My friend, Amanda, and I went to see Bridesmaids on its opening night. A group outing was promoted by G.L.O.C., Gorgeous Ladies of Comedy. Amanda, being a comedic actress and one of the funniest people I know, asked if I’d like to join her in supporting the movie and I didn’t hesitate to switch my plans and happily join her. The film is laugh out-loud funny with a whole host of stand-out performances and brilliant writing. It also felt great to be in a theater of women supporting other women in their creative endeavors, an activity that just doesn’t happen often enough. We need more of it.
It reminded me of the competitive streak that runs through us all, and yet seems to most prominently rear its ugly head as women duke it out with one another. There’s some of that tension in Bridesmaids as well, though I loved the twists and turns that the movie takes on this theme. Two of the bridesmaids go head-to-head right from the get-go but the incredibly talented Kristen Wiig, writer and leading lady of the movie, doesn’t let the stereotype go stale. She reminds us that every outward feeling we have toward another person, no matter the reason, is a reflection of how we feel about ourselves and the direction of our own lives. It’s a tough fact to accept though Wiig has a way of making this difficult and prickly subject feel fresh, vibrant, and something we can own.
The film also illustrates a story of regret, forgiveness, and redemption. It stands as an example of the magic that comes from brutally honesty with ourselves and others. That honesty is the foundation for the heartfelt, meaningful relationships that gives us the opportunity to learn a little more about ourselves everyday. Bridemaids is a perfect example of truth in comedy at its finest.
Now playing in theaters everywhere.
Published by Christa Avampato
IN BRIEF
Author, journalist, digital product manager, and licensed New York City tour guide. Creator and host of NYC's Secrets and Lies. Alumna of the University of Pennsylvania (BA), the Darden School of Business at the University of Virginia (MBA), Arizona State University (Biomimicry), and the University of Cambridge (MSt in Sustainability Leadership).
I build digital media platforms, report on urban climate resilience and biodiversity, and produce live narrative experiences that connect communities to history, nature, and place.
THE DEEP DIVE
My work centers on a single thread: building systems and stories that foster deep connection to our shared world. Across digital streaming, environmental reporting, and live civic storytelling, I design experiences that help people understand complex ideas and the environments around them.
DIGITAL PRODUCT STRATEGY & MEDIA LEADERSHIP
At Carnegie Hall, I serve as Digital Product Manager, leading product strategy, operations, and technical delivery for the video streaming platform Carnegie Hall+. I translate artistic mission into scalable, high-performance streaming architecture that reaches audiences globally. Previously, I led agile product and delivery teams across operations and compliance at American Express, managed Broadway theatrical productions and national tours, and guided strategic initiatives across cultural institutions.
ENVIRONMENTAL JOURNALISM & AUTHORSHIP
As a freelance journalist, I investigate how living systems, urban infrastructure, and human culture intersect. My reported features on urban decarbonization, biodiversity, coastal resilience, and biomimicry appear in publications including Smithsonian Magazine, The Washington Post, Mongabay, Natural History Magazine, and Foreign Policy Magazine. In fiction, I write the Emerson Page young adult novel series, alongside upcoming historical fiction and nonfiction works on New York history, mythology, and human resilience. I also write Togetherhood, a LinkedIn newsletter focused on urban ecology and community restoration, and co-host the podcast Frameworks in the Wild.
LIVE EXPERIENCE & CIVIC STORYTELLING
As a licensed New York City tour guide and live event producer, I transform urban landscapes into shared narrative encounters. I created, produce, and host NYC's Secrets and Lies, an interactive live storytelling series staged across cultural landmarks including the New York Transit Museum, the South Street Seaport Museum, and the historic tall ship Wavertree. I also design and lead site-specific walking tours exploring coastal ecology, food history, and neighborhood evolution, often with partners at Climate Week NYC and the Natural Areas Conservancy.
DOUBLE OR NOTHING MEDIA
Through my independent production studio, Double or Nothing Media, I develop ventures across media, ecology, and public history:
Digital Products & Strategy: Architecting scalable digital platforms, streaming experiences, and operational models for mission-driven institutions.
Environmental Reporting & Publications: Delivering long-form reporting, books, and newsletters grounded in climate resilience and regenerative design.
Site-Specific Live Storytelling: Producing immersive live shows and educational walking tours that engage public audiences in community history.
CONNECT
Website & Production Hub: doubleornothingmedia.com and christaavampato.com
Newsletter: Togetherhood on LinkedIn - linkedin.com/newsletters/togetherhood-7273771832221089792/
Instagram & Threads: @christarosenyc
Emerson Page Novels: emersonpagebook.wordpress.com/
View all posts by Christa Avampato
Awesome – wasn’t sure about this movie from the trailers, but now I will make it a point to see it – thanks for the great review.
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Christa,
I have been witness to several “cat fights” and, believe you me, it can get nasty. So, your point is well-taken. Funny, though, some people can see humour in such situations.
You are right about competition, it can bring out the worst in us. Watch two women competing for a top slot in a company and you know what I mean, just as you have pointed out. I mean that as a metaphor of how people behave, in general.
We wax eloquent about healthy competition, but human nature is such that it can turn unhealthy in no time. The important learning lesson here is for us to try to set up “humane systems” to prevent people from duking it out.
I wish that to be our reality, but it still remains a pipe-dream.
Some companies, a few, have been experimenting with a few models, but we have a long way to go. But some of these Scandinavian companies are way ahead of the game. Cheers.
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