The most exciting (and terrifying) project I have planned for 2014 is the production of my first play, Sing After Storms. It will be staged as part of the Thespis Theater Festival in New York City on June 18th at 8:45pm, June 21st at 9:00pm, and June 22nd at 9:30pm at the Cabrini Repertory Theater, 701 Fort Washington Avenue in Washington Heights. What led me to write the play and ultimately submit it for production can be summed up in one word: priorities. On the surface, it’s not such a sexy word, but it made all the difference for me.
I wrote the play while I was in California this summer on a creative sabbatical from my work. I went there with about a dozen personal projects I wanted to complete and quickly realized that even if I worked 24 hours a day, 7 days a week, for the entire 8 weeks I couldn’t get them all done. They were so massive I couldn’t even get 2 of them done. (I live by the philosophy of “make no small plans.”) I quickly realized I had to choose. I tried to wiggle out of choosing and tried to select a few. It didn’t work. I had to sit down and decide what mattered most. And though it was the least lucrative and least likely to generate anything other than happiness, I spent my last 4 weeks writing my play. With much coaching and encouragement from my dear friend, Trevin, I finished the first draft. It felt amazing to do what I loved simply because I wanted to. That experience also helped me make up my mind to focus on writing and content development full-time.
When I returned to New York, I completed the second draft and submitted it to Thespis. That was the first time I ever submitted the full play to anyone for review and I expected to be rejected about 100 times before anyone even gave it a second look. I’m proud of the work, though I worked in professional theater management for a number of years. After managing Broadway shows and national tours, I know how difficult the industry is. I know how much work doesn’t make it, how many artists never get any shot. I wanted to be passionate and realistic. I wrote that play simply because I loved the story. I never expected anything else to come of it even though I knew I would keep trying to get it produced.
When I got the acceptance from Thespis five days later, I was shocked. And nervous. And excited. And overwhelmed. I spoke with Trevin immediately, and then with my dear theater friend, Amy, who also read the script and encouraged me to give it a shot. Should I do this? Both emphatically said, “Yes!” So I reviewed the contract and accepted the next day.
Now there are many months of hard work and long hours ahead. Trevin is going to direct the piece and I’ve started to look for other people who want to play a part in this new project – actors, a stage manager, designers, technicians, stage crew members, marketing and publicity, investors. (If any of these opportunities sound interesting to you, please email me at christa.avampato@gmail.com.) While I will now be consumed by this next phase of the process, I remind myself that this all happened because I put the wheels in motion by following my gut this summer, by doing what made me happiest. I made a choice. One single choice. And that was enough to get started.
Christa Avampato 