A long time ago, I had a dream of being an artistic director of a theatre company. I was the chair of a theatre group while I was an undergrad at Penn and it was one of the best experiences of my life. My first theater job in New York was at the Roundabout Theatre Company and I greatly admired Todd Haimes, the Artistic Director at RTC. Like me, he came from a business background and traditional education outside of the arts. (He’s also a Penn alum.) He applied those skills effectively and built RTC into a powerhouse in the theater world. I wanted to be just like him.
After six years in the Broadway world, I lost my way. I couldn’t see my way past the ugly underside of entertainment. The egos, greed, broken dreams, and flat-out cruelty. I was hurt by it and I saw a lot of other people get hurt, too. I went running from it as fast as I could. I wrote off theater as something that didn’t deserve my attention and effort. I was young. I didn’t understand that I could change a system I didn’t like. I didn’t know that there was another way, that I didn’t have to accept an industry as it was. I didn’t believe I could make something different. It took me a long time to realize that you could be part of a system and not be defined by it.
That dream of being an artistic director never really died. It was placed on a burner so far to the back that it almost disappeared but somehow it kept fanning its own flame so that I could eventually follow the light and find my way back to it. That’s what I’m trying to do now, and my play, Sing After Storms, is the first step in that direction for a branch of my content development company, Chasing Down the Muse.
I want to bring a more human approach, dare I be so bold as to say an approach with more kindness and a sense of justice, to an industry that is defined by anything but kindness and justice. I’d like to give people a way in based on their passion for and commitment to producing work that inspires people, a kind of haven that celebrates them and their work, and lifts them up rather than taking them down. This summer I’ll work on two new plays that I’ve started to create, and I hope Sing After Storms has a long, healthy, spherical life after the New York City production in June that leads the charge to build this new way of creating theater.
That’s the goal. That’s where I’m going, and I hope you’ll hop on board. Interested? Drop me a line at christa@chasingdownthemuse.com.
Christa Avampato 