For the team that worked feverishly on-stage and behind-the-scenes at Sing After Storms, I will be forever grateful, forever standing on my feet and giving you a standing ovation of wild applause for your courage and commitment to create. Bravo! Bravo! Bravo!
We didn’t win the Thespis Theater Festival in the traditional sense.* We were one of 6 finalists nominated for best play out of 39 plays presented, and we didn’t walk away with any prize money. To me, we won in every sense that matters: getting down a painful, powerful, and thought-provoking story to free it in the hopes that it helps to free others.
Theater is hard, so damn hard. It’s more difficult to create than many other art forms because we must build it together. That togetherness must then be orchestrated and tuned with a light, but steady and confident hand. It’s about giving boundaries—the story lines, the confines of the physical space, time—and then just letting people play within those boundaries. It’s a heavy burden and a limitless gift. We put our story out there into the world for judgement and critique, and then allow others to change it, color it, and give it its own life separate and apart from the life the playwright infused into it.
It hurts to let a story go out into the world to fend for itself, and yet in that letting go it saves, serves, and heals. Perhaps that’s the greatest gift that this show has given me—the chance to be free and whole all at once, and the chance to find and sing my song.
*Comparing large-scale musicals to intimate relationship-based dramas, and films of staged shows to live performances, seems a bit odd to me. It also seems unfair to expect a show that was staged two and a half months ago to pull a cast and crew back together with 5 days notice over a holiday weekend to give a performance to be judged against shows that closed much more recently. However, I’m willing to put that aside now that I’ve written it down and expressed my opinion so I can feel nothing but pride for our team. Thanks for allowing me to digress for a moment.
Published by Christa Avampato
IN BRIEF
Author, journalist, digital product manager, and licensed New York City tour guide. Creator and host of NYC's Secrets and Lies. Alumna of the University of Pennsylvania (BA), the Darden School of Business at the University of Virginia (MBA), Arizona State University (Biomimicry), and the University of Cambridge (MSt in Sustainability Leadership).
I build digital media platforms, report on urban climate resilience and biodiversity, and produce live narrative experiences that connect communities to history, nature, and place.
THE DEEP DIVE
My work centers on a single thread: building systems and stories that foster deep connection to our shared world. Across digital streaming, environmental reporting, and live civic storytelling, I design experiences that help people understand complex ideas and the environments around them.
DIGITAL PRODUCT STRATEGY & MEDIA LEADERSHIP
At Carnegie Hall, I serve as Digital Product Manager, leading product strategy, operations, and technical delivery for the video streaming platform Carnegie Hall+. I translate artistic mission into scalable, high-performance streaming architecture that reaches audiences globally. Previously, I led agile product and delivery teams across operations and compliance at American Express, managed Broadway theatrical productions and national tours, and guided strategic initiatives across cultural institutions.
ENVIRONMENTAL JOURNALISM & AUTHORSHIP
As a freelance journalist, I investigate how living systems, urban infrastructure, and human culture intersect. My reported features on urban decarbonization, biodiversity, coastal resilience, and biomimicry appear in publications including Smithsonian Magazine, The Washington Post, Mongabay, Natural History Magazine, and Foreign Policy Magazine. In fiction, I write the Emerson Page young adult novel series, alongside upcoming historical fiction and nonfiction works on New York history, mythology, and human resilience. I also write Togetherhood, a LinkedIn newsletter focused on urban ecology and community restoration, and co-host the podcast Frameworks in the Wild.
LIVE EXPERIENCE & CIVIC STORYTELLING
As a licensed New York City tour guide and live event producer, I transform urban landscapes into shared narrative encounters. I created, produce, and host NYC's Secrets and Lies, an interactive live storytelling series staged across cultural landmarks including the New York Transit Museum, the South Street Seaport Museum, and the historic tall ship Wavertree. I also design and lead site-specific walking tours exploring coastal ecology, food history, and neighborhood evolution, often with partners at Climate Week NYC and the Natural Areas Conservancy.
DOUBLE OR NOTHING MEDIA
Through my independent production studio, Double or Nothing Media, I develop ventures across media, ecology, and public history:
Digital Products & Strategy: Architecting scalable digital platforms, streaming experiences, and operational models for mission-driven institutions.
Environmental Reporting & Publications: Delivering long-form reporting, books, and newsletters grounded in climate resilience and regenerative design.
Site-Specific Live Storytelling: Producing immersive live shows and educational walking tours that engage public audiences in community history.
CONNECT
Website & Production Hub: doubleornothingmedia.com and christaavampato.com
Newsletter: Togetherhood on LinkedIn - linkedin.com/newsletters/togetherhood-7273771832221089792/
Instagram & Threads: @christarosenyc
Emerson Page Novels: emersonpagebook.wordpress.com/
View all posts by Christa Avampato
For the team that worked feverishly on-stage and behind-the-scenes at Sing After Storms, I will be forever grateful, forever standing on my feet and giving you a standing ovation of wild applause for your courage and commitment to create. Bravo! Bravo! Bravo!
