture intersect. My reported features on urban decarbonization, biodiversity, coastal resilience, and biomimicry appear in publications including Smithsonian Magazine, The Washington Post, Mongabay, Natural History Magazine, and Foreign Policy Magazine. In fiction, I write the Emerson Page young adult novel series, alongside upcoming historical fiction and nonfiction works on New York history, mythology, and human resilience. I also write Togetherhood, a LinkedIn newsletter focused on urban ecology and community restoration, and co-host the podcast Frameworks in the Wild.
LIVE EXPERIENCE & CIVIC STORYTELLING
As a licensed New York City tour guide and live event producer, I transform urban landscapes into shared narrative encounters. I created, produce, and host NYC's Secrets and Lies, an interactive live storytelling series staged across cultural landmarks including the New York Transit Museum, the South Street Seaport Museum, and the historic tall ship Wavertree. I also design and lead site-specific walking tours exploring coastal ecology, food history, and neighborhood evolution, often with partners at Climate Week NYC and the Natural Areas Conservancy.
DOUBLE OR NOTHING MEDIA
Through my independent production studio, Double or Nothing Media, I develop ventures across media, ecology, and public history:
Digital Products & Strategy: Architecting scalable digital platforms, streaming experiences, and operational models for mission-driven institutions.
Environmental Reporting & Publications: Delivering long-form reporting, books, and newsletters grounded in climate resilience and regenerative design.
Site-Specific Live Storytelling: Producing immersive live shows and educational walking tours that engage public audiences in community history.
CONNECT
Website & Production Hub: doubleornothingmedia.com and christaavampato.com
Newsletter: Togetherhood on LinkedIn - linkedin.com/newsletters/togetherhood-7273771832221089792/
Instagram & Threads: @christarosenyc
Emerson Page Novels: emersonpagebook.wordpress.com/
View all posts by Christa Avampato
You’ve got to hand it to those wacky producers over at Xanadu. They’re young and fearless, and finally they are starting to crack the crusty old wheels of Broadway and the marketing of Broadway shows. My friend, Dan, pointed me to Cubby Bernstein, a fictional character who makes his bones by getting people Tony Awards. Cubby’s about 10 years old though he behaves like a grown theatre promoter with an attitude problem. (Sorry – was that redundant?) While antics like his are often deplored in adults, when Cubby behaves this way, it makes for good comedy in that very Doris Roberts sort of way.
Christa – I so appreciate your support, and I’d love to see you at the show. I sit in the “on stage” seats when I go (on top of a couple phone books). Keep on keeping on!
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Hi Cubby! Thanks so much for reading my blog. I absolutely love your ingenuity. I used to work in company management for Broadway shows and national tours – and I am so impressed by your ingenuity and ability to be unconventional. Way to go!!-Christa
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