“For where two or three are gathered in my name, there am I in the midst of them.” ~ Matthew 18:20
I stopped going to church a long time ago. I felt let down by organized religion, constrained and burdened by being called a sinner no matter how good I was. I found faith on my yoga mat, in nature, in people – no church-going required. Lately, I’ve felt the need to find a place where I can go to be only with my spirituality, to feel that I am close to something divine, a place big enough to store my troubles while I sort them out.
Tonight, I stopped by the Cathedral of Saint John the Divine because it’s beautiful and I like the way the choir sounds. I went to the 4:00 Evensong. They didn’t sound quite as good as they did during their rehearsal last week, though I still felt some kind of comfort being there with other people who were also there to listen to the music. I was able to pray and ask for help and strength for the coming week, and felt lighter when I left than when I entered.
Just outside the cathedral, the white peacock that lives on the grounds was strutting around the church green. I had previously only seen him from a distance. He’s beautiful, with a long, flowing tail, and a crown of slight feathers. I whistled a very soft whistle, and to my surprise he came running toward me.
A woman next to me, looking at the peacock, asked, “?Como se dice en ingles?”
I speak a tiny bit of Spanish and replied, “peacock.”
“!cómo extraño! En español, decimos pavo.” (How weird. In Spanish, we say “pavo”.)
I nodded, not knowing what else to say and a little embarrassed by my very limited Spanish vocabulary (which ironically I was working on just a few hours prior to my visit to the Cathedral.)
She continued, “Que la iglesia no es hermosa? Es como en el cielo existe.” (Isn’t the church beautiful? It’s like Heaven in there.)
I agreed with her, “Sí. Es como el cielo.”
I wondered how she knew what Heaven looked like. She seemed a little kooky and I was reminded of that show Touched by an Angel that I used to watch with my mom when I was a kid. The woman smiled and left me alone with the peacock.
I don’t know if this is the start of a new chapter of faith for me. I do know that it was nice to be in the presence of something larger than my own existence for a while, a place that gave me a small glimpse of what Heaven might be like.
Published by Christa Avampato
IN BRIEF
Author, journalist, digital product manager, and licensed New York City tour guide. Creator and host of NYC's Secrets and Lies. Alumna of the University of Pennsylvania (BA), the Darden School of Business at the University of Virginia (MBA), Arizona State University (Biomimicry), and the University of Cambridge (MSt in Sustainability Leadership).
I build digital media platforms, report on urban climate resilience and biodiversity, and produce live narrative experiences that connect communities to history, nature, and place.
THE DEEP DIVE
My work centers on a single thread: building systems and stories that foster deep connection to our shared world. Across digital streaming, environmental reporting, and live civic storytelling, I design experiences that help people understand complex ideas and the environments around them.
DIGITAL PRODUCT STRATEGY & MEDIA LEADERSHIP
At Carnegie Hall, I serve as Digital Product Manager, leading product strategy, operations, and technical delivery for the video streaming platform Carnegie Hall+. I translate artistic mission into scalable, high-performance streaming architecture that reaches audiences globally. Previously, I led agile product and delivery teams across operations and compliance at American Express, managed Broadway theatrical productions and national tours, and guided strategic initiatives across cultural institutions.
ENVIRONMENTAL JOURNALISM & AUTHORSHIP
As a freelance journalist, I investigate how living systems, urban infrastructure, and human culture intersect. My reported features on urban decarbonization, biodiversity, coastal resilience, and biomimicry appear in publications including Smithsonian Magazine, The Washington Post, Mongabay, Natural History Magazine, and Foreign Policy Magazine. In fiction, I write the Emerson Page young adult novel series, alongside upcoming historical fiction and nonfiction works on New York history, mythology, and human resilience. I also write Togetherhood, a LinkedIn newsletter focused on urban ecology and community restoration, and co-host the podcast Frameworks in the Wild.
LIVE EXPERIENCE & CIVIC STORYTELLING
As a licensed New York City tour guide and live event producer, I transform urban landscapes into shared narrative encounters. I created, produce, and host NYC's Secrets and Lies, an interactive live storytelling series staged across cultural landmarks including the New York Transit Museum, the South Street Seaport Museum, and the historic tall ship Wavertree. I also design and lead site-specific walking tours exploring coastal ecology, food history, and neighborhood evolution, often with partners at Climate Week NYC and the Natural Areas Conservancy.
DOUBLE OR NOTHING MEDIA
Through my independent production studio, Double or Nothing Media, I develop ventures across media, ecology, and public history:
Digital Products & Strategy: Architecting scalable digital platforms, streaming experiences, and operational models for mission-driven institutions.
Environmental Reporting & Publications: Delivering long-form reporting, books, and newsletters grounded in climate resilience and regenerative design.
Site-Specific Live Storytelling: Producing immersive live shows and educational walking tours that engage public audiences in community history.
CONNECT
Website & Production Hub: doubleornothingmedia.com and christaavampato.com
Newsletter: Togetherhood on LinkedIn - linkedin.com/newsletters/togetherhood-7273771832221089792/
Instagram & Threads: @christarosenyc
Emerson Page Novels: emersonpagebook.wordpress.com/
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