In 1998, I saw the play Picasso at the Lapin Agile in San Francisco. I remember being completely riveted watching the fictional meeting of two of the most inspiring characters of all time, Einstein and Picasso. This construct for a play appealed to me so much that I still routinely think about that show 12 years later. It was at times touching and sad, joyful and hopeful. Full of lively, passionate debate and intense discussion about timeless social issues, I always felt it would be hard for a play to match Steve Martin’s brilliance.
Lucky for us Mark St. Germain has succeeded in building a script that’s even more powerful and thought-provoking than Martin’s – Freud’s Last Session, now playing off-Broadway at The Marjorie S. Deane Little Theater at the West Side YMCA. Freud’s Last Session showcases the possibly factual meeting between a young C.S. Lewis, a devout Christian and the gifted author who would go on to write The Chronicles of Narnia and The Screwtape Letters, and Sigmund Freud, a life-long atheist, consummate intellectual, and founding figure of psychoanalysis, who is at the very end of his life and career, dying of oral cancer. Set in London on September 3, 1939, the invasion of Poland by the Nazis serves as the political backdrop of their meeting.
The piece made me laugh out loud one moment, and tug at my deepest convictions the next. The dialogue is so sharp and the acting by Martin Rayner (Freud) and Mark H. Dold (Lewis) so penetrating that the 75-minute show flew by, too quickly in my opinion. I wanted more of the debate and the history. I found myself rooting for their relationship, and wanting it to go on, in spite of knowing that 20 days later Freud would engage his long-time friend and physician to end his battle with cancer.
The show touches upon an incredibly diverse set of themes: religion first and foremost, war, death, sexuality, fear, faith, love, memory, humor, and change. While this list of topics seems overwhelming, they are in the very capable hands and words of St. Germain, who expertly weaves them together in such a seamless way that I found myself completely wrapped up in the story as if it were my own. The language he uses is so vivid and the mannerisms of the actors are so authentic that I truly felt I was peering into a window on history. This play is the most rare form of theatrical work – a perfect script. Every single word precisely and beautifully chosen. The set and lighting designs are so realistic that I felt transported across space and time to Freud’s London study to witness this single, emotional meeting.
This show has a special, very personal meaning for me because my father was a Freudian psychologist. He passed away when I was a teenager, long before I ever had the opportunity to have a conversation with him as Lewis may have had with Freud. I didn’t get the opportunity to understand his contradictions and complexities, though that may have been for the best. At the end of his life, he was in a great deal of pain physically and emotionally, as Freud was. Through the dialogue of Freud’s Last Session, I was able to put together some more pieces about my father’s personality, as if I had actually been placed there in that seat for a very specific reason – to help me get a little bit closer to understanding my childhood. My thanks to Mark St. Germain for this amazing gift; he has inspired me to dig deeper and learn more about Freud and Lewis. I’m confident that there are more answers there, waiting for me to discover them. And that is perhaps the greatest lesson of the show – that self-discovery is a journey that never ends and yet must be pursued. As he so adeptly has Lewis say, “The real struggle is to keep trying.”
Freud’s Last Session runs through November 28th at The Marjorie S. Deane Little Theater. Don’t miss it.
Image above depicts Mark H. Dold and Martin Rayner as Lewis and Freud, respectively.
