Samuel L. Jackson and Angela Bassett in The Mountaintop
“Well, I don’t know what will happen now. We’ve got some difficult days ahead. But it really doesn’t matter with me now, because I’ve been to the mountaintop.
And I don’t mind.
Like anybody, I would like to live a long life. Longevity has its place. But I’m not concerned about that now. I just want to do God’s will. And He’s allowed me to go up to the mountain. And I’ve looked over. And I’ve seen the Promised Land. I may not get there with you. But I want you to know tonight, that we, as a people, will get to the promised land!” ~ Dr. Martin Luther King
My friend, Pam, insisted that I see The Mountaintop, a play that chronicles the fictional last night of Dr. Martin Luther King’s life, which he spends speaking with a maid at the Lorraine Motel in Memphis, Tennessee. Angela Bassett is stunning in her immersion into her character, exhibiting a wide-reaching array of emotions from one moment to the next. (She’ll be getting a Tony nod, no doubt.) Samuel L. Jackson played Samuel L. Jackson, and I really wanted him to play Martin Luther King. Surely, he is capable of it, right? Why was he directed to be so, well, normal? Where was Martin Luther King, the most inspiring speaker in recent history?
I mulled this over from the moment he stepped on stage. And then Aretha Franklin sat down next to me, a few minutes after the lights went down. She is the closest we have to royalty in the this country. And she is regal. Elegant. And reserved. When the lights came up after the bows, I stood up, smiled wide and wished her a good evening. She smiled wide and nodded. People all around us noticed her – there is no way to mistake her for anyone else – and she quickly sat back down. She is after all, just a woman watching a show that her friends are performing.
It struck me how ironic it would be that I would be watching the story of one legend while seated next to another. We expect a lot of public figures. We do expect them to be perfect at every turn, to inspire us, impress us, and all the while maintain constant composure. We hold them to impossible standards, standards we never meet, standards we never even attempt.
In The Mountaintop, Dr. King talks about how death doesn’t look or feel the way he thought it would. It wasn’t what he expected. And death responds, “You’re not what I expected, Preacher King.” And then I realized what Samuel L. Jackson was doing in addition to playing Samuel L. Jackson. He was showing us the fear and the humanity of a man who we have canonized when in truth he was just a man. A dedicated, passionate, empowered man, with flaws and doubts and inconsistencies.
Dr. King has inspired generations of people around the world, and he did what all of us can do and few of us actually do. He picked up the baton and ran with it, passing it off when his time had come. How many of us will have the courage to do the same?
IN BRIEF
Author, journalist, digital product manager, and licensed New York City tour guide. Creator and host of NYC's Secrets and Lies. Alumna of the University of Pennsylvania (BA), the Darden School of Business at the University of Virginia (MBA), Arizona State University (Biomimicry), and the University of Cambridge (MSt in Sustainability Leadership).
I build digital media platforms, report on urban climate resilience and biodiversity, and produce live narrative experiences that connect communities to history, nature, and place.
THE DEEP DIVE
My work centers on a single thread: building systems and stories that foster deep connection to our shared world. Across digital streaming, environmental reporting, and live civic storytelling, I design experiences that help people understand complex ideas and the environments around them.
DIGITAL PRODUCT STRATEGY & MEDIA LEADERSHIP
At Carnegie Hall, I serve as Digital Product Manager, leading product strategy, operations, and technical delivery for the video streaming platform Carnegie Hall+. I translate artistic mission into scalable, high-performance streaming architecture that reaches audiences globally. Previously, I led agile product and delivery teams across operations and compliance at American Express, managed Broadway theatrical productions and national tours, and guided strategic initiatives across cultural institutions.
ENVIRONMENTAL JOURNALISM & AUTHORSHIP
As a freelance journalist, I investigate how living systems, urban infrastructure, and human culture intersect. My reported features on urban decarbonization, biodiversity, coastal resilience, and biomimicry appear in publications including Smithsonian Magazine, The Washington Post, Mongabay, Natural History Magazine, and Foreign Policy Magazine. In fiction, I write the Emerson Page young adult novel series, alongside upcoming historical fiction and nonfiction works on New York history, mythology, and human resilience. I also write Togetherhood, a LinkedIn newsletter focused on urban ecology and community restoration, and co-host the podcast Frameworks in the Wild.
LIVE EXPERIENCE & CIVIC STORYTELLING
As a licensed New York City tour guide and live event producer, I transform urban landscapes into shared narrative encounters. I created, produce, and host NYC's Secrets and Lies, an interactive live storytelling series staged across cultural landmarks including the New York Transit Museum, the South Street Seaport Museum, and the historic tall ship Wavertree. I also design and lead site-specific walking tours exploring coastal ecology, food history, and neighborhood evolution, often with partners at Climate Week NYC and the Natural Areas Conservancy.
DOUBLE OR NOTHING MEDIA
Through my independent production studio, Double or Nothing Media, I develop ventures across media, ecology, and public history:
Digital Products & Strategy: Architecting scalable digital platforms, streaming experiences, and operational models for mission-driven institutions.
Environmental Reporting & Publications: Delivering long-form reporting, books, and newsletters grounded in climate resilience and regenerative design.
Site-Specific Live Storytelling: Producing immersive live shows and educational walking tours that engage public audiences in community history.
CONNECT
Website & Production Hub: doubleornothingmedia.com and christaavampato.com
Newsletter: Togetherhood on LinkedIn - linkedin.com/newsletters/togetherhood-7273771832221089792/
Instagram & Threads: @christarosenyc
Emerson Page Novels: emersonpagebook.wordpress.com/
View all posts by Christa Avampato
3 thoughts on “Beginning: My Night at the Theatre with Martin Luther King and Aretha Franklin”
What a thrill this must have been – an apparently extraordinary play, and to sit next to Aretha Franklin. Doesn’t get better than that!
What a thrill this must have been – an apparently extraordinary play, and to sit next to Aretha Franklin. Doesn’t get better than that!
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Great stuff christa! As always
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Thanks for the nudge to write this one, Urs!
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