I tell wonder-filled stories about hope and healing
We’re only gardeners of our lives. We plant. We provide what nourishment we have. We wait. The sun, soil, and water do the rest. Then we do our best with what sprouts. It’s terrifying and freeing, frustrating and empowering. Do the right thing for you right now. Plant a seed. Plant lots of them. And let that be enough. The world germinates in mysterious ways.
I was in a holding pattern on leaving New York for a long time because I didn’t know where to go. I knew it was time for new adventures but I wasn’t sure where to find them. I still don’t know for sure. I’m going to Orlando to see if that’s the right place. It feels like the right next place, and that’s all that matters right now. Nothing lasts forever. We change our minds. We grow, evolve, and get new information. The only step we ever need is the next one. The road ahead will reveal itself when it’s good and ready, and in pieces. I’m trying to live my life that way, just one step at a time.
A Boeing 747 has 6 million parts; half of them are fasteners. Making something, anything, work is about putting thing together. The magic of any achievement isn’t in the big and flashy, but rather it’s in the small intricate details that often go unseen and unsung. Remember that.
“For me Madeline is therapy in the dark hours.” ~ Ludwig Bemelmans
“In an old house in Paris that was covered with vines lived twelve little girls in two straight lines…” is one of the most famous introductions to one of the most famous characters in children’s literature: Madeline. Ludwig Bemelmans created Madeline after a terrible accident that left him hospitalized at the age of 39. His hospital roommate was a young girl who had her appendix removed. Her stories of her life inspired Bemelmans to create Madeline.
Eventually Bemelmans recovered from his injuries and published his first Madeline book at age 41 after 20+ years of working in hotels in New York. During those two decades, he consistently practiced his art and slowly built up his freelance portfolio. His example has been a great inspiration to me as a writer.
Madeline was Bemelmans’ second act after many years of difficult work in a completely different industry. He never lost his optimism and never gave up. And thank goodness. Not only is Madeline therapy for him, but it’s therapy for all of his readers and admirers, particularly little girls who strive to be strong, brave, and courageous. The New-York Historical Society has mounted a retrospective of Bemelmans’ life and art with Madeline in New York: The Art of Ludwig Bemelmans.
Bemelmans Bar is one of my favorite bars in New York – tucked away in the Carlyle Hotel on East 76th Street. The walls are covered with his original drawings. It’s a good place to dream, and drink. If you’re in New York, I highly recommend it.
After years of debate, I’ve made the decision to move to Orlando, Florida at least through the end of the year. I’ve been visiting my family there for long stretches of time while keeping my home in New York City. Now I’m flipping the paradigm to have my home in Florida with stretches of time spent visiting New York.
Some of the reasons are economic. How much higher can New York City rent climb? The answer is always higher, and I really want to own a home, a near-impossibility for me in New York. I could fork over an insane amount of monthly rent for a less and less appealing apartment, but that seems foolish. Better to buy a beautiful place in Florida and Airbnb the time I want to be in New York.
Some of the reasons are personal. My mom’s getting older. My little nieces are getting older. I want more space in my life for travel and exploration, and that’s a tough conundrum to crack with the cost of New York City living.
Many of the reasons are professional. I’m turning most of my attention to writing. That includes journalism, copywriting, playwright, and writing my first novel this Fall. I’ll likely add some teaching into the mix in some way. I’ve also got a few product ideas up my sleeves that I want to be able to build and test. In a less expensive city, this multi-faceted career is possible without sacrificing quality of life.
And it’s time for adventure. If New York has taught me anything it’s that I can survive and thrive and be okay anywhere I go. So I’m going to scale some mountains that have been calling my name for a long time. It’s time to meet them where they are.
I’ll have much more to say in the coming weeks about my move out of New York and into Florida. If nothing else, it’s going to be great material. It’s all great material.
