I went to MoMA today to see the special Matisse exhibition. It covers the period between 1913 and 1917 when Matisse began to find his groove that became his hallmark – the voluptuous figures, bold colors, and intentionally unfinished quality of seemingly simplistic forms. It is a collection of work gathered from all over the world, from a variety of public and private collections, that is a rare treat that showcases an artist as he gains confidence in his own voice. So often art exhibitions show an artist’s work that made him or her famous, that fully expresses a specific point of view. MoMA’s Matisse exhibit however shows an artist in the process of becoming.
My friends, Allan, Sara, Andrew, and I all commented on how much of Matisse’s work in the exhibit remains intentionally unfinished. He made very few comments on the work while he was alive, leaving the interpretation to his audience. On the audio tour, curators from MoMA and the Art Institute of Chicago commented on the work, largely guessing at what Matisse meant to say with each piece as he re-worked each canvas several times with different color schemes, adding new characters, and then taking them away, changing background colors and landscapes. Matisse never seemed to be satisfied or finished with a work. Rather, he just moved on.
Matisse’s work got me thinking about how we all work the different canvases of our lives. We move on from jobs, relationships, cities where we live, leaving each with some mark that we were there and yet giving them the freedom to evolve long after we’ve gone, all remaining open to interpretation of what our presence meant and what might have happened if we had stayed on longer. Maybe Matisse in his early career had it right not just about art, but about life – we are all in the process of becoming, no work (or life) is ever quite finished, and it all deserves celebration and reflection.
Matisse: Radical Invention, 1913 – 1917 is on exhibit at MoMA until October 11, 2010.
The photo above depicts Henri Matisse painting Bathers by a River, May 13, 1913. Photograph by Alvin Langdon Coburn. Courtesy of George Eastman House, International Museum of Photography and Film, Rochester
Published by Christa Avampato
IN BRIEF
Author, journalist, digital product manager, and licensed New York City tour guide. Creator and host of NYC's Secrets and Lies. Alumna of the University of Pennsylvania (BA), the Darden School of Business at the University of Virginia (MBA), Arizona State University (Biomimicry), and the University of Cambridge (MSt in Sustainability Leadership).
I build digital media platforms, report on urban climate resilience and biodiversity, and produce live narrative experiences that connect communities to history, nature, and place.
THE DEEP DIVE
My work centers on a single thread: building systems and stories that foster deep connection to our shared world. Across digital streaming, environmental reporting, and live civic storytelling, I design experiences that help people understand complex ideas and the environments around them.
DIGITAL PRODUCT STRATEGY & MEDIA LEADERSHIP
At Carnegie Hall, I serve as Digital Product Manager, leading product strategy, operations, and technical delivery for the video streaming platform Carnegie Hall+. I translate artistic mission into scalable, high-performance streaming architecture that reaches audiences globally. Previously, I led agile product and delivery teams across operations and compliance at American Express, managed Broadway theatrical productions and national tours, and guided strategic initiatives across cultural institutions.
ENVIRONMENTAL JOURNALISM & AUTHORSHIP
As a freelance journalist, I investigate how living systems, urban infrastructure, and human culture intersect. My reported features on urban decarbonization, biodiversity, coastal resilience, and biomimicry appear in publications including Smithsonian Magazine, The Washington Post, Mongabay, Natural History Magazine, and Foreign Policy Magazine. In fiction, I write the Emerson Page young adult novel series, alongside upcoming historical fiction and nonfiction works on New York history, mythology, and human resilience. I also write Togetherhood, a LinkedIn newsletter focused on urban ecology and community restoration, and co-host the podcast Frameworks in the Wild.
LIVE EXPERIENCE & CIVIC STORYTELLING
As a licensed New York City tour guide and live event producer, I transform urban landscapes into shared narrative encounters. I created, produce, and host NYC's Secrets and Lies, an interactive live storytelling series staged across cultural landmarks including the New York Transit Museum, the South Street Seaport Museum, and the historic tall ship Wavertree. I also design and lead site-specific walking tours exploring coastal ecology, food history, and neighborhood evolution, often with partners at Climate Week NYC and the Natural Areas Conservancy.
DOUBLE OR NOTHING MEDIA
Through my independent production studio, Double or Nothing Media, I develop ventures across media, ecology, and public history:
Digital Products & Strategy: Architecting scalable digital platforms, streaming experiences, and operational models for mission-driven institutions.
Environmental Reporting & Publications: Delivering long-form reporting, books, and newsletters grounded in climate resilience and regenerative design.
Site-Specific Live Storytelling: Producing immersive live shows and educational walking tours that engage public audiences in community history.
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I went to MoMA today to see the special Matisse exhibition. It covers the period between 1913 and 1917 when Matisse began to find his groove that became his hallmark – the voluptuous figures, bold colors, and intentionally unfinished quality of seemingly simplistic forms. It is a collection of work gathered from all over the world, from a variety of public and private collections, that is a rare treat that showcases an artist as he gains confidence in his own voice. So often art exhibitions show an artist’s work that made him or her famous, that fully expresses a specific point of view. MoMA’s Matisse exhibit however shows an artist in the process of becoming.
hi,
I’ve been enjoying your posts…I wholeheartedly agree with your reflections on the moma exhibition…So ofetn we see the end products of artists struggles and are not exposed to the shadow side…like in life where so often people walk around day to day with their vulnerabilities and struggles buried miles below the surface…
thanks
e
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Thanks, Elise! It’s so true. We tend to just see all of the successes of someone’s life without realizing how much struggle goes into getting to those successes. It was really refreshing to see Matisse’s striving celebrated.
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