On Saturday I took the bus up to East 125th Street to a place that’s fascinated me for some time. About 6 months ago, I was coming back from LaGuardia Airport on the M60 bus and went by a store with a strange looking sign that read “Demolition Depot”. At first I thought it may be a construction (or rather destruction) company. I imagined backhoes and front-loaders and items like that inside. But the shape of the building didn’t seem to fit that kind of business. I went home and Googled it to find that it is a place that houses dismantled building treasures from 5 continents. It is the dream house of many a film art director, or a writer like me. This is where old New York (and every other major city for that matter) finds a home for what remains. Inside its wall are thousands of stories waiting to be told.
I went up there today on a little writing adventure. I’ve been working on a fiction piece and thought that a trip to Demolition Depot may help jog some kind of inspiration. It did not disappoint. It reminded me of an old, 4-story barn. The smell of the place brought a smile to my face – musty and oddly comforting. I picked up a clipboard with an inventory form just in case I found some artifact that I wanted to take back with me.
My favorite spot of all was the garden, an area out back that houses giant gates and doors and wrought-iron screens – exterior pieces that on the street we would have to admire from afar. Here I could get up close and examine their details, every twist, turn, and adornment. Gargoyles and ornamentation and stained glass windows that took my breathe away. Who lived among these items? Where did they go? What did they do? What did they learn?
I felt as if I was walking through someone’s house, as if I was trespassing and wasn’t supposed to be there. I just loved it so much that I couldn’t turn away. I just spent hours weaving through the four floors and the garden. Taking pictures, making notes, even sitting at some of the table settings, two of which I immediately loved and wanted for my home.
The trip accomplished exactly what I had hoped. I walked away with images and ideas that will be cropping up in my writing for many months to come. I understand that material items are of little value when compared to the value of personal relationships in our lives. What I appreciate about the one of a kind items housed at Demolition Depot is that they have borne witness to extraordinary and ordinary events of the lives of thousands of people. People passed through those doors, looked out from those windows, told time by those great giant clocks that now lay in wait for some lucky new owner. A majestic treasure trove of history just waiting to be remembered and re-told.
Published by Christa Avampato
IN BRIEF
Author, journalist, digital product manager, and licensed New York City tour guide. Creator and host of NYC's Secrets and Lies. Alumna of the University of Pennsylvania (BA), the Darden School of Business at the University of Virginia (MBA), Arizona State University (Biomimicry), and the University of Cambridge (MSt in Sustainability Leadership).
I build digital media platforms, report on urban climate resilience and biodiversity, and produce live narrative experiences that connect communities to history, nature, and place.
THE DEEP DIVE
My work centers on a single thread: building systems and stories that foster deep connection to our shared world. Across digital streaming, environmental reporting, and live civic storytelling, I design experiences that help people understand complex ideas and the environments around them.
DIGITAL PRODUCT STRATEGY & MEDIA LEADERSHIP
At Carnegie Hall, I serve as Digital Product Manager, leading product strategy, operations, and technical delivery for the video streaming platform Carnegie Hall+. I translate artistic mission into scalable, high-performance streaming architecture that reaches audiences globally. Previously, I led agile product and delivery teams across operations and compliance at American Express, managed Broadway theatrical productions and national tours, and guided strategic initiatives across cultural institutions.
ENVIRONMENTAL JOURNALISM & AUTHORSHIP
As a freelance journalist, I investigate how living systems, urban infrastructure, and human culture intersect. My reported features on urban decarbonization, biodiversity, coastal resilience, and biomimicry appear in publications including Smithsonian Magazine, The Washington Post, Mongabay, Natural History Magazine, and Foreign Policy Magazine. In fiction, I write the Emerson Page young adult novel series, alongside upcoming historical fiction and nonfiction works on New York history, mythology, and human resilience. I also write Togetherhood, a LinkedIn newsletter focused on urban ecology and community restoration, and co-host the podcast Frameworks in the Wild.
LIVE EXPERIENCE & CIVIC STORYTELLING
As a licensed New York City tour guide and live event producer, I transform urban landscapes into shared narrative encounters. I created, produce, and host NYC's Secrets and Lies, an interactive live storytelling series staged across cultural landmarks including the New York Transit Museum, the South Street Seaport Museum, and the historic tall ship Wavertree. I also design and lead site-specific walking tours exploring coastal ecology, food history, and neighborhood evolution, often with partners at Climate Week NYC and the Natural Areas Conservancy.
DOUBLE OR NOTHING MEDIA
Through my independent production studio, Double or Nothing Media, I develop ventures across media, ecology, and public history:
Digital Products & Strategy: Architecting scalable digital platforms, streaming experiences, and operational models for mission-driven institutions.
Environmental Reporting & Publications: Delivering long-form reporting, books, and newsletters grounded in climate resilience and regenerative design.
Site-Specific Live Storytelling: Producing immersive live shows and educational walking tours that engage public audiences in community history.
CONNECT
Website & Production Hub: doubleornothingmedia.com and christaavampato.com
Newsletter: Togetherhood on LinkedIn - linkedin.com/newsletters/togetherhood-7273771832221089792/
Instagram & Threads: @christarosenyc
Emerson Page Novels: emersonpagebook.wordpress.com/
View all posts by Christa Avampato
On Saturday I took the bus up to East 125th Street to a place that’s fascinated me for some time. About 6 months ago, I was coming back from LaGuardia Airport on the M60 bus and went by a store with a strange looking sign that read “Demolition Depot”. At first I thought it may be a construction (or rather destruction) company. I imagined backhoes and front-loaders and items like that inside. But the shape of the building didn’t seem to fit that kind of business. I went home and Googled it to find that it is a place that houses dismantled building treasures from 5 continents. It is the dream house of many a film art director, or a writer like me. This is where old New York (and every other major city for that matter) finds a home for what remains. Inside its wall are thousands of stories waiting to be told. 