“Early on, all our movies suck. Saying that in a softer way fails to convey how bad the first versions really are. Pixar films are not good at first, and our job is to make them so–to go ‘from suck to not-suck’.” ~ Ed Catmull, President of Pixar
I’ve been working through my story plan checklist for my novel, Where the Light Enters. I’ve got lists, notes, index cards, links, and photos that I’m using for inspiration. What seemed like a lot of disparate pieces are now gelling together, and the story barely resembles the original idea. To make this progress, I had to stay open to possibilities, remain aware of new information that could help move the story forward, and begin to share bits and pieces of ideas with others to get their feedback. You can be part of the process and follow Emerson Page, the heroine of Where the Light Enters, on Facebook, Twitter, and Pinterest. She’s loved to talk to you.
I took my first yoga teacher training through Beth Shaw’s YogaFit program. At the time, her approach appealed to my desire to cultivate fitness and health without continuing to pound my body through competitive running and heavy gym workouts. Her program caused me to further investigate yoga as a physical, mental, and spiritual practice, and 14 years later, I’m still teaching.
Beth has a new book out this week, YOGALEAN: Poses and Recipes to Promote Weight Loss and Vitality-for Life. This book is perfect for people who want to integrate yoga and nutrition into a 360-degree program to lose weight and increase their energy levels. The book walks readers through cohesive plans for four distinct motivations: amp up energy, promote a leaner body, increase immunity, and promote youthfulness inside and out. Each motivation has a common set of components:
The book is now on sale in bookstores across the country and online. Congrats to Beth on the next evolution of her mission to bring health and wellness to all people everywhere!
“Would you want to know when you’re going to die?”
“No.”
“But if you could, what would you do with the time you had left?”
“I’d try to figure out how to be happy.”
“Then why don’t you?” ~ From The Angriest Man in Brooklyn, one of the last films staring Robin Williams
I hear a lot of people say that finding what makes us happy and doing it is easier said than done. I used to be one of those people. Now that I’m doing what makes me happy, I realize the action of deciding to do what makes me happy is easier than anything else I’ve ever done because it’s just who I am. My heart, head, and hands are all aligned toward the same goal: to be the best writer I can be and to tell stories that help people. I figured out how to be happy and then just did it. And it feels pretty darn good. I recommend it.
For the team that worked feverishly on-stage and behind-the-scenes at Sing After Storms, I will be forever grateful, forever standing on my feet and giving you a standing ovation of wild applause for your courage and commitment to create. Bravo! Bravo! Bravo!
We didn’t win the Thespis Theater Festival in the traditional sense.* We were one of 6 finalists nominated for best play out of 39 plays presented, and we didn’t walk away with any prize money. To me, we won in every sense that matters: getting down a painful, powerful, and thought-provoking story to free it in the hopes that it helps to free others.
Theater is hard, so damn hard. It’s more difficult to create than many other art forms because we must build it together. That togetherness must then be orchestrated and tuned with a light, but steady and confident hand. It’s about giving boundaries—the story lines, the confines of the physical space, time—and then just letting people play within those boundaries. It’s a heavy burden and a limitless gift. We put our story out there into the world for judgement and critique, and then allow others to change it, color it, and give it its own life separate and apart from the life the playwright infused into it.
It hurts to let a story go out into the world to fend for itself, and yet in that letting go it saves, serves, and heals. Perhaps that’s the greatest gift that this show has given me—the chance to be free and whole all at once, and the chance to find and sing my song.
*Comparing large-scale musicals to intimate relationship-based dramas, and films of staged shows to live performances, seems a bit odd to me. It also seems unfair to expect a show that was staged two and a half months ago to pull a cast and crew back together with 5 days notice over a holiday weekend to give a performance to be judged against shows that closed much more recently. However, I’m willing to put that aside now that I’ve written it down and expressed my opinion so I can feel nothing but pride for our team. Thanks for allowing me to digress for a moment.
This seems as good a strategy as any for handling change and stress. Isn’t this exactly what we do for our characters in our writing?
Christa Avampato 