Yesterday, I found myself leaving the emergency room of St. Luke’s Hospital. I had developed a “subconjunctival hemorrhage” and a slight amount of “petechiae”. This is a fancy way of saying a very small blood vessel popped in my left eye and I had a few tiny red freckles around both of my eyes. I was panicked that I was experiencing the beginning of a very serious medical condition. Turns out that all of my blood work and diagnostic tests came back completely normal. I’ll just look a little weird for a week or so.
I called my mom to update her and let her know that nothing was seriously wrong with me. I wandered down the street, into the children’s sculpture garden of the Cathedral of Saint John the Divine. As I was explaining to my mom that I was just fine, I found myself tearing up. Maybe they were tears of relief, or fear, or maybe it was frustration with the week I had just finished. Over the past few days I have discovered many more of my friends have lost their jobs. I’m beginning to wonder how I’ve been so fortunate to escape that situation in this economy. I work very hard, though not any harder than my friends who have been let go from their positions. I’m beginning to think that luck has a lot to do with it.
I sat in that sculpture garden for about 20 minutes and had a good cry. The sun had come out, the wind was blowing, and I felt lost. I’m worried about the uncertainty we’re all facing, despite the fact that I have managed uncertainty so many times before. I feel like the ground is shifting beneath our economy, and there is no sign of it settling down any time soon. I was angry for my friends who have been let go from their jobs – hard working, talented people who were seen as a line item on a company’s excel spreadsheet, an expense rather than a resource and an investment. I felt shaken.
I had never really looked at that giant sculpture next to Saint John the Divine. It’s a collaborative piece of work based on Noah’s Ark and the triumph of good over evil. The Cathedral has been closed for some time for renovations and recently re-opened. I was weary from my hospital visit though felt drawn into that incredible cathedral. I wandered in and it was nearly empty. The choir was practicing and I felt drawn to sit in the center of the space, letting that beautiful music wrap around me like a warm hug. Though I am not a religious person, I felt that God was very close to me at that moment, that he knew what I was going through, and wanted to help.
I let my eyes tear up again, I was cemented to that seat, transfixed by the music. After a little while I got up and walked around the edge of the cathedral, stopping to look at each of the small chapels. The light shone through them so brilliantly. I had never seen stained glass that colorful and perfect. By the time the choir stopped, I got to The Poet’s Corner, a small area that pays tributes to literary greats such as Mark Twain, Herman Melville, and Gertrude Stein. They each had their names and birth date engraved into a stone, along with a quote they famously wrote.
One quote particularly caught my attention. Theodore Roethke said, “I learn by going where I have to go.” I thought about this quote all the way home. It reminded me that I have places I need to be, where I’ve committed to be, and there are things for me to learn there and to take somewhere else. Today, I just need to do what I have to do. The acts of hope and faith are a daily process. Just keep showing up.
The image above can be found here.
Published by Christa Avampato
IN BRIEF
Author, journalist, digital product manager, and licensed New York City tour guide. Creator and host of NYC's Secrets and Lies. Alumna of the University of Pennsylvania (BA), the Darden School of Business at the University of Virginia (MBA), Arizona State University (Biomimicry), and the University of Cambridge (MSt in Sustainability Leadership).
I build digital media platforms, report on urban climate resilience and biodiversity, and produce live narrative experiences that connect communities to history, nature, and place.
THE DEEP DIVE
My work centers on a single thread: building systems and stories that foster deep connection to our shared world. Across digital streaming, environmental reporting, and live civic storytelling, I design experiences that help people understand complex ideas and the environments around them.
DIGITAL PRODUCT STRATEGY & MEDIA LEADERSHIP
At Carnegie Hall, I serve as Digital Product Manager, leading product strategy, operations, and technical delivery for the video streaming platform Carnegie Hall+. I translate artistic mission into scalable, high-performance streaming architecture that reaches audiences globally. Previously, I led agile product and delivery teams across operations and compliance at American Express, managed Broadway theatrical productions and national tours, and guided strategic initiatives across cultural institutions.
ENVIRONMENTAL JOURNALISM & AUTHORSHIP
As a freelance journalist, I investigate how living systems, urban infrastructure, and human culture intersect. My reported features on urban decarbonization, biodiversity, coastal resilience, and biomimicry appear in publications including Smithsonian Magazine, The Washington Post, Mongabay, Natural History Magazine, and Foreign Policy Magazine. In fiction, I write the Emerson Page young adult novel series, alongside upcoming historical fiction and nonfiction works on New York history, mythology, and human resilience. I also write Togetherhood, a LinkedIn newsletter focused on urban ecology and community restoration, and co-host the podcast Frameworks in the Wild.
LIVE EXPERIENCE & CIVIC STORYTELLING
As a licensed New York City tour guide and live event producer, I transform urban landscapes into shared narrative encounters. I created, produce, and host NYC's Secrets and Lies, an interactive live storytelling series staged across cultural landmarks including the New York Transit Museum, the South Street Seaport Museum, and the historic tall ship Wavertree. I also design and lead site-specific walking tours exploring coastal ecology, food history, and neighborhood evolution, often with partners at Climate Week NYC and the Natural Areas Conservancy.
DOUBLE OR NOTHING MEDIA
Through my independent production studio, Double or Nothing Media, I develop ventures across media, ecology, and public history:
Digital Products & Strategy: Architecting scalable digital platforms, streaming experiences, and operational models for mission-driven institutions.
Environmental Reporting & Publications: Delivering long-form reporting, books, and newsletters grounded in climate resilience and regenerative design.
Site-Specific Live Storytelling: Producing immersive live shows and educational walking tours that engage public audiences in community history.
CONNECT
Website & Production Hub: doubleornothingmedia.com and christaavampato.com
Newsletter: Togetherhood on LinkedIn - linkedin.com/newsletters/togetherhood-7273771832221089792/
Instagram & Threads: @christarosenyc
Emerson Page Novels: emersonpagebook.wordpress.com/
View all posts by Christa Avampato
I’ve been to the same place, both physically and emotionally, at St. John the Divine. As my father always said, “things work out for the best”..your friends will bounce back, and you will do well..I’m glad you write
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Thanks, runner52. The writing helps. And I agree with your dad – this will all work out somehow.
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